2023 FEBRUARY SUNDAY SESSION at CIE SOCIAL CLUB, THE WORKS, INCHICORE (Irish Wool Edition)

Clodagh McDonagh writes the blog about our February Sunday session. Thank you Clodagh!

There was a great turnout on the first Sunday Session of 2023 , on 12th February, for a very busy `hands on` double session with Annika Berglund, and South African sheep and Alpaca breeder, Grant Bartholomew.

Many of you will have heard about FI’s project exploring the  possibilities of sheep`s  wool available to us here in Ireland. Annika is to be really commended for the hard slog that she and her wool project team has put in over the last two years studying ,learning and trialling many of the various indigenous and local sheep fleeces available here, with their particular properties, and possibilities. A book is in the works, full of useful information and practical tips, based on the wool group’s research, which will be released very shortly.

Annika had done lots of preparation for the session, she began by showing everyone some samples, pointing out the varieties of colours, tones, and textures of the different wools. All of the wool had been carefully washed, combed (carded) and weighed, and tied into 10gm bundles, with identifying labels.

Personally, I offered early on to help produce a few samples, however, easier said than done! The method of laying out the different breeds is completely different to using the very tame and biddable imported Merino wool `tops`which leaves it`s native Australia to be processed in China or Germany, Italy or UK.

Annika had many tips for handling the fibre, including laying it down very finely on bubblewrap using a 20cm x 20cm paper template to help guide the process. Other tips included, using a wooden dowel as a roller, using minimal water and even using liquid soap (or melted olive oil `bar`soap) on it`s own, to help tame the rough fibres. To help speed up the process there was a microwave on hand  to heat the wool to encourage felting and even a sander too.

Annika encouraged everyone to have a go and we were allowed to take the finished square home, or alternatively to cut them up and swop part of it with another participant. There was lots of comparing of notes between participants on their varying experiences, with plenty of ideas for future sessions.

Grant began the second part of the session by setting up his fleece sorting table, a metal framed table with an open metal gridwork top, and placed the raw sheep fleece on it to start the process of judging it to find the best parts before it was to be washed and processed.

Grant gave us a basic lesson in how to sort out the bad from the good, which bits to avoid, and even which fleeces to discard entirely if they had been badly shorn, (double cut) holding a staple length to show us ,  stretching it to see whether it would break, which would form lumps in the fibre if left in during the process. Some of the fleece might be discarded  simply if it was too dirty, or if it retained the colour of the farmers identifying marks, purple for example, by using iodine liquid to stain the fleece. At times up to 20% might be lost on removing vegetation from the fleece, and washing can remove approximately 40% of the weight. It takes Grant approximately 20 minutes to sort each fleece, we were amazed at his speed and many of us were shocked to see him discarding at least 30 or 40% of the whole amount.

According to Grant, the business of processing sheep and alpaca fleeces for a living can be very trying as there is a huge amount of legislation surrounding the industry, and  to obtain a licence for washing fleeces commercially is practically impossible at the moment.   

We will do further sessions using Irish wool when the book is published, so if you missed this session there will be more chances to get hands on using Irish wool.

Again, Thank you Clodagh for this write-up!

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Invitation to Exhibition in the Olivier Cornet Gallery

‘2012-2022, a decade of exhibitions at the Olivier Cornet Gallery’, an anniversary group show at the gallery this Winter

This show includes feltwork by our member Annika Berlund.

It is open till the 22nd of February.

15 December 2022 – 22 February 2023

‘2012-2022, a decade of exhibitions at the Olivier Cornet Gallery’

A Winter group show curated by Olivier Cornet and his interns Lisa Brero and Mary Rose Porter

with special thanks to our volunteers Genevieve Rust and Natalia Sikora.

Featuring work by Annika BerglundAisling ConroyHugh CumminsMary A. FitzgeraldJordi ForniésConrad FrankelDavid FoxClaire HalpinNickie HaydenEoin Mac LochlainnMiriam McConnon, Seán Mulcahy, Sheila NaughtonYanny PettersKelly Ratchford, Freda Rupp, Vicky Smith and Susanne Wawra

Launch of the show: Thursday 15 December, 6pm at the Olivier Cornet Gallery. 

The gallerist will be in conversation with Mary Pavlides, Chairwoman of the Contemporary Irish Art Society (CIAS).

Availability of the show: Tuesdays to Sundays at the gallery. 

The exhibition is dedicated to the memory of Rosemarie and Seán Mulcahy.

