Meet the Maker- Maria Mc Garry

Maria McGarry- Feltmaker

Maria entered her piece to the “Endangered exhition” entitled-‘Marsh Fritillary Butterfly’. In our series of interviews with the makers we asked Maria questions about her piece and her textile practice.

How does your entry to the ” Endangered Exhibition” respond to the title?

 The ‘Marsh Fritillary Butterfly’ (Euphydryas aurinia or as gaeilge, Fritilean Reisc) feeds on the ‘Devil’s Bit Scabious, Sussisa pratenis, flower’. The marsh fritillary is one of Irelands few legally protected butterflies under Annex ll of the European Union Habitats and Species Directive. The species relies on the Devils bit Scabious to lay their eggs, but the habitat for this plant is declining because of farming intensification, urban development, and monoculture forestation of traditional bog lands. I was inspired by a train conversation with Dr Ken Bond, UCC who has spent many years monitoring and protecting this species.

Crafting through the current crisis.

Looking back, I have been busy during lockdown. I completed my Art Textile Level 8 course at Crawford College Cork with my piece #ONE WORLD, which charts the spread of Covid 19 on a felt population density map of the world (up to 25/5/2020). This was part of a virtual exhibition ‘EMERGING’ at The Gallery 46 Grand Parade, Cork.

#ONE WORLD was taken from the Director-General of the W.H. O’s speech on 15/04/2020, as he voiced his major concerns about the viral spread in poor countries especially Africa. That was also the day that the U.S.A President decided to stop funding to the W.H.O. 2 million accumulated cases were reported worldwide that day and over 10,000 deaths in New York.

Detail of felt, Covid19 Clusters and viral spread up to 05/05/2020

COVID 19 sent the world into lockdown in March 2020. Something invisible could affect so many people on a global scale.  A world without borders! I wondered how I could visually represent the spread of this virus on the world map. I was inspired Renna Saini Kallat’s Woven Chronicle, 2011 which is a world interconnected that ‘with Globalisation, the privilege of free movement for some means forced displacement and migration for millions of others.’

I had another piece # TICK TOCK ( the cogs of climate change)  on exhibition at The Gallery ,46 Grand Parade for the ‘HAND’ exhibition, March 2020 ( a collaboration of Crawford College, textile students and UCC  drama students). This exhibition remained in place during lockdown.

My triptych, screen printed Nuno felted and embroidered piece, #FAKE NEWS is part of the Irish Guild of Embroiders 2020 exhibition at the Lexicon, Dunlaoighre

How I discovered felt and what it means to me.

In 2010 I saw an advert for the Basics and Beyond Feltmakers Ireland workshop in Lucan and am hooked ever since. I have met so many likeminded and lovely people. I have enjoyed the Sunday sessions at the Knockmaroon Gate in the Phoenix Park, and workshops given by other members of Feltmakers Ireland. I have taken part in incredible masterclass workshops with Gabrielle Kovacs from Hungary, Nancy Ballesteros from Australia, and last year with Leiko Uchiyama.

Inspired by all the exceptionally talented friends I have met through Feltmakers Ireland, I completed my Certificate in Visual arts in NCAD IN 2018 and have now finished Art Textile in Crawford College Cork. I am passionate about textile art and making. Feltmaking is my meditative space, because the art is in the consistency and gentleness of the laying and manipulation of the fibres. This cannot be forced or rushed and does require experience and practice. I love Nuno feltmaking and the lustre of combining silk with merino wool.

Because of lockdown I have a full house working from home so my feltmaking is on hold as   my kitchen table had to be cleared. I have lots of ideas brewing and cannot wait to get back at it. Thank you Feltmakers Ireland for all the inspiration, joy and friendships over the last 10 years.

Meet the Maker- Elaine Peden

Interview with Artist Elaine Peden.

Elaine Peden is a long time, committed member of Feltmakers Ireland. Once again she took part in this organised event and submitted a wonderful piece highlighting micro plastics in water pollution. A regular contributer to the “Element 15” textile group, exhibiting around ireland, Feltmakers thanks Elaine for her continuing interest in the organisation and for helping to publicise the craft.

” Dive straight in keep your eyes wide open ” : €500

Made during lockdown over a period of two weeks.

Working from home technology “zoom” became an integral part of my working day ,I craved the creative process. Wet felting became the perfect medium for me during lockdown and helped balance my ‘right and left’ brain .

Detail of Elaines piece

I made this piece outdoors ,laying out the fibres on our long hot Covid summer days. My work is process led ;colour plays an integral role in my work . I chose lemon and golden yellow as my primary colour base , (a colour I have avoided until now) the sun reflecting off the sea.

The circular openings draws the eye to look inside , the ‘Blue’ luminous fabrics and silks buried in the voids , reflects deep sea dumping , microplastics, and the Impact of consumer culture mainly the use of plastics on our oceans .

