2023 FEBRUARY SUNDAY SESSION at CIE SOCIAL CLUB, THE WORKS, INCHICORE (Irish Wool Edition)

Clodagh McDonagh writes the blog about our February Sunday session. Thank you Clodagh!

There was a great turnout on the first Sunday Session of 2023 , on 12th February, for a very busy `hands on` double session with Annika Berglund, and South African sheep and Alpaca breeder, Grant Bartholomew.

Many of you will have heard about FI’s project exploring the  possibilities of sheep`s  wool available to us here in Ireland. Annika is to be really commended for the hard slog that she and her wool project team has put in over the last two years studying ,learning and trialling many of the various indigenous and local sheep fleeces available here, with their particular properties, and possibilities. A book is in the works, full of useful information and practical tips, based on the wool group’s research, which will be released very shortly.

Annika had done lots of preparation for the session, she began by showing everyone some samples, pointing out the varieties of colours, tones, and textures of the different wools. All of the wool had been carefully washed, combed (carded) and weighed, and tied into 10gm bundles, with identifying labels.

Personally, I offered early on to help produce a few samples, however, easier said than done! The method of laying out the different breeds is completely different to using the very tame and biddable imported Merino wool `tops`which leaves it`s native Australia to be processed in China or Germany, Italy or UK.

Annika had many tips for handling the fibre, including laying it down very finely on bubblewrap using a 20cm x 20cm paper template to help guide the process. Other tips included, using a wooden dowel as a roller, using minimal water and even using liquid soap (or melted olive oil `bar`soap) on it`s own, to help tame the rough fibres. To help speed up the process there was a microwave on hand  to heat the wool to encourage felting and even a sander too.

Annika encouraged everyone to have a go and we were allowed to take the finished square home, or alternatively to cut them up and swop part of it with another participant. There was lots of comparing of notes between participants on their varying experiences, with plenty of ideas for future sessions.

Grant began the second part of the session by setting up his fleece sorting table, a metal framed table with an open metal gridwork top, and placed the raw sheep fleece on it to start the process of judging it to find the best parts before it was to be washed and processed.

Grant gave us a basic lesson in how to sort out the bad from the good, which bits to avoid, and even which fleeces to discard entirely if they had been badly shorn, (double cut) holding a staple length to show us ,  stretching it to see whether it would break, which would form lumps in the fibre if left in during the process. Some of the fleece might be discarded  simply if it was too dirty, or if it retained the colour of the farmers identifying marks, purple for example, by using iodine liquid to stain the fleece. At times up to 20% might be lost on removing vegetation from the fleece, and washing can remove approximately 40% of the weight. It takes Grant approximately 20 minutes to sort each fleece, we were amazed at his speed and many of us were shocked to see him discarding at least 30 or 40% of the whole amount.

According to Grant, the business of processing sheep and alpaca fleeces for a living can be very trying as there is a huge amount of legislation surrounding the industry, and  to obtain a licence for washing fleeces commercially is practically impossible at the moment.   

We will do further sessions using Irish wool when the book is published, so if you missed this session there will be more chances to get hands on using Irish wool.

Again, Thank you Clodagh for this write-up!

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Invitation to Exhibition in the Olivier Cornet Gallery

‘2012-2022, a decade of exhibitions at the Olivier Cornet Gallery’, an anniversary group show at the gallery this Winter

This show includes feltwork by our member Annika Berlund.

It is open till the 22nd of February.

15 December 2022 – 22 February 2023

‘2012-2022, a decade of exhibitions at the Olivier Cornet Gallery’

A Winter group show curated by Olivier Cornet and his interns Lisa Brero and Mary Rose Porter

with special thanks to our volunteers Genevieve Rust and Natalia Sikora.

Featuring work by Annika BerglundAisling ConroyHugh CumminsMary A. FitzgeraldJordi ForniésConrad FrankelDavid FoxClaire HalpinNickie HaydenEoin Mac LochlainnMiriam McConnon, Seán Mulcahy, Sheila NaughtonYanny PettersKelly Ratchford, Freda Rupp, Vicky Smith and Susanne Wawra

Launch of the show: Thursday 15 December, 6pm at the Olivier Cornet Gallery. 