A slideshow featuring photos of key moments in the life of the gallery will also be viewable during the course of the exhibition.

Each work is accompanied by notes which you can read at the gallery, or here by clicking on ‘About the work’ below.

Due to popular demand, the show has been extended to run until the 22nd of February 2023 (instead of the 15th of February as announced initially).

The Olivier Cornet Gallery is delighted to present this anniversary exhibition

This year the Olivier Cornet Gallery celebrated 10 years in business. From its first gallery space in the Wooden Building in Temple Bar, through a tenure at 5 Cavendish Row, to its current location at 3 Great Denmark Street, the gallery has had the pleasure of hosting many solo and thematic art exhibitions. Its anniversary group show, ‘2012 – 2022, a decade of exhibitions at the Olivier Cornet Gallery’, will feature a selection of works by our currently represented artists and members of our AGA group. The show will also include work by two artists who have passed, namely the painter Seán Mulcahy (1926-2018) and the ceramicist Freda Rupp (1946-2019).

The exhibition proposes to show works that have marked important milestones in the life of the gallery and/or the career of the artists. Some stand out group exhibitions, referenced in the show, would include ‘A Terrible Beauty’ (2014), ‘Hopscotch’ (2015), ‘2°C’ (2017), presented at the VUE Art Fairs (RHA Dublin) – and our annual Bloomsday exhibitions. Sometimes described as ‘intriguing’ or ‘innovative’, these exhibitions have often challenged our perception of contemporary art in Ireland. 

Featuring works from solo exhibitions by established artists such as Claire Halpin, Eoin Mac Lochlainn, Miriam McConnon and Yanny Petters, ‘2012-2022…’ will also reflect on the ways in which art can help us ask relevant questions, meditate on the state of affairs in the current epoch, empathize with -and relate to- each other and negotiate our way forward in these challenging times. 

For this exhibition, the gallerist has invited his two current interns, namely Mary Rose Porter and Lisa Brero, to assist him in curating and documenting the works: Each piece indeed will be accompanied by a text -accessible through QR codes- providing some background information about the work. 

Through this exhibition, visitors will also be able to see the many collaborations* the gallery has pursued over the years: guest speakers for the vernissages, guest co-curators, special collaborations such as the one with the art historian and story teller Jean Ryan, the many interventions from the world of the words: poets and organisations such as Fighting Words for instance, and the world of music through our events for Culture Night.

For the launch the gallery has invited Mary Pavlides, chairwoman of the Contemporary Irish Art Society, who will chat with Olivier about the OCG’s first decade and the works he chose for this exhibition. The exhibition will launch on the 15th of December 2022 and run until the 22nd of February 2023. 

The exhibition is dedicated to the memory of Rosemarie and Seán Mulcahy.

Feltmaking at The RDS Showcase 2023

Even though Feltmakers Ireland was not invited to demonstrate at Showcase this year, there was felt to be seen courtesy of two of our members.

Caóilfíonn Murphy-O’Hanlon showing wool paintings of landscapes and items with prints of her work.

http://www.cushlaofgullion.com

and Juliane Gorman of http://www.felthappiness.com was there showing her fabulous hats.

And just for your information, here are the news from Showcase in the DCCI GANS newsletter:

I hope this newsletter finds you well. January was a busy month with Showcase – Ireland’s International Creative Expo® returning to the RDS, Dublin on Sunday 22nd to Tuesday 24th of January. Showcase offered 385 exhibitors an opportunity to exhibit their collections to approx 4000 visitors from 27 countries.

We were delighted to see the much anticipated Showcase Awards taking place on the opening day of the fair. We were excited to see that the winner of the overall best product award was metal artist, Tom King from An Gobha, whose iron cross was created in celebration of St. Brigid.

The St. Brigid’s Cross was created as a work of metal art based around the traditional cross, with depth and with colour, to mark Ireland’s new national holiday celebrating the country’s first female patron St. Brigid.

Other crafts people at Showcase celebrating St. Brigid’s were Patricia O’Flaherty, Naomh Padraig Handcrafts, from Roscommon, you can see her beautiful St. Brigid’s rush work crosses on www.naomhpadraighandcrafts.com. Jennifer Rothwell Designs also had a beautiful collection of fashion items inspired by St. Brigid www.jenniferrothwell.com

As the first Irish public holiday named after a woman, St. Brigid’s Day gives us an opportunity to celebrate the role that women have played in Irish history, culture, creativity and society.