I believe we can create  awareness about deep sea dumping through Art .I believe Covid helped us reconnect with our Blue landscape.

Meet the Maker- Endangered -Yling Khaw

Yling Khaw, felt artist

The Endangered Exhibition drew in new members to Feltmakers Ireland, to whom we welcome. Yling submitted a wonderful piece of work entitled “Clouded Leopard”. We asked her 3 questions about her work in response to the Exhibition title.

The Exhibition title- Endangered?- how does your piece respond to the title? your inspiration and methods etc
The tropical rainforest has been a lifelong love of mine even though I have lived in Ireland for the past 20 years. I grew up playing in streams, and had spent practically every weekend and holiday in the forest. My main interest is macrophotography of insects. 
Unparalleled diversity: A square kilometre of rainforest contains several thousand species; absolutely mind-boggling. Immersing oneself in it is a humbling experience.Not only is the rainforest disappearing fast, it is nearing an irreversible tipping point beyond which it can no longer sustain itself.The loss of such a magnitude of living beings is heart-breaking. I bear witness.
I chose the Clouded Leopard because it is native to my birth country and its survival depends on presence of primary (pristine) rainforest. It is an elusive, beautiful cat, well known for it’s tree-climbing skills. 
I am grateful to Endangered Exhibition for raising awareness of our planet’s collapsing ecosystem. I take this opportunity to challenge the viewer to look him in the eye and say one does not care.
Feel the heart break and take action. 



Method: Needle felted merino roving on 100% wool felt sheet.Photo credit: Wikimedia commons.

Crafting through the current crisis, with the pandemic have you found more or less time to craft, has it inspired you or have you found it more difficult- discuss
For me, the crisis meant a combination of maternity leave and lockdown with two young kids. I felted a little every evening. Felting has helped me maintain my sense of self. 

Felt- how you discovered it, what it means to you
I was looking for a craft that looked attractive, yet flexible and forgiving. Needle felting is also very exciting due to the endless possibilities! Even better, it is a natural compostable material!

In January 2020, I got a box of needles, felt, core wool, 40 colours of dyed Merino and embarked on my felting journey. This art form is as fun as it is therapeutic. 

We thank Yi ling for her participation in this event and congratulate her on the quality of her work, especially as she is so new to the craft and has managed to jugle so much through lockdown! We look forward and anticipate seeing more from this artist.

Meet the Maker- Interview with Claire Merry

piblicity poster- created by Tamzen Lundy, featuring the work of Claire Merry.

Its been a strange and in many ways a sad year. In January when Feltmakers ireland launched the “Endangered- lost there felt here” exhibition title, we did not know and could never have imagined how changed our world would become in 2020.

A global pandemic that might endanger human life and our very understanding of how we live would evolve. Covid- 19, coronavirus, socially distant, bubbles, pods and zoom all entered our vocabulary. We became news addicts, home schoolers, front liners, essential, non-essential, unemployed.

We have had to pivot the way we work, change the way we socialise and adapt the way we think. But as Charles Darwin put it- “its not the strongest of the species that survives, but the one most adaptable to change.”

Here at Feltmakers Ireland we mourned not seeing our members and friends face to face at Sunday sessions. We tackled zoom like the best of them and have held all our committee meetings remotely.

We’ve had had to cancel the best laid plans- two workshops with international tutors travelling from Canada and Australia ( postponed) and we have had to “pivot” so much that it’s left us dizzy!

We wanted to press ahead with our exhibition plans, now more that ever the title “endangered” seemed to resonate. We had 20 wonderful entries, from dedicated craft maker, artists. Our judges have told us that the quality made their jobs very difficult indeed.

The committee decided that because of the efforts of the artists and the quality of the work received as well as a motivator to the rest of us, we would like to show you all the pieces submitted-  in an online way.

We reached out to the member makers and asked 3 standard interview questions. We hope that the work and the artists answers inspire you to keep crafting through the crisis.

Interview 1- artist CLAIRE MERRY, whose piece entitled “tree hugger” was chosen for our publicity poster, above.

claire Merry- Tree Hugger, entry to “Endangered Exhibition 2020”

The Exhibition title “Endangered”- how does your piece respond to the title? What was your inspiration and the methods you use?

I entered two pieces to the exhibition- the first, “ Tree Hugger”- €750

These tail-less amphibians are wonderfully diverse many with fantastic colouring. Sadly many find themselves in an increasingly inhospitable world. Large numbers are listed as ‘critically endangered’. If we could all hug a tree and embrace the endangered habitats. We and the world would reap the reward.

The making of this piece-I have started playing around with mosaics recently. It’s possible to see the influence in this piece. I used prefelt to imitate tiles. 

My second piece- “BEAUTIFUL SUNSET OR DEADLY FIRE”- €850. 

The impact of the fires in Australia profoundly affected me. The loss of life, human and animal, habitats destroyed, homes and land devastated. The really sad news emerged that 85% of fires were triggered by human activity including arson as well ascarelessness and recklessness. 