The gallerist will be in conversation with Mary Pavlides, Chairwoman of the Contemporary Irish Art Society (CIAS).

Availability of the show: Tuesdays to Sundays at the gallery. 

The exhibition is dedicated to the memory of Rosemarie and Seán Mulcahy.

A slideshow featuring photos of key moments in the life of the gallery will also be viewable during the course of the exhibition.

Each work is accompanied by notes which you can read at the gallery, or here by clicking on ‘About the work’ below.

Due to popular demand, the show has been extended to run until the 22nd of February 2023 (instead of the 15th of February as announced initially).

The Olivier Cornet Gallery is delighted to present this anniversary exhibition

This year the Olivier Cornet Gallery celebrated 10 years in business. From its first gallery space in the Wooden Building in Temple Bar, through a tenure at 5 Cavendish Row, to its current location at 3 Great Denmark Street, the gallery has had the pleasure of hosting many solo and thematic art exhibitions. Its anniversary group show, ‘2012 – 2022, a decade of exhibitions at the Olivier Cornet Gallery’, will feature a selection of works by our currently represented artists and members of our AGA group. The show will also include work by two artists who have passed, namely the painter Seán Mulcahy (1926-2018) and the ceramicist Freda Rupp (1946-2019).

The exhibition proposes to show works that have marked important milestones in the life of the gallery and/or the career of the artists. Some stand out group exhibitions, referenced in the show, would include ‘A Terrible Beauty’ (2014), ‘Hopscotch’ (2015), ‘2°C’ (2017), presented at the VUE Art Fairs (RHA Dublin) – and our annual Bloomsday exhibitions. Sometimes described as ‘intriguing’ or ‘innovative’, these exhibitions have often challenged our perception of contemporary art in Ireland. 

Featuring works from solo exhibitions by established artists such as Claire Halpin, Eoin Mac Lochlainn, Miriam McConnon and Yanny Petters, ‘2012-2022…’ will also reflect on the ways in which art can help us ask relevant questions, meditate on the state of affairs in the current epoch, empathize with -and relate to- each other and negotiate our way forward in these challenging times. 

For this exhibition, the gallerist has invited his two current interns, namely Mary Rose Porter and Lisa Brero, to assist him in curating and documenting the works: Each piece indeed will be accompanied by a text -accessible through QR codes- providing some background information about the work. 

Through this exhibition, visitors will also be able to see the many collaborations* the gallery has pursued over the years: guest speakers for the vernissages, guest co-curators, special collaborations such as the one with the art historian and story teller Jean Ryan, the many interventions from the world of the words: poets and organisations such as Fighting Words for instance, and the world of music through our events for Culture Night.

For the launch the gallery has invited Mary Pavlides, chairwoman of the Contemporary Irish Art Society, who will chat with Olivier about the OCG’s first decade and the works he chose for this exhibition. The exhibition will launch on the 15th of December 2022 and run until the 22nd of February 2023. 

The exhibition is dedicated to the memory of Rosemarie and Seán Mulcahy.

SCULPTURE IN CONTEXT 2023

Applications are now open for Sculpture in Context. This is a great opportunity to get your work seen by a large audience. Deadline for applications is 9th of May.

If you have questions around how to apply, come to one of our Sunday sessions with your questions. Somebody there will have participated before and should be able to help or know where to get more information.

(FI likes to keep you updated on upcoming opportunities. If you know of other upcoming events, please send them to us and we will share with the members.)

Some work by members from last year’s Sculpture in Context (2022):

From left top: Fiona Leech, Carmen Garcia, Annika Berglund

From bottom left: Ramona Farrelly, Juliane Gorman

Sculpture in Context 2023

We are delighted to announce that submissions are now open for the annual Sculpture in Context exhibition at the National Botanic Gardens.

Sculpture in Context is a pivotal event in the Irish arts calendar and the most important sculpture exhibition in the country. The annual exhibition attracts a large public and critical audience and is the highlight of the National Botanic Gardens calendar.

Sculpture in Context is a key event for both public and private buyers of all levels.

Open to all artists working in three dimensions in any medium. Proposals may be durable or time-based artworks, including performance or video.

