Christmas present idea

basic and beyond hat making 2020

basic and beyond application form 2020

It is that time of year… and some clever people have already purchased this Day course as a present for a loved one! What a lovely present that is and perfect timing, just afer Christmas on 25th of January… going away with a new hat and a new skill… perhaps even a new group of friends in feltmakers ireland and certainly a fun day out.

If you want to purchase one of the last places on this course- for a friend- contact us.

We will endevour to help you out and can provide you with all the details and a gift certificate to give to them…. be someones secret Santa- GIVE EXPERIENCES, NOT THINGS.

Xx

Interview with Yaroslava Troynich

YAROSLAVA TROYNICHFelt makers Ireland follows several felt makers on Instagram to get our regular fix of inspiration. A member put us in touch with Yaroslava Troynich, a 41yr old Russian textile artist, based in Helsinki, Finland.  Her specialty is felted animal puppets. She says “this is fun textile way to worship wildlife” we decided to get in touch to find out more…

 Tell us a little about you as a person? e.g. upbringing/ where you work/ work other than textiles…

My life seems to me like a huge pile of wool, which I could transform into endless forms.

I was born in USSR and had no artistic background in my family. As a child I was fond of sewing textile toys and dreamed about art school and industrial design. The next big dream was to become a policeman to fight for justice and make the world better. However, the world itself captured all my attention so in the end I graduated from university as a journalist! For several years I have been traveling the world and contributing to Cosmopolitan and National Geographic in Russia and continued to write for local media after moving to Finland in 2007.

Most of all I loved to make stories about remote places, where wildlife, traditional lifestyles and crafts remain. The best moments of my life have mostly connected to wildlife – snorkeling with manta rays in Galapagos, planting rainforest for orangutans of Borneo or searching for the sloths in the Amazon.

Humans and wild nature cohabiting and environmental issues were always on my top interest list.

 

How and when did you start your textile journey… what is your experience, tell us a little…

Once in 2009 I came across of artwork done by Stephanie Metz. Her meaningful sculptures made of white wool and some experimental textile pieces were shockingly modern, pure contemporary art.

In Russia felting is very traditional craft and to me it felt quite outdated. But this was the first moment I began to look at it differently. My inner artist woke up. I tried needle felting and was amazed of wool’s ability to take any shape. But I really fell in love with wool after my first wet felted piece. The feeling of soapy babbles on my hands and witnessing of wool fibers transformation into something totally new – this magic has forever bewitched me. Quite soon I realized that I want to work with 3D-felt. In my childhood I loved “bibabo”, traditional Russian hand puppets, with their history dated back to 17 century and originated in Italy and France. Ideas came fast and naturally. My first fox puppet was born, and it felt like a real gift from textile and craft gods. Surprisingly, combination of traditional felt with traditional toy turned in to very modern and unique art object. Suddenly everything came together: my love of puppets, of wildlife and of wool. That is the story of my own transformation into textile artist specialized in felted animal puppets.

My artwork is my small personal contribution to environmental awareness. These puppets are really great communication gadgets. They help to connect parents with children, create new stories and learn new things. They have strong social position – they support environmental education and promote love to animals. My special pride if they work with ecologists in the national parks and museums and with teachers and psychologists.

I have been learning a lot from great textile artists to develop my own skills, tried new areas of textile art but nothing makes me as happy as these animal puppets. Felting process itself has great art-therapeutic effect on me. So, I do share these benefits with others on my workshops around the world. I love to teach adults and transform them into artists and kids at least for a day. This transformation is no less amazing than wool metamorphoses. Sometimes I feel that it can be my real vocation to inspire people for creating via my puppets.

thumbnail_Bibabo_Puppets_3YAROSLAVA TROYNICH

Tell us about your process from conception to creation and what is your motivation? e.g. for hobby/ creativity/ art/ fashion/ health/ money…

My strongest motivation is a game with the world, special quest. I want to explore its secrets and search for opportunities to create new, positive and inspiring things.

Almost all my ideas I draw from the nature. Weird animals, beautiful animals, endangered animals. While visiting national parks I have chance to encounter wildlife closer. Even though I don’t follow physiological accuracy in my work, I study animals a lot, examine pictures, watch nature documentaries and read about their habitats and personal lives. I am minded in spirit of minimalism, restrained Scandinavian design and naive art, so I try to create live animalistic images using as little details as possible. But I also like to add some humor or bright travel and cultural heritage inspired details to my work. Especially, I feel free with my finger puppet collection. Some animals can wear Russian felted boots at some occasions and use the laptops at their homes. This kind of art makes me play all the time. I draw very poorly, so my rare sketches look like ugly construction schemes. More often I just have an idea inside my head and then test it directly on the wool. Complicated shapes I break into many simple forms and play with it. I combine different felting technics but my main one is wet felting. There are wool, soap, water and hands only. I use a lot of different fibers for creating animal hair, especially I love hairy goat mohair. I try to make my felt durable and flexible in the same time to keep the most of mobility for the toys. Sometimes my projects involve dyeing of materials and even painting on top of the wool toys.