The Design & Crafts Council Ireland Academy (DCCIA) was launched as part of the Talk Stage programme at Showcase. DCCIA is an international specialised academy for education and training to the craft sector and will offer a series of apprenticeships. DCCIA welcomes everyone from design and craft beginners to established professionals. The launch was delivered by MaryJo Hoyne, Head of Craft & Education at DCCI and Maria Couchman, Senior Craft & Education Manager at DCCI. www.dcci.ie/academy

Showcase 2023 saw a continuation of the popular Talks Stage that hosted a variety of industry talks and expert panel discussions, you can view some of the events that took place over the three days of Showcase here.

The Dancehall (Fashion & Design) – was a new and exciting fusion of Showcase fashion and design with music and dance. To view the performance of The Dancehall event from the opening day of Showcase 2023 click here.

Feltmakers Ireland Sunday Session 11/12/2022 with Carmen Draghici at CIE Social Club Inchicore

A big thanks, especially to Clare Brophy, who had a special treat in store for us for at this December’s Sunday Session, with Romanian felt artist Carmen Draghici, and her lovely daughter Corinna. You can find samples of her work online at FELT JOY. She has an Etsy shop. She was only able to bring 2 beautiful pieces with her, due to Ryanair’s weight restrictions.

Carmen’s Facebook Page: https://www.facebook.com/search/top/?q=Carmen%20Draghici%20Felt%20Joy

Clare had discovered Carmen’s fabulous felt work online, purchased a piece,  and was bowled over by the quality and design of the jacket that she had bought. She invited Carmen to come to Ireland from Constanza, southern Romania, to lead a Sunday Session with us.

Carmen, luckily, was very happy to come to Ireland to meet all of us. Although Hungary has a very rich Feltmaking tradition, its neighbour Romania does not, as yet anyway,  and she was delighted to be in the company of other feltmakers.  She envied us our regular opportunities to felt together, and is going to investigate if she can bring us to Romania next year!

Carmen had planned a project with us, wet-felting a small Christmas Cushion, using some special lace brought with her from Romania. However, as 4 of the group were new feltmakers, it proved too  ambitious for the 2 hours. She suggested  finishing it at home or turning it into a table runner instead. There was much to learn from Carmen, an engineer by profession, from laying viscose fibre down cleanly to achieve  sharp shapes, to using different unfamiliar fibre layouts, like herringbone, and diagonal, depending on what you were making, and using, for the most part just one layer of fine merino tops. It was also new to some people to to have an upside-down layout, and use a resist.

Personally speaking, I would love to have her back again to learn more of her tips and knowledge as she seemed to be a mine of information as well as having a great personality and we did not have enough time with her. She herself was frustrated by the  short time involved and the differing levels of experience within this group, and wanted especially to give the new people good standards of finish.

I arrived at the Sunday Session with my friend Nara Fritch, from Seattle, US, but now long time resident in Ireland, living near me in Skerries. Nara keeps Alpacas and was totally entranced by an invited guest of Committee member, Annike Berglund, leader of the Feltmakers Ireland Wool Project Her Guest, Grant Bartholomew had requested to be an observer at the Sunday Session.  Grant is an Alpaca farmer, from South Africa and living in Ireland for 3 years. He arrived with his family. After our session with Carmen, he briefly explained the different types of Alpaca fibre he had brought with him.  

by Clodagh McDonagh

The committee has decided to  devote another Sunday session later to the picking and washing of a raw fleece and  give everybody a chance to felt a small sample using one of a variety of Irish local wools.

Sunday Session with Carmen Draghici at CIE Social Club Inchicore 04/12/22 starting at 9:30 (please note time!)

Carmen Draghici,  coming specially from Constanza in southern Romania for the weekend. Her work can be viewed online at FELT JOY and on Facebook & You Tube. She has an ETSY shop and she will bring some of her work to show us.

She will demonstrate some of her unique skills, making a small Christmas Cushion (as time is so limited )

It will be practical session. Some kits may be available to purchase (€4) for those who have materials (old towel, soap, bubble wrap etc) needed to felt with Carmen.

Materials needed:  (exactly as last session)

Old towel, bubble wrap, resist, soap, and water bottle, needed.

70 grams red roving, embellishments (including, if you have any, old lace or finest crochet) 

All members are welcome. 

Tea coffee and Xmas goodies for all!