HOW TO SUBMIT

All Submissions must be made online through our website www.sculptureincontext.ie

You will be required to include –

2 high res images or drawings for each proposed work in JPG format. (If you are photographing work with your mobile please ensure that you have selected a hi-res setting)

Description of each piece to include materials used, dimensions in CM, proposed method of installation and edition nos if applicable. (Max 100 words)

Statement about your piece and/or your artistic practice. (Max 75 words)

2 images of previous work in JPG format

Submission fee of €16 per entry payable online (maximum of 3 entries)

There is a 1€ increase per entry to cover online payment costs

Important Dates- Sculpture in Context 2023

Exhibition Dates – Thursday 6th Sept to Friday 13th Oct

Submission Deadline – Sunday 9th April

Artists Notified – MAY

EXHIBITION INSTALLATION

Outdoor, Glasshouse Installation and Gallery Drop off– Wednesday 30th and Thursday 31st from 5-8pm

EXHIBITION OPENING – Wednesday 5th September

EXHIBITION TAKE-DOWN

Gallery collection & Outdoor and Glasshouse work that does NOT need machinery or vehicular access Saturday 14th 10.30am- 4pm

Outdoor and Glasshouse work that requires machinery and or vehicular access

Monday 16th October 7am -10am.

Irish Wool is the theme for our next Sunday session February 12th at the CIE Sports and social club at Inchicore at 10.30 – 12.30.

As many of you know, we have been working on a project around using wool from local sheep. We are nearly finished and are currently putting the finishing touches on the book where we will share all our results as well as information about how to source, wash and dye your own wool. As part of this theme, our upcoming Sunday session will let you have a look at raw fleece and how to skirt and pick it to prepare for washing.

We will also be exploring different Irish fleeces that Annika and her Wool Project team have been trialling. We will work on a 2D or 3D sample using a range of breeds and discuss and swap our results. It should be a hugely informative session especially for those ( like me) who tend to stick to what we know!

We would need to bring our usual felt making equipment, soap, sprayer, roller, bubble wrap, plastic bag and perhaps 2 towels, big and small (some fleeces can require a lot of water)
We will have some extras in case there are any beginners or you forget something. So don’t worry.

Hope some of you can make it.

March 5th is the date for our Basic and Beyond workshop at the same venue. It is a full day. This is just an initial heads up with basic information to whet your appetite. More details will follow soon.

Annika will be the leader for this course but there will also be plenty of assistants on hand.
We will be making a double walled vessel with lace effect and Tencel fibre decoration. It is suitable for beginners and improvers. The skills are…. Basic wet felting…. Felting around a resist….. Shading using black and white layers…. Lace technique…. Double walled vessel with decoration on inside…. and shaping while wet.
There will be lots of help so feeling a little intimated shouldn’t stop you from having a go if you are a beginner.
Materials will be provided.

That’s it for now. Hope to see some of you soon. I will have membership forms on the 12th for those who’d like to sign up.

All the best,
Fiona and the committee.

Feltmaking at The RDS Showcase 2023

Even though Feltmakers Ireland was not invited to demonstrate at Showcase this year, there was felt to be seen courtesy of two of our members.

Caóilfíonn Murphy-O’Hanlon showing wool paintings of landscapes and items with prints of her work.

http://www.cushlaofgullion.com

and Juliane Gorman of http://www.felthappiness.com was there showing her fabulous hats.

And just for your information, here are the news from Showcase in the DCCI GANS newsletter:

I hope this newsletter finds you well. January was a busy month with Showcase – Ireland’s International Creative Expo® returning to the RDS, Dublin on Sunday 22nd to Tuesday 24th of January. Showcase offered 385 exhibitors an opportunity to exhibit their collections to approx 4000 visitors from 27 countries.

We were delighted to see the much anticipated Showcase Awards taking place on the opening day of the fair. We were excited to see that the winner of the overall best product award was metal artist, Tom King from An Gobha, whose iron cross was created in celebration of St. Brigid.

The St. Brigid’s Cross was created as a work of metal art based around the traditional cross, with depth and with colour, to mark Ireland’s new national holiday celebrating the country’s first female patron St. Brigid.