It is weird, but 3D objects at first are just flat and in the beginning of my journey I was too depending on the patterns and constructive solutions but nowadays I become increasingly aware of limitless sculptural opportunities of felt. You can always change, reshape, improve. Felt makes me feel braver as an artist because in this process even apparent mistake can turn in to genius idea. Besides, it is difficult to make mistake with animals – they always come out wonderful. Probably, because they are born twice – at first from the idea and wool and then again become alive on top of the hand while playing.

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YAROSLAVA TROYNICH

What currently inspires you? 

Lately I am passionate about the animation to give my puppets even more life and voice. It is inspiring to integrate and collaborate different types of art and creativity in to the one beautifully felted structure. Well, and sponsors of all my ideas and inspiration invariably remain wildlife and life itself, with all that everyday routine and new changes. The coolest ideas come to me when traveling or hang out in the mountains, through the forest or along the cold ocean. The Amazon jungle and Himalayan snowy peaks are my eternal favorites.  But during my life in Finland, I fell in love with the north. Perhaps the northern animals are not the most vivid and expressive as objects for creativity, but the power of life in northern nature, with its short as a flash summer, is simply unique.  This power nourishes me. In Finland, people are very respectful to their nature resources, and this gives me the feeling that I am in the right place. After all, partly my work is pure nature worship, and toys are a tribute to the nature.

 

Thank you Yaroslava for taking the time to answer our questions for supplying the wonderful images of your work and for providing the dose of Instagram inspiration that we need. If you want to see more follow Yaroslava at the below.

 

Instagram

@yara_bibabo

#yaroslavatroynich

 

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YAROSLAVA TROYNICH

 

 

 

 

 

 

 

 

 

 

 

Christmas Sunday Session

dec 19 session

The Next Sunday session will be a very casual affair… mince pies and coffee and some relaxing hands on felting… maybe make a christmas decoration… as regular members advice on projects… bring along some things you are making and show us… A crafty little day time get together away from the Hubbub and hoobala of the Xmas rush.

 

SLOW DOWN this year, have a chat and a coffee… make something, watch….

Everyone is welcome ( members/ non members/ past /present and future).

 

Christmas Sunday Session

dec 19 session

The Next Sunday session will be a very casual affair… mince pies and coffee and some relaxing hands on felting… maybe make a christmas decoration… as regular members advice on projects… bring along some things you are making and show us… A crafty little day time get together away from the Hubbub and hoobala of the Xmas rush.

 

SLOW DOWN this year, have a chat and a coffee… make something, watch….

Everyone is welcome ( members/ non members/ past /present and future).

 

Fashion, made in Monaghan

MODE_Designer_GFL_1 (1)

made- in- monaghan

A unique “MODE – Made in Monaghan Designer Showcase”  will  mark the end of our Very Successful 2019 Programme

This showcase extravaganza will provide an excellent opportunity for our many talented designers to display their creative collections to other women in business and a wider audience.

Monaghan Designers being showcased on the evening will include:

The event, which will be expertly hosted by Maria Macklin, House of Colour, will include a range of refreshments and we will end  the evening with some excellent live musical entertainment provided by very talented Dara MacGabhann and Andy Hogg, aka “The Two Five Ones”.

Details of the event are:

Venue:          Westenra Arms Hotel, The Diamond, Monaghan
Date:            Wednesday 27th November 2019
Time:            7.30pm
Admission:  €15 including refreshments and entertainment

We are really looking forward to hosting this unique event which will provide our gifted designers with an excellent promotional opportunity and will provide you with an informative, enjoyable evening out – and inspiration and ideas for supporting local businesses and buying local for the festive season and in the years to come!

Please book early to avoid disappointment.   We have a limited number of places available and they really will sell out very very quickly.  The booking link is here.  Click on it now to grab your place!

Larissa is one of our members and will be presenting the first Sunday Session of 2020 at the knockmarroon Gate studio- on different breeds of fleece and their specific uses in feltmaking!… the date for your 2020 calender is 12/01/2020

MODE_Designer_GFL_3 (1)

MODE_Designer_GFL_2 (1)

Sunday Session Nov 10th

nov 19 session

NEWS UPDATE:

Sunday session on Nov 10th will be held as usual at Knockmarron Gate Studio 10:30am, all welcome to attend. Clodagh will give a talk on Japanese textiles and show some of her own dye work. She is asking members to bring along any examples of their own Japanese textiles. Perhaps you have travelled there for the Rugby or plan to go next year for the Olympics? Japan is on trend in fashion too for 2020.