(Non-members also welcome €10)

Some Information on what you need to bring and what you will learn:

Also: A call out to people who were at the last Sunday session: If you have not unpacked your bags from this event yet, please check if you have ended up with an extra piece by mistake: It is a long brownish piece with an abstract design.

Hope to see you there!

Sunday Sessions 06/11/22 & 04/12/22 & Upcoming Exhibitions

Sunday Session  November 6th 2022 in the CIE Social Club Inchicore!

On Sunday 6th November Feltmakers Ireland Committee and 25 members took part in a `hands-on` practical Feltmaking session. There was great excitement, as a Nationwide film team was coming to film our efforts and interview some key members of our Feltmakers Ireland community. 

The session was led by Tamzen Lundy, a former Committee member. She had designed a really charming Christmas project for us, a felted Nordic style Santa Claus in 3D. You can use the Santa Claus as a tree decoration, as a bottle topper, or as a stand alone ornament.

Feltmaking is a craft that allows you to easily produce items in 3D without any sewing at all. The committee had prepared a kit bag for each participant, containing all we required for this session.

Tamzen then took us all very clearly through the process, which involved laying merino wool in 3 alternate layers on a triangular shaped resist. 

For Santa’s face, Tamzen showed us 2 ways of making and attaching a felt nose,(a felt bead, cut in two) by fluffing it up with a wire (or pet) brush, then had an ingenious method of using a small piece of prefelt (sometimes called Needlepunch) to create the face, and then cutting a teeny hole in the prefelt to reveal the nose. Later we would use needle felting to add eyes and beard. 

The main learning points I took from Tamzen`s were: 

  • To use no soap in your wetting down process, (and generally very little soap overall) a bit controversial for me as soap tends to be my `comfort blanket`. 
  • No rolling, (not a roller in sight! ), use bubblewrap as a rubbing tool , and generally keep on rubbing, and massaging with your bare hands, or bubblewrap, on the surface of your piece until any sign of `cellulite` is gone! (Of course that meant that a big discussion on what cellulite was, ensued!) 

At the end of the very happy and enjoyable session, it was really interesting how all the Santas looked very individual,  taking on their own personalities! 

While we participants were concentrating on our project, RTE`S Nationwide crew were filming a wonderful and  varied display of members’ work at the end of the room. They interviewed Deirdre Crofts from our Committee, who spoke of the different pieces on display and explained the different felting skills.

Founding member of Feltmakers Ireland, Elizabeth Bonnar was interviewed about our  Guild’s history in Ireland. Also interviewed was Astrid Tomrop-Hofman another important person who helped bring felt making to Ireland.

Our current research project on Irish breeds of sheep and their fleeces, was explained to Nationwide interviewer Zainab, by the leader of the research group, our Treasurer, Annika Berglund. The group hopes to publish a book in the near future with their findings.

Fiona Leech and Deirdre Croft told of our monthly Sunday Sessions,  and of our Annual Art Felt Exhibition. 

Zainab, interviewer, had her first go at Feltmaking!

For me, a member for many years, and formerly on committee, it was lovely to see old felting friends, like Helene Dooley, who has been working with the IFA , (the International Feltmakers Association, with which we are affiliated .) 

Session  leader, Tamzen, was interviewed, as she has turned her feltimaking into a successful business, and has an Etsy shop, Tamzenlundydesigns.

A very big thank you to Breda Fay, our Guild Chairperson, who was the person RTE contacted, and who made the film crew so welcome. Thanks to Lorna Cady, Committee member, who secured our venue, and to all our Committee members  who baked tasty goodies, and  made tea and coffee for us all, and made us all so welcome.

Clodagh Mac Donagh.

EXHIBITIONS

  • Our Feltmakers Ireland Annual Exhibition will open on Dec3rd in the Ashtown visitor Centre, in the Phoenix Park and will run for the whole of December
  • From 12th November until 23rd of December, Tamzen Lundy has an exhibition of her work at the Newbridge Arts Theatre Centre, Riverbank, Co. Kildare.

NEXT SUNDAY SESSION

venue: CIE sports hall, Inchicore

time : 10.15-12.30

Leader: Carmen Draghici,  coming specially from Constanza in southern Romania for the weekend. Her work can be viewed online at FELT JOY and on Facebook & You Tube. She has an ETSY shop and she will bring some of her work to show us.

She will demonstrate some of her unique skills, making a small Christmas Cushion (as time is so limited )

It will be practical session. Some kits may be available to purchase (€4) for those who have materials (old towel, soap, bubble wrap etc) needed to felt with Carmen.