Other crafts people at Showcase celebrating St. Brigid’s were Patricia O’Flaherty, Naomh Padraig Handcrafts, from Roscommon, you can see her beautiful St. Brigid’s rush work crosses on www.naomhpadraighandcrafts.com. Jennifer Rothwell Designs also had a beautiful collection of fashion items inspired by St. Brigid www.jenniferrothwell.com

As the first Irish public holiday named after a woman, St. Brigid’s Day gives us an opportunity to celebrate the role that women have played in Irish history, culture, creativity and society.

The Design & Crafts Council Ireland Academy (DCCIA) was launched as part of the Talk Stage programme at Showcase. DCCIA is an international specialised academy for education and training to the craft sector and will offer a series of apprenticeships. DCCIA welcomes everyone from design and craft beginners to established professionals. The launch was delivered by MaryJo Hoyne, Head of Craft & Education at DCCI and Maria Couchman, Senior Craft & Education Manager at DCCI. www.dcci.ie/academy

Showcase 2023 saw a continuation of the popular Talks Stage that hosted a variety of industry talks and expert panel discussions, you can view some of the events that took place over the three days of Showcase here.

The Dancehall (Fashion & Design) – was a new and exciting fusion of Showcase fashion and design with music and dance. To view the performance of The Dancehall event from the opening day of Showcase 2023 click here.

Last few days of Feltmakers Ireland’s 2022 Exhibition in Phoenix Park’s Visitors Centre

The exhibition stays open until 4 o clock Thursday the 22nd of December. There is usually ample parking and a very nice coffee shop. They have bands playing in the court yard most days.

Pictures included below for those of you who cannot make it.

Hope to see you there!

Feltmakers Ireland and Leiko on Nationwide 14/12/2022

Dear members. Nationwide last night featured Feltmakers Ireland’s November Sunday Session and maker Leiko Uchiyama. We are sorry we could not tell you in advance as we had not been told it would be on last night.

It can be watched online on the RTE player https://www.rte.ie/player/series/nationwide/SI0000001172?epguid=IH000412895 for at least the next 30 days.

The choice of what to include in the programme was entirely up to the RTE crew but we feel it gave a positive picture of felting and Feltmakers Ireland.

Congratulations to Leiko! That was a lovely segment about your work.

Sunday Session with Carmen Draghici at CIE Social Club Inchicore 04/12/22 starting at 9:30 (please note time!)

Carmen Draghici,  coming specially from Constanza in southern Romania for the weekend. Her work can be viewed online at FELT JOY and on Facebook & You Tube. She has an ETSY shop and she will bring some of her work to show us.

She will demonstrate some of her unique skills, making a small Christmas Cushion (as time is so limited )

It will be practical session. Some kits may be available to purchase (€4) for those who have materials (old towel, soap, bubble wrap etc) needed to felt with Carmen.

Materials needed:  (exactly as last session)

Old towel, bubble wrap, resist, soap, and water bottle, needed.

70 grams red roving, embellishments (including, if you have any, old lace or finest crochet) 

All members are welcome. 

Tea coffee and Xmas goodies for all!

(Non-members also welcome €10)

Some Information on what you need to bring and what you will learn:

Also: A call out to people who were at the last Sunday session: If you have not unpacked your bags from this event yet, please check if you have ended up with an extra piece by mistake: It is a long brownish piece with an abstract design.

Hope to see you there!

Application dead line for Showcase 2023 (short notice)

This is a opportunity for all members of the DCCI who wish to book an individual stand at Showcase 2023.

(It is possible that Feltmakers Ireland gets invited to participate as a Guild as we did last year. At the moment we do not know if that is going ahead, if and when we know for sure, we will go out to the members and look for volunteers.)

From the Crafts Council:

Dear DCCI Member,

We are delighted to announce the return of Showcase – Ireland’s Creative Expo® to the RDS, Dublin from the 22–24 January 2023. Showcase is presented by Design & Crafts Council Ireland with support from Enterprise Ireland and Local Enterprise Offices nationwide.

Once again, we will have the area at the front of the Main Hall, exclusively for  ‘Design & Crafts Council Ireland’ members.

The details are as follows:

  • This area is open to all DCCI registered clients
  • There is no selection process, and you are welcome to send us in your application.
  • A special subsidy is included in the prices for DCCI clients to make taking part easier, financially.

