Of Interest: Guild Member Niki Collier featured on the Create Whimsy website

Feltmakers Ireland member Niki Collier was recently featured on the Create Whimsy website.

“Niki Collier turns wool into bold, playful felt sculptures that invite us to look at difficult subjects in a new way. Her work grows from curiosity, life experiences, and a belief that making art can help us find light in dark places. Niki shares how felt became her medium, her creative journey, and why she wants everyone to have a chance to discover their own creativity.” – from Create Whimsy

To read the full interview and see all the photos, visit the Create Whimsy website: https://createwhimsy.com/projects/spotlight-niki-collier-visual-artist

@createwhimsy  @nikicollierfelt

If you are a member of Feltmakers Ireland, please let us know about your upcoming exhibitions, features, workshops and craft fairs. We’re interested in hearing what our members are up to and want to share relevant news with the wider guild community.

If you have something coming up that you think other members would enjoy or find useful, please send the details to us at feltmakersie@gmail.com

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For content-related questions, please follow the link to the organisation hosting the event.

Of Interest: Guild Member Leiko Uchiyama featured in Create Whimsy

Feltmakers Ireland member Leiko Uchiyama was recently interviewed by Create Whimsy.

“At the foot of the Blackstairs Mountains in Ireland, Leiko Uchiyama turns wool into quiet, beautiful forms that feel alive. Her journey began with a love of sheep in Japan and led her across the world to farms, classrooms, and studios.”

To read the full interview and see all the photos, visit the Create Whimsy website: https://createwhimsy.com/projects/spotlight-leiko-uchiyama-felt-making-artist/

@createwhimsy @leikofelt

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For content-related questions, please follow the link to the organisation hosting the event.

Of Interest: Sharon Wells – Ireland AM – this Sunday – 10 AM

A woman with curly hair is seated at a table displaying various wool items, surrounded by colourful wool and a small decorative bird. The backdrop features a scenic landscape, promoting European Wool Day in Ireland.

Guild member Sharon Wells will be on the television programme Ireland: AM on the 1st of March, Sunday at 10 AM. She will talk about European Wool Day 2026, which Ireland is hosting on the 28th of March in Tralee, Co Kerry.

She will also share her artwork and demonstrate needlefelting.

Sharon is one of the organisers of the European Wool Day conference, which will also have a joint exhibition of work from members of Feltmakers Ireland, the International Feltmakers Association, and the Irish Guild of Weavers, Spinners, and Dyers. All of the artwork will incorporate Irish raised wool. There will also be a room with Interactive Wool Crafts.

Both the exhibition and the crafts are free to enter, and all ages are welcome.

If one is registered for Virgin Media, one can watch Sharon’s interview online – https://www.virginmediatelevision.ie/shows/irelandam

European Wool Day – https://ewe.network/ewd2026/

Sharon’s website – https://www.sharonwellsart.com/

Instagram: @sharonwellsart @ewe_foundation__ @irelandamvmtv

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibitions: 2 Sheila Hicks shows – Paris & San Francisco

There are two exhibitions of Sheila Hicks‘ work right now.

In Paris

The Quai Branly Museum brings together the work of American-born/Paris-based artist Sheila Hicks and the scholarship of Monique Lévi-Strauss through their 60-year friendship and shared passion for textiles.

The exhibition juxtaposes 20 historical textile pieces from the museum’s collection with 30 contemporary works by Sheila Hicks. Drawing inspiration from ancient Andean weaving, Hicks reinterprets fundamental textile gestures: knotting, weaving, braiding, coiling, and tying, revealing their enduring expressive power. There is also a large installation by Hicks at the entrance to the collections.

Where: The Quai Branly Museum, 37 Quai Jacques Chirac, 75007 Paris, France

The show runs until the 8th of March, 2026.

For more information, visit the Museum’s website – https://www.quaibranly.fr/en/exhibitions-and-events/at-the-museum/exhibitions/event-details/e/le-fil-voyageur

In San Francisco

Concurrently, but slightly farther away, there is also a solo exhibition of Hicks’ work at the San Francisco Museum of Modern Art (SFMOMA).