Materials needed:  (exactly as last session)

Old towel, bubble wrap, resist, soap, and water bottle, needed.

70 grams red roving, embellishments (including, if you have any, old lace or finest crochet) 

All members are welcome. 

Tea coffee and Xmas goodies for all!

(Non-members also welcome €10)

Interview with Yaroslava Troynich

YAROSLAVA TROYNICH

interview first published in dec 2019… yara will be leading an exclusive feltmakers ireland members only finger puppet online workshop on may 1st… limited to 30 places on a first come first served basis- this is filling up quickly. please submit your interest to FIONA- ADDRESS fmrleech@gmail.com

Felt makers Ireland follows several felt makers on Instagram to get our regular fix of inspiration. A member put us in touch with Yaroslava Troynich, a 41yr old Russian textile artist, based in Helsinki, Finland.  Her specialty is felted animal puppets. She says “this is fun textile way to worship wildlife” we decided to get in touch to find out more…

 Tell us a little about you as a person? e.g. upbringing/ where you work/ work other than textiles…

My life seems to me like a huge pile of wool, which I could transform into endless forms.

I was born in USSR and had no artistic background in my family. As a child I was fond of sewing textile toys and dreamed about art school and industrial design. The next big dream was to become a policeman to fight for justice and make the world better. However, the world itself captured all my attention so in the end I graduated from university as a journalist! For several years I have been traveling the world and contributing to Cosmopolitan and National Geographic in Russia and continued to write for local media after moving to Finland in 2007.

Most of all I loved to make stories about remote places, where wildlife, traditional lifestyles and crafts remain. The best moments of my life have mostly connected to wildlife – snorkeling with manta rays in Galapagos, planting rainforest for orangutans of Borneo or searching for the sloths in the Amazon.

Humans and wild nature cohabiting and environmental issues were always on my top interest list.

How and when did you start your textile journey… what is your experience, tell us a little…

Once in 2009 I came across of artwork done by Stephanie Metz. Her meaningful sculptures made of white wool and some experimental textile pieces were shockingly modern, pure contemporary art.

In Russia felting is very traditional craft and to me it felt quite outdated. But this was the first moment I began to look at it differently. My inner artist woke up. I tried needle felting and was amazed of wool’s ability to take any shape. But I really fell in love with wool after my first wet felted piece. The feeling of soapy babbles on my hands and witnessing of wool fibers transformation into something totally new – this magic has forever bewitched me. Quite soon I realized that I want to work with 3D-felt. In my childhood I loved “bibabo”, traditional Russian hand puppets, with their history dated back to 17 century and originated in Italy and France. Ideas came fast and naturally. My first fox puppet was born, and it felt like a real gift from textile and craft gods. Surprisingly, combination of traditional felt with traditional toy turned in to very modern and unique art object. Suddenly everything came together: my love of puppets, of wildlife and of wool. That is the story of my own transformation into textile artist specialized in felted animal puppets.

My artwork is my small personal contribution to environmental awareness. These puppets are really great communication gadgets. They help to connect parents with children, create new stories and learn new things. They have strong social position – they support environmental education and promote love to animals. My special pride if they work with ecologists in the national parks and museums and with teachers and psychologists.

I have been learning a lot from great textile artists to develop my own skills, tried new areas of textile art but nothing makes me as happy as these animal puppets. Felting process itself has great art-therapeutic effect on me. So, I do share these benefits with others on my workshops around the world. I love to teach adults and transform them into artists and kids at least for a day. This transformation is no less amazing than wool metamorphoses. Sometimes I feel that it can be my real vocation to inspire people for creating via my puppets.

thumbnail_Bibabo_Puppets_3YAROSLAVA TROYNICH

Tell us about your process from conception to creation and what is your motivation? e.g. for hobby/ creativity/ art/ fashion/ health/ money…

My strongest motivation is a game with the world, special quest. I want to explore its secrets and search for opportunities to create new, positive and inspiring things.