I thought, wouldn’t it be lovely, if we could turn everything around and celebrate a beautiful sunset and the life of of the ecosystem living there. 

I spend a lot of time laying the fibres. Then I am up and down a ladder in order to view the piece as it’s growing. I love adding prefelt to drop in colour. 

Crafting through the current crisis, with the pandemic have you found more or less time to craft, has it inspired you or have you found it more difficult?

During lockdown it was great to have crafts to divert my attention 

from the terrible news that was emerging. I was lucky to have supplies.For a craft person they are as critical as the sliced pan and loo rolls.  

It wasn’t always easy to get down to work but once I did I could ignore the news and live in my head. 

Felt- how you discovered it, what it means to you?

I describe myself as a craft butterfly. Over the years I have been involved in so many areas. Textile, jewellery, ceramics and felt. I first came across felt at Bloom in 2008 when I saw a demonstration by Feltmakers, it really captured me. I love colour and find felt is a perfect medium for it. The versatility of felt means that there is always something new to discover. 

I have had fun with 3d, needle felting and clothing. I find working on a submission stretches me and makes me try something new. 

You can see more of Claires work at www.merryland.ie

Endangered exhbition

An update:

Endangered exhibition applications- the date for preliminary round judging has been extended to try to accommodate the unforeseen circumstances we find ourselves in.

The Closing date- for digital submissions is now 30th June. See application form attached.

We have engaged two independent Judges- one from International Felters Association and one Non-member, established Irish felt maker.

The first round of judging will be done using digital submissions- see the application for details of format required. This will be done remotely, using an anonymous numbering system. The Judges will not know who has submitted any piece and their decision is final. The committee is not involved in this judging process. The entries will be ranked in numerical order, the top 20pieces will go on to the next round.

Currently we have been allocated a gallery space by Knit & Stitch- 6mx 5m x5m (wall space, with floor space available for some 3D pieces). We are in touch with the organisers- twisted thread. They have promised to keep us informed. Currently the K&S is going ahead in November. I am sure you can appreciate that we are nervous about this but remain hopeful also.

We have a plan B in place, should the knit & stitch show be cancelled. We have already been in contact with our OPW contact in the Phoenix Park. He has assured us that he will not see us stuck. We are hopeful therefore that we will be able to exhibit at one of the Phoenix Park venues- for example the visitor centre, the Cowshed or Farmleigh ( should the Knit & Stitch RDS be cancelled).

In these new and uncertain times, we are finding new ways of working. We have had to learn to be more flexible. Our two judges for example will be working remotely for the first round. We do however want to promote our craft of felt making. We want to offer our members something to aim for. We want to inspire and encourage fellow artists and we want to remain creative.

I read somewhere recently that while science will find us a cure, art will keep us sane… this resonated with me and I hope that you members understand that while some flexibility may be required on all our parts we will endeavour to remain optimistic and push forward with the “Endangered” exhibition… a title that seems even more important today than ever.

Entry open to members of Feltmakers Ireland 2020 only.

Endangered Exhibition- Application Open

Hi members,
please find the application form for the Exhibition by Felt makers Ireland to be shown at the Knit & Stitch show in Nov 2020.
We look forward to receiving your entries- to hello@feltmakersireland.com
This will be a 2-stage process- first round (together with fees, 15th June, photographs digitally submitted only) 2nd round actual pieces judged in Sept.
Both judging rounds will be by independent adjudication- not by the committee. The committee will provide administrative support and liaison with members.
We really do look forward to seeing our members work and presenting the lucky chosen pieces to the wider public. Good Luck.

APPLICATION FORM FOR ENDANGERED EXHIBITION MASTER

endangered poster 16706945512491622492..jpg

Felt Exhibition opens Sunday 2nd August

Feltmakers Ireland are pleased to announce the opening of a solo exhibition of the work of our very talented member Clare Merry. The show runs for two weeks in the Visitors Centre in the Phoenix Park, Dublin. The exhibition presents a wide range of pieces from quirky needle felted Marilyn Monroe (below), through beautiful garments and felt wall pieces. Well worth going to see.

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Two Summer Solo Shows not to miss

Feltmakers Ireland are delighted to announce two solo shows by our members for the month of August. We held a call out earlier this year for interested members to submit ideas for an exhibition  in the Visitors Centre in the Phoenix Park. The two successful members were Claire Merry and Niki Collier.

Claire will be showing some of her beautiful felt clothing and pictures from 1- 14 August

Claire Merry FI at Phoenix Park 150720

 

Niki Collier will present a selection from her exciting new Autumn/Winter 2015-16 felt clothing collection entitled ‘H’ (for hope). Her work will be on show from 16-31 August. http://www.nikicollier.com/

NikiCollier-H-Collection-16-31-Aug

 

Not to be missed.