The SFMOMA presentation features the artist’s comet-like works, marked by vivid, intersecting, and layered lines, alongside an intimate selection of small-scale pieces that reveal her ongoing daily explorations of new materials and structural possibilities. At the centre stands a monumental phare (Lighthouse): a soaring installation of suspended, twisting cords that serves as the exhibition’s visual and conceptual anchor. Reimagined installations of Hicks’s signature wrapped bâtons, along with large, brightly coloured fibre mounds, demonstrate her continual reinvention of materials and forms—a forward-looking practice she describes as “walking the tightrope into the future.”

The exhibition extends beyond the gallery with a large-scale outdoor commission in the museum’s fifth-floor sculpture garden.

This show runs until Autumn 2026.

Where: SFMOMA, 151 Third Street, San Francisco, CA 94103, USA.

For more information, visit the museum’s website – https://www.sfmoma.org/exhibition/new-work-sheila-hicks/

Interview with Hicks

Note: There is a VERY inspiring interview with Sheila Hicks on the Louisiana Channel, an organisation which focuses on creating interviews with artists – https://channel.louisiana.dk/video/sheila-hickswere-crying-for-softness

Instagram links

Quai Branly Museum @quaibranly

SFMOMA @sfmoma

The artist’s Instagram @ateliersheilahicks

Of Interest: New FeltMatters Podcast on Vivienne Morpeth’s Cyanotype Collaboration – Also, Online Cyanotype / Natural Dyeing Course with Ashleigh Ellis

A New FeltMatters Podcast

FeltMatters - Photo of Heather Potten, Alun Kirby and Vivienne Morpeth as they create this recent podcast
Pictured: Feltmatters co-Host Heather Potten as she interviews Vivienne Morpeth and Alun Kirby about their collaboration with Cyanotype and Nunofelting.

The International Feltmakers Association (IFA) has just released the first podcast of its third season: The Blueprint of Art: Cyanotype Meets Felt. In this episode, Heather Potten interviews her co-host, Vivienne Morpeth, and artist Alun Kirby about their collaboration with Cyanotype and Nunofelting.

As always, the FeltMatters podcast is fascinating, as they discuss the trial-and-error process, artistic exploration, and the interplay between established techniques and modern art forms.

To listen to the IFA’s FeltMatters Podcast, visit YouTube – https://youtu.be/5VCZrsf4vHo?si=94B_GzicUZpj96IQ

Also available on Apple Podcasts and Spotify.

Online Cyanotype Course

Poster of Natural Dyers & Growers Academy - the host of Ashleigh Ellis Natural Dyeing and Cynotype course.
Pictured: Poster for upcoming online course – ‘The Magid of Natural Dyes & Cyanotype Printing’ with Ashleigh Ellis.

Unrelated to the IFA’s podcast, there is a timely opportunity to study cyanotype printing on paper, fabric, and other substrates with Irish artist and instructor Ashleigh Ellis. The course, ‘The Magic of Natural Dyes & Cyanotype Printing,‘ combines Cyanotype with Natural Dyeing to create further colourways.

The Welcome Module opens on the 19th of March, and the Live Zoom is on the 26th of March, at 4 PM. There are five live Zoom sessions, all of which are recorded and sent to students.

This course, hosted by The Natural Dyers and Growers Academy, will run from March 26th to May 21st.

For more information about the course, visit Ashleigh’s website – https://www.ashleighellis.ie/the-magic-of-natural-dyes–cyanotype-printing-an-online-course.html

On Instagram: @ashleighellis_natureartist

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Of Interest: The Work of Artist Janice Arnold

While browsing the Internet, we found an interesting article in Smithsonian Magazine about artist Janice Arnold‘s large-scale felted installations.

Inspired by her travels and research of Central Asian nomadic societies, Arnold’s large-scale installations showcase the material of felt. Her projects often involve community collaboration, emphasising the material’s role in fostering social bonds and ecological balance.

Arnold recently installed her two-story immersive installation with a video component, ‘Woolen Clouds,’ in the central lobby of the School of Human Ecology at the University of Wisconsin in Madison.