Almost all my ideas I draw from the nature. Weird animals, beautiful animals, endangered animals. While visiting national parks I have chance to encounter wildlife closer. Even though I don’t follow physiological accuracy in my work, I study animals a lot, examine pictures, watch nature documentaries and read about their habitats and personal lives. I am minded in spirit of minimalism, restrained Scandinavian design and naive art, so I try to create live animalistic images using as little details as possible. But I also like to add some humor or bright travel and cultural heritage inspired details to my work. Especially, I feel free with my finger puppet collection. Some animals can wear Russian felted boots at some occasions and use the laptops at their homes. This kind of art makes me play all the time. I draw very poorly, so my rare sketches look like ugly construction schemes. More often I just have an idea inside my head and then test it directly on the wool. Complicated shapes I break into many simple forms and play with it. I combine different felting technics but my main one is wet felting. There are wool, soap, water and hands only. I use a lot of different fibers for creating animal hair, especially I love hairy goat mohair. I try to make my felt durable and flexible in the same time to keep the most of mobility for the toys. Sometimes my projects involve dyeing of materials and even painting on top of the wool toys.

It is weird, but 3D objects at first are just flat and in the beginning of my journey I was too depending on the patterns and constructive solutions but nowadays I become increasingly aware of limitless sculptural opportunities of felt. You can always change, reshape, improve. Felt makes me feel braver as an artist because in this process even apparent mistake can turn in to genius idea. Besides, it is difficult to make mistake with animals – they always come out wonderful. Probably, because they are born twice – at first from the idea and wool and then again become alive on top of the hand while playing.

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YAROSLAVA TROYNICH

What currently inspires you? 

Lately I am passionate about the animation to give my puppets even more life and voice. It is inspiring to integrate and collaborate different types of art and creativity in to the one beautifully felted structure. Well, and sponsors of all my ideas and inspiration invariably remain wildlife and life itself, with all that everyday routine and new changes. The coolest ideas come to me when traveling or hang out in the mountains, through the forest or along the cold ocean. The Amazon jungle and Himalayan snowy peaks are my eternal favorites.  But during my life in Finland, I fell in love with the north. Perhaps the northern animals are not the most vivid and expressive as objects for creativity, but the power of life in northern nature, with its short as a flash summer, is simply unique.  This power nourishes me. In Finland, people are very respectful to their nature resources, and this gives me the feeling that I am in the right place. After all, partly my work is pure nature worship, and toys are a tribute to the nature.

Thank you Yaroslava for taking the time to answer our questions for supplying the wonderful images of your work and for providing the dose of Instagram inspiration that we need. If you want to see more follow Yaroslava at the below.

Instagram

@yara_bibabo

#yaroslavatroynich

VPP_7219
YAROSLAVA TROYNICH

Felt with Us and Keep Well

Felt with Us and Keep Well-

Workshops are being offered by 3 experienced Feltmakers- made possible by funding received from DCCI under the keep well initiative.

Classes will be taught by Caoilfionn Murphy O’Hanlon, Niki Collier & Liadain De Buitlear

Have you tried the Stained Glass technique in felting?
Join your tutors for three online classes to try felting, spark your passion for fibres and discover a fun
technique for making colourful pictures in felt.

All materials included.


This project was made possible with funding from DCCI under the Keep Well initiative.
See details here:


28th Feb 11am -12 noon Making a Felt Picture with Caóilfíonn Murphy O’Hanlon

7th Mar 11am – 12 noon Patchwork Felt Niki Collier

14th Mar 11am – 12 noon Making a Stained Glass Finish on a Felt Picture Liadain de Buitlear

To book classes, go here https://www.nikicollier.com/keep-well-campaign

After the workshops you will be able to submit your piece for an exhibition called Evie and Us.
Deadline for submission 1 st September. Exhibition will launch 1 st October 2021.

Gabi Mc Grath- 30th Jan 2021 Zoom Workshop

Delighted to announce an ONLINE ZOOM based workshop on 30th January at 10am.

This is a workshop with tutor- Gabi McGrath, 3hrs long, starting at 10am. To make an A5 felted book cover. Your 100grm of fibre and cotton gauze is included in the price and will be sent out in advance. You will need to have downloaded the zoom platform as a link will be sent one week before.

The price is €55- and this also includes your membership to Feltmakers ireland for 2021.

Please fill out both the application form for the workshop and the membership form- sending to faybreda@gmail.com.

Payment should be made by bank transfer- details on the membership page of this site- please make a note when paying- your name and “workshop- member”.

This is a great value offer and a nice way to either learn the skill of felt making or brush up on your skills and come away with a lovely token – a book cover that could be used as a journal, diary or inspiration notebook. Start 2021 the right way.

Please help Feltmakers Ireland by spreading the word and sharing- to beginners or gifting this to a friend.

Places limited to 30- first come first served.