Please bring any examples you have of Kimonos, Shibori ( your own felt examples or otherwise) to contribute to the discussion and make the session lively.

 

KNIT AND STITCH

Thanks to all volunteers in advance of the show- without your help Feltmakers Ireland would not be able to have an exhibition stand. The Sunday session is running as usual despite it being the last day of the Knit and Stitch show… maybe we can share information about our visits and experience.

FIBRE will also be available- though there may be limited stock this weekend due to the Knit and Stitch show exhibit.

 

Sunday Session Nov 10th

nov 19 session

NEWS UPDATE:

Sunday session on Nov 10th will be held as usual at Knockmarron Gate Studio 10:30am, all welcome to attend. Clodagh will give a talk on Japanese textiles and show some of her own dye work. She is asking members to bring along any examples of their own Japanese textiles. Perhaps you have travelled there for the Rugby or plan to go next year for the Olympics? Japan is on trend in fashion too for 2020.

Please bring any examples you have of Kimonos, Shibori ( your own felt examples or otherwise) to contribute to the discussion and make the session lively.

 

KNIT AND STITCH

Thanks to all volunteers in advance of the show- without your help Feltmakers Ireland would not be able to have an exhibition stand. The Sunday session is running as usual despite it being the last day of the Knit and Stitch show… maybe we can share information about our visits and experience.

FIBRE will also be available- though there may be limited stock this weekend due to the Knit and Stitch show exhibit.

 

Interview:Tara Kennedy for Feltmakers Ireland

Tara Kennedy_ Awakening Belief_ 300dpi_ Photo by Beyton ErkmanAs part of our interview series and as we look forward to the Knit & Stitch show, Feltmakers Ireland is reaching out to participating and exhibiting artists. Tara Kennedy kindly agreed to respond to our interview questions about her journey and work. We have included links to her social media accounts at the bottom. Be sure to check out this inspirational artist.

 Tara Kennedy for Feltmakers Ireland

 Tell us a little about you as a person? e.g. upbringing/ where you work/ work other than textiles…

Ever since I can remember I have only ever been interested in the creative arts. As a child I always had a pencil in my hand, drawing at every opportunity. Having a mother with an interest in the arts and supervising children’s art clubs she would spend time with me making and creating all kinds of creations. She always had a sewing machine, (and still does), with a little old chest of drawers next to it, full of sewing and crafting bits and bobs including a little lidded basket full of buttons. I now have this chest and the basket is full of much the same. She made endless clothes for both me and my sister and even for our dolls and toys as well as most of the soft furnishings for every room in the house.  With all this creativity surrounding me I found it comforting and inspiring.

Tara Kennedy_ Hope Emerging_ 300dpi

How and when did you start your textile journey… what is your experience, tell us a little…

I went straight to Art college as soon as I could, happy to leave the constraints of school behind. I studied fashion and textiles for 4 years at the Berkshire College of Art and Design specialising in Knitwear. In my final year I was sponsored by two yarn companies who gave me huge quantities of yarn on cones, many of which I still have and use. I was also given lots of embroidery threads and wools from a great Aunt who was a big cross stitch enthusiast and I have been using many of these in my work ever since. I like the idea of using these old materials, along with recycling many other unwanted textiles to create unusual surface decoration, something I became fascinated by.

After graduating I set up my own knitwear business. A year later I went into partnership with Tim Kennedy, a fellow student and who a few years later I married. We developed our business adding items for interiors, selling at craft fairs and in small gift shops and galleries.

Over the years I developed, added and altered what I made but knew I only ever wanted to create art working for myself. After many years, my sales started to fall as the British handmade craft industry struggled against cheaper handmade imports. I was also starting to feel my work was becoming repetitive and undemanding and felt the need to challenge myself and develop more as an artist, free from commercial restraints. This was a turning point for me and decided it was the right time to move my work in a more meaningful direction.