More information about this piece, here – https://captimes.com/news/education/trees-and-clouds-woven-of-wool-at-new-uw-madison-art-installation/article_ce434076-4e98-11ef-b589-5fa556bfb7c8.html

To read the Smithsonian Magazine article, visit their website – https://www.smithsonianmag.com/smithsonian-institution/deep-cultural-significance-art-felt-180982334/

The article also mentions Arnold’s community felting project, ‘Monster Felt‘, created from 2012 to 2016 in Teiton, Washington. This website shows the scale of the project, which is the largest piece of community felt made in North America. It includes marvellous step-by-step photographs of the project and a great video of her journey as an artist. https://www.tietonarts.org/monster-felt

Lastly, Arnold’s website is also interesting – https://jafelt.com/

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

News: Design and Crafts Council of Ireland Features Three Feltmakers

The Design and Craft Council of Ireland (DCCI) has an ongoing series called ‘Meet the Maker’, which interviews members and asks exciting questions such as, “What do you like most about your work?”. In addition, the DCCI has another feature called ‘Sunday Spotlight’, which shares information about a member via DCCI’s social media.

Three of Feltmakers Ireland’s guild members were recently featured by the DCCI.

Leiko Uchiyama was recently featured in a ‘Meet the Maker’. To read the interview and learn more about Leiko, visit the DCCI’s website – https://www.dcci.ie/meet-the-maker-leiko-uchiyama/

Yesterday, Tamzen Lundy was featured in a ‘Meet the Maker‘. To learn more about Tamzen and see her mention Feltmakers Ireland(!), visit the DCCI’s website – https://www.dcci.ie/meet-tamzen-lundy/

While Karena Ryan was recently seen on a ‘Sunday Spotlight’, which you can read on the DCCI’s Instagram page here – https://www.instagram.com/p/C4nuC0tMMzS/?img_index=1

If you are a member of the DCCI, you can arrange for yourself to be featured in a ‘Meet the Maker’ and/or a ‘Sunday Spotlight’! Contact the DCCI for further information – communications@dcci.com

Membership at DCCI allows designers and makers to:

  • Benefit from all DCCI services, projects and programmes
  • Get their regular e-newsletter, Connect
  • Participate in their health, personal accident and public liability insurance schemes
  • Fully professional members can boost their profile by listing on their Public Directory of Craftspeople. {Editor’s note: makers who work the material of felt are often found under the ‘Textile Making’ discipline on the directory.}

If you are not a member of the DCCI and want to learn more about how to apply, visit this page on their website – https://www.dcci.ie/members/join-dcci/as-a-designer-maker/


Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Felting Journeys: Clare Brophy on Nuno Felting

Felting Journeys is a series of articles on how members have fallen in love with feltmaking. Our inaugural post is by Clare Brophy.

Silk and wool Nunofelted wrap by Clare Brophy

What is Nuno felting?

NUNO is a method of wet feltmaking. The name is derived from the Japanese word for ‘cloth’. It involves the bonding or blending of sheep’s wool into a sheer or woven fabric like silk gauze or silk chiffon. The resulting material is lightweight, strong, warm, and luxurious. 

It was invented by Polly Stirling, an Australian textile artist, 25 years ago when she sought to create wearable felt for warmer climates. {There is a fascinating video interview with Polly here – https://youtu.be/xYnBcCqtUzg?si=wYDtobdIA4fScjyC }

You can Nunofelt using other fabrics, too. Any open or loose weave, where the fibre can migrate through and intertwine, can become felt. Other fabrics give a different result to silk, plus the finest Merino wool. Nuno made using silk and Merino drapes beautifully and feels luxurious on the skin. I’ve used muslin, cheesecloth and several different kinds of cotton, but my first love is silk chiffon or the finest Margilan silk and Merino.

Some Examples of Nuno felting

How do you make NUNO?

To create Nunofelt, you make a sandwich by placing silk inside the Merino wool by laying down the wool first, then the silk, and then the wool on top. The rest of the process is the same as any wet felting process. You can also make an ‘open sandwich’ by adding wool to only one side. Some designers make the sandwich with Merino wool inside two layers of silk. I’ve never tried this myself, or not yet!

What about silk?

I discovered Nunofelting about eight or nine years ago. I was immediately hooked! I scoured charity shops searching for vintage silk. I became known among the nine charity shops on Camden Street and the one on Prussia Street as “The Silk Searcher”. My neighbour, Feltmakers Ireland’s Chairperson, Deirdre Carroll, kindly donated some of her silk scarves to upcycle into Nunofelted wearables. If I found a dress or a blouse, I’d cut it up into small sample sizes, dye them into many colours, and use the only wool roving I knew about then, from DHG in Italy – Merino roving.

Of course, I made mistakes: 

1. Buying silk online, only to discover it wasn’t silk but some mixed synthetic mixture masquerading as silk which didn’t felt. I vowed never again to buy online but to hold the silk in my hand and have it tested. Be clear on which silk you need for the final purpose. I’ve used silk Organza and silk Habotai. Both felt well for fine wearables.

2. I tried using cheaper, rougher wool batts, as I bought wherever I could, often in kits, online. I was never entirely happy with the results; it depends on your purpose. Batts are okay with muslin for bags or slippers – just not worn next to the skin.

I am sure I became a nuisance at the silk counters in the TWI Fabric Shop in Dublin and on my other regular shopping sprees in the Julian Lopez Fabric Shops in Madrid and Murcia because I insisted on the Burn Test when I was buying silk Chiffon or Habotai. They always brought me to a safe sink with water, got a cigarette lighter and proved that the silk I was buying was indeed truly silk! (If it’s not silk, it has a flame; if it IS silk, it will leave a charred hole and no flame). Another less reliable test is the ‘blow test’: if you can feel cold air on your palm when you blow through the silk, then it is silk.

I should say, too, that very early on, I discovered Margilan silk Gauze and was brave enough to buy a 100-metre bolt directly from Afghanistan! I enjoyed dying it and matching it to the Merino wool. I was constantly learning about textures and finishes.

Margilan Gauze is a very light, soft silk fabric with a beautiful sheen, allowing for transparency and breathability. Meld it with the finest Merino, or a silk and Merino mix, from DHG in Italy; the results are fantastic! I like adding Tussah silk or viscose to add interest and texture.

I should add another reassuring fact: I have washed all these silks and wools in relatively warm water and ironed them on a silk setting. I have used, in recent years, a sander to speed up the felting. Silk, fused with Merino, is a robust fabric that fares well in this process.

More Samples

My involvement:

Before I discovered feltmaking, I had been a painter/artist, having gone to the National College of Art & Design (NCAD) for a few years before and after I first retired in 2004. But after discovering Nunofelting, I did nothing for an entire year except study wet felting on YouTube, joining all sorts of online communities for wet felting, especially those of the Nuno style. I created endless samples. I am indebted to the many makers who upload tutorial videos and share them with learners like me through YouTube. I am also indebted to those who answered my questions.

Lena Archbold’s online courses became my ‘go-to’ place. After you buy her courses, she follows up by emailing her students many helpful tips. Additionally, there are countless courses available online for all standards of feltmaking. For example, Guild member Hélène Dooley (Feltzen) teaches online via the International Feltmakers Association.

When I made my first wrap, the only 100% silk chiffon I could find in this city of Dublin was in TWI, Mountjoy Sq. East. Dublin 1. And they only had a black colour, so I made a black Nunofelted wrap, with black Merino roving and tussah silk fibre. Later, a city dress designer, whom I employed to make a dress for me for a special wedding, saw it and asked me if I would trade it with her in return for her dressmaking skills! She adored it, and I was delighted with my dress!

Then, I made a second wrap, this time for myself, using the same back silk chiffon and a cool green wool fibre. I was wearing it around my shoulders while stopping for a coffee en route to a family wedding in south Wicklow one day. We popped into Avoca. Imagine my shock and surprise when a very glamorous lady stopped me. Hugely admiring my wrap, she asked where I bought it. I thanked her but avoided answering about buying it. She persisted, and finally, I whispered, ‘I made it myself!’ Well!! She then told me she was the buyer for Avoca and would buy them from me!!! Could I make, perhaps, 10 a month? For all their stores???

So, my business was born! After eight years and a particularly busy three years during COVID-19, I finally closed this year – retiring for the second time in my life. I have sold Nunofelted wraps, neck warmers and collars online all over the world during these years. I also sold them in a designer shop in the Powerscourt Townhouse Centre in Dublin. 

Other Maker’s Examples

You will have seen exquisite examples of Nuno felting at Feltmakers Ireland’s recent ‘Bountiful’ exhibition, where designer Mel Bradley created two felted scarves using the technique.

One of Mel Bradley’s Nunofelted shawls.

Feltmakers Ireland

Several years ago, I was out in Phoenix Park one Sunday morning and happened to walk by the Studio near Knockmaroon Gate, which is now the Biodiversity Centre. Curious to see what was happening, I stopped and was invited in by Vicki. I soon joined Feltmakers Ireland and widened my knowledge of feltmaking: making hats, slippers, and neck warmers. And I learned about adding all sorts of embellishing fibres and yarns. I did all their workshops and Sunday Sessions. I am indebted to this wonderful group of people who warmly share their skills and knowledge with all new members, as I was then. 