Tara Kennedy_ Empathy_ 300dpi_ photo by Beyton Erkman

I came across the OCA, Open College of the Arts, and enrolled in a distance learning BA in Creative Arts, specializing in Fine Art and Textiles. This course was very convenient at the time, enabling me to wind down my craft business at the same time and have a small part time job, which I still have to this day. The course opened new and exciting ways of working, using new materials and helping me to be freer and more experimental. It was a valuable experience requiring both dedication and self motivation. My studies developed around subjects of personal identity with the contrasting cultures and religions of my ancestors having a big influence on me. It led me down an intriguing path of Eurasian studies, embracing politics and history, social and cultural change. These concepts had become an integral part of my work and I felt I had only just touched on the surface of ideas. I needed to develop this theme further, so I applied for an MA in Textile art at the University for Creative Arts in Farnham. This turned out to be the best thing I have ever done!  Being able to explore any creative pathway of my choosing and making whatever I desired was an incredible luxury and a significant journey.

Tell us about your process from conception to creation and what is your motivation? e.g. for hobby/ creativity/ art/ fashion/ health/ money…

My main motivation would have to be the reaction I have from creating and making. The feelings of comfort, tranquillity and wellbeing that come with the process is invaluable.
The work I undertook on the Masters course is the basis of my current work which continues to develop and change. My initial inspiration came from a need to express this unity of my mixed cultural heritage which then evolved into being less personal and became an expression of humanitarian unity. I made extensive research examining different cultures and religions in conflict and the effects of their suffering. The despair I feel of this suffering from conflict drives me to express important messages of acceptance, empathy and hope.  I feel It’s possible through understanding these messages there could be more harmonious outcomes in the world.

My present work now is about creating expressions of hope emerging from this pain. I aim to leave an impression on the viewer, causing them to contemplate and consider but it’s not essential to me they understand what it’s about. People see different things and I find it intriguing to hear their views and how it makes them feel.

My sketchbook has been invaluable in helping me to progress and develop my ideas. I collect information connected to my theme alongside related images of colour, form and texture and use these to help create ideas. I then make numerous drawings, creating shapes, patterns and forms in various scales, out of which designs for finished pieces transpire.

Tara Kennedy_ Hope Emerging detail 1_ 300dpi

The materials I use are chosen for their soft tactile quality to create a comforting feeling which include yarns, threads, carded wool and fabrics. I use various techniques including knitting, wrapping, felting, knotting and stitch depending on the expression, for example I often use knotting to convey tension, felted holes to express suffering and shibori felting to suggest buds of hope.

I have also realised how significant process is and how the act of wrapping and binding not only feels therapeutic but adds to the feeling of protection and healing.

The designs of my pieces take the forms of soft sculptures, wall hangings and more recently works on canvas. I use the imagery of cages suggesting protection, bundles and wrapped lengths conveying togetherness and trailing lengths to convey the spreading of hope.

Colour is also central for the expression, using blood red to suggest suffering and ivory to convey hope and often using a graduation of the colours from one to the other.

I also create detailed drawings which provide an alternative viewpoint and compliment my 3D work.

Tara Kennedy_ Continuous_ photographed in Somerset_300dpi

What currently inspires you?  

My work will continue to evolve, and I hope to work on many different concepts. In fact, I am presently planning other work on a very different theme after undertaking a month’s art Residency at the Textile Centre in Blonduos, Iceland with the ‘Textile Echoes’, a group of four textile artists. My work as a textile artist is usually inspired by emotional connections so the idea of coming to Iceland and using landscape and nature was to be a new and exciting challenge. After a few weeks of trips out exploring in the north I finally discovered the emotive feeling I had been hoping for.  The awareness of immense space from the endless landscape became increasingly overwhelming. Being totally absorbed by these incredible surroundings and the continually changing scenery I started to develop some ideas for a piece expressing these sensations. It was important to me I use solely Icelandic materials applying all the colours of the land from the black sand of the beaches to the imposing white snow topped mountains and everything else in-between.

From all this inspiration I created a 37-metre-long wrapped piece using Icelandic yarn, horsehair, raw sheep’s wool, fish skins and yarn dyed from Icelandic plants. By making such an extensive piece using a repetition of technique it helped me to express this continuous landscape.

I took the final piece to the coast, a short distance from Blonduos, and photographed it stretched out along the shoreline. It felt appropriate and was perfectly positioned amongst all the colours involved.

This piece is just the start of new making, working with landscape, experimenting with natural dye and natural materials. Wool will always feature in my work, as my favourite material whether felting, knitting, stitching or wrapping it.

Thank you so much to Tara Kennedy for taking part, for your inspirational images and work. We look forward to seeing and hearing more.

Website: www.tarakennedy.co.uk

Facebook:@tarakennedytextileart

Instagram:@tarakennedytextileart

Tara Kennedy_ Becoming_ 300dpi

 

 

 

 

Interview with Catherine Kaufman

12-Lee-Parkinson---Live-Magazines-Photography---Catherine---Sculpture-14Catherine Kaufman, sometimes affectionately known as the “Woolly Queen”. Feltmakers Ireland requested an interview ahead of seeing her work in this years Knit & Stitch at the RDS, Dublin.