I have always been a lifelong learner, and although arthritis in my hands, and my advancing age, (78 next birthday), are stopping me now from feltmaking, I will always support Feltmakers Ireland in whatever way I can! 

So, hang it there, new members! The sky is the limit with Feltmakers Ireland! I have experienced Showcase, Bloom, and Art exhibitions. Plus, I have also had the experience of working on the committee!

Nowadays, I see that Textile Art is, at last, getting more attention and publicity than before. Our next focus will be to persuade the Art world that Felt Art can rightfully take its place alongside all other art forms. Onwards and Upwards!

Me, wearing my own black and green wrap about eight years ago!

 Signed: Clare Brophy 

November 2023

Find her on Facebook, HERE or Instagram, HERE.

Of Interest: Textile Talks Videos

SAQA, or Studio Art Quilt, is an international organisation dedicated to promoting the art quilt and the artists who create them. In addition to curating exhibitions devoted to art quilts, they have a fascinating series of artists’ talks on their YouTube Channel @SAQAArtQuilt. These videos cover many different textile practices.

Textile Talks features weekly presentations and panel discussions from the International Quilt Museum, Quilt Alliance, Studio Art Quilt Associates, and Surface Design Association.

There are over 170 Textile Talks that can be watched here, and they are not only about art quilts – https://www.youtube.com/playlist?list=PLXsBpWjk3xVCTzucHkrU3ly5NlLa7mW3f

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Artists’ Talk: This Wednesday – Olivier Cornet Gallery, Dublin

‘Arbour Essences in Anthropocene Dublin – Four New Visions for our Urban Forests’, a group show running at the Olivier Cornet Gallery until 30 June 2023.

Artists: Annika Berglund, Hugh Cummins, Eoin Mac Lochlainn and Yanny Petters, with a small selection of works by Belvedere College’s art students.

The exhibition is sponsored by Coillte Nature and is also complemented by an outdoor ‘pocket’ urban forest installation in collaboration with Simon O’Donnell from the Urban Farm project at Belvedere College.

Artists’ Talk

Author and writer Paddy Woodworth co-curated this exhibition and will chair a panel talk with the four artists at 6:30pm on Wednesday, 7 June 2023, at Olivier Cornet Gallery, 3 Great Denmark Street, Dublin.

You are invited to attend this free event, but booking is advised as seats are limited. Please email info@oliviercornetgallery.com or phone/text 087 288 7261 to book your seat.

“It’s been exceptionally exciting, stimulating – and humbling — to assist, however indirectly, in the development of an exhibition by four artists as talented and as responsive to environmental issues as Annika Berglund, Hugh Cummins, Eoin Mac Lochlainn, and Yanny Petters, with a co-curator as generous, insightful and experienced as Olivier Cornet.
And, after many months of periodic discussions around the theme of urban trees, it’s been a breath-taking pleasure to walk into Olivier’s gallery and see such beautiful, poignant and sensitive work on the walls. Annika’s magical evocation of the unseen wood-wide web that sustains trees from beneath our feet, Hugh’s delicate use of wood itself as a material for subtly allusive art, Eoin’s heartfelt, heart-breaking elegies for individual trees loved and lost, and Yanny’s innovative and exquisite celebration of trees in Dublin’s historical topography – all engage us intimately with the role of trees in making our cities more liveable, healthier, happier spaces. And they all hint at the catastrophe we are inviting by tearing the interconnected fabric of life to breaking point.
It was an added delight to see the loving sketches of Katy apple trees by Belvedere College students, adding a dimension to the show that is both youthful, and rooted in the gallery’s location on the college’s property. And the installation of birch trees and ferns in the basement frontage showed visitors to the gallery how nature can bring vivid life to neglected city spaces.
In our panel discussion with the artists, we will discuss their practices and techniques and reflect on the relationship between art and environment, and how this relationship can enhance environmental awareness, without losing artistic integrity. I look forward to it very much.”

Paddy Woodworth

For more information about the show and the artists, please visit https://www.oliviercornetgallery.com/arbour-essences-in-anthropocene-dublin