Following on from her win at the Ribble Valley Craft Open Exhibition 2019, Catherine Kaufman was asked to exhibit her work at Olympia in London, and she is set to showcase her sculptures in Dublin as part of the Knit & Stitch show 7th-11th November this year.

Catherine grew up in a household full of art –her father was an antiques dealer and as a small child, she recalls her mother drawing beautiful elaborate pictures.

“Our home was filled with beautiful art and furniture – this greatly influenced me. My mother drew dancing ladies with crinolines for me which I loved.”

As a young girl Catherine always had a love of nature, imagining a world of fairy tales in the forests, countryside and riverbanks as she played near her childhood home.

“I remember that I always gravitated to the nature table at school, it was a magnet for me. I was always making and putting things together. I loved sand, playing with water and my favourite was fuzzy felt.

36-Lee-Parkinson---Live-Magazines-Photography---Catherine---Sculpture-38This was the start of things to come.

“I loved the smells of nature and the birdsong and noises. While among nature my imagination would be full of fairies and pixies and characters from stories I had read. It was all there, a rich tapestry just waiting to emerge.”

Attending a Catholic school in Altrincham, outside Manchester. Catherine left school at 16 but it wasn’t until she was living as a housewife in Rossendale, that she began to re-engage with her love of art.

“I began painting, I joined a local watercolour class, while bringing up my three children and I was asked to apply for a place at Blackburn University to study for a BA in Fine Art. At first, I thought it was crazy as I had no academic experience and I was a housewife with children! I wasn’t sure they had the right person to be honest!

“I made every possible excuse not to goas I was scared, but they kept pursuing meso eventually I decided to try it.”

Catherine went on to gain a first-class Fine Art degree in 2012 and is now one of the UK’s leading needle felt fibre artists.

39-Lee-Parkinson---Live-Magazines-Photography---Catherine---Sculpture-41

“Working as a felt fibre sculptor happened by chance. One morning I saw a lady who was demonstrating spinning and felting. I had never considered this medium before.

I asked her if she thought I could make sculptural figures with wool. She went onto teach me all the craft skills I needed to start creating my work.

That lady was Judith Beckett of the Wonder of Woollies and she became my guru and mentor. “Wool is now my love and being a fibre artist is my life.” says Catherine.

Catherine gleans inspiration from many things to create her beautiful life-size sculptures, as she explains: “It all starts with a thread of an idea. Where to start comes in many forms, I may find a figure whirling around in my subconscious – I often don’t really know who will surface so it’s very exciting!

“Then I get to work practically and physically, and the figure literally comes pouring out. It’s something that once I start, I don’t stop until its finished, so I never quite know how long it’s going to take or how I’m going to create it. It all happens naturally and organically during the creative process.”

Catherine admits that her creations are a reflection of her emotions. It is a way of working that suits my personality. I work for long periods with my pieces, so I can attach myself and immerse myself

completely into it. I find this very healing and comforting. The making process is so physical – it is very therapeutic and cathartic.”

Having chosen wool as her medium for her art, Catherine says it was important to her to select a material that is environmentally friendly and organic.

“In a world of synthetics there is no substitute for wool. Wool has a celestial symbolism that represents purity and truth.”

She sees her work as a ceaseless daily discipline: “It stems from my love of the making process, the physical repetitive act of making and assembling. I explore my own sense of self and that of the female narrative within the yarns.”

Her award-winning work showcased at the Spring Knitting and Stitching Show in London, was highly praised and she was delighted to be able exhibit there:  I was chosen to be an exhibiting textile artist there and was lucky to have a large stand where I displayed my collection of sculptural needle felt. The show was wonderful, and I have had a great response to my work, and I met some wonderful people.

I hope to raise awareness of the value of traditional crafts. This at the heart of what I do and if I can inspire young people to keep these ancient skills alive, then I have succeeded.”

You can see Catherine’s work at this year’s Knit & Stitch show in the RDS 7th-11th November… support your fellow felters- and get along!

Catherine Kaufman

Sunday Session 13th Oct 10:30am

october 19session

we hope to see many of you there… we will hear from participants of the recent workshop. Share ideas and cosy chat. Lets have a full house again. Tea/ Coffee and Buns as usual. Come along for an autumnal craft & chat.

Fibre sales available as usual and plenty of anticipation around the Knit & Stitch show also.

See you then! 10:30am Knockmarroon Gate Studio. Phoenix Park.