How to secure your space

  • Please fill out this online FORM  which has a strict deadline of 4pm on Friday 30th September 2022.
  • Showcase will acknowledge receipt of your email on submission of your form and we will get back to you by mid-October to let you know if you have been successful.

Kind regards,

The Showcase Team

Sculpture in Context 2022 – part 2

The weather is a bit miserable at the moment, but there should be lovely crisp days ahead as we head into early autumn.

The National Botanic Gardens are magnificent this time of year, and for the month of September you can combine visiting the gardens with a treasure hunt for exciting sculptures all over the place, indoors and outdoors.

About Sculpture in Context

Sculpture in Context was established in 1985 to raise the profile of sculpture in Ireland and provide a platform for artists outside the normal gallery context. It is a not-for-profit organisation run by sculptors. The exhibition has been staged in the National Botanic Gardens since 2002.

Sculpture in Context promotes artists and creates opportunities for practicing artists to exhibit their works in a wider public arena. The organisation has provided much needed opportunities for Irish and non-Irish sculptors in Ireland.

LISTINGS INFORMATION

Exhibition: Sculpture in Context

Location: National Botanic Gardens, Glasnevin

Dates: 1 September – 7 October 2022

Times: Mon-Fri 10:00-17:00, Sat-Sun 10:00-18:00.

Admission: Free. Group tours of the Gardens and the Exhibitions will be available for booking through Eventbrite

Website: Botanic Gardens

This year even more feltmakers are exhibiting so congrats to all and make sure to go visit!

As there are quite a number of feltmakers included there are two blog posts covering the exhibiting artists. This is the second blog post. Artists are listed in the order we have received information. If you have not been asked for details but are exhibiting in Sculpture in Context, please contact us as there are so many artists involved that we may have missed someone. This second blog covers the work of Carmen Garcia, Astrid Tomrop-Hofmann, Juliane Gorman and Claire Merry. Claire is a long time member of Feltmakers Ireland so we have included her piece here even if it isn’t made of felt.

What does Home feel like? by Carmen Garcia

This piece was made in response to the stories coming to us from the war in Ukraine. I wanted it to represent the pain, to be visceral, to be felt.

I used the dissonance between the homely, earthy slipper, that resonates with “cosy” and “safe” and the intense red of the exposed arteries and veins which resonates with life, but also with blood and violence.

However, what I am really interested in, is the feeling people experience while looking at it. Either having read the title or not.

What does Home feel like – Carmen Garcia

The Glow Worms Nest by Astrid Tomrop-Hofmann

The materials, shapes, structures and colours of my native surroundings provide inspiration for my creation. Working with different raw wool types ( unwashed and uncarded fleece loosened by hand ) fascinates me. 

This piece embodies warmth, softness, protection and comfort. The upright rods radiate decisiveness and togetherness, all the while surrounded by organic matter. 

I love to explore working with silk, recycled materials, paper, rich colours and texture combinations . I employ a variety of techniques to create my work and find joy and share it! 

Felting for me is diving into a world of unlimited opportunities. The dialogue with the material wool and the interaction of art and craft, and thereby the implementation of a millennium old technique, captivates me.

The Glow Worms Nest by Astrid Tomrop-Hofmann

Perpetual Felt by Juliane Gorman

Usually, I create whimsical wet-felted hats. However, for Sculpture in Context, I wanted to explore installations.

As I wandered through the gardens in winter, the ancient, naked stems of the Wisteria Chain Tent caught my eye. I found it unbelievable that this organic structure was so large that it almost was a building! Did it feel embarrassed not to have leaves? And what about its cascading blossoms? They would only exist for a few weeks.

My twirling purple pods are an attempt to adorn this quirky location.

There are spiralling, felted cords on each pod made from locally-raised Romney wool. My supplier for this material is Natural Wool Ireland. (https://www.naturalwoolireland.ie/)  Although the bulk of the fibre used in the pods is Merino and sadly not Irish-raised. Nonetheless, this wool is also sustainable because all sheep are shorn annually. 

Perpetual Felt by Juliane Gorman

Fly Me To The Moon by Claire Merry

I refer to myself as an ‘Art Butterfly’, as I have had great fun and satisfaction in playing with different media. It gives me great pleasure to try out something new and working with proven techniques from previous works.

I have worked with textiles, clays and principally for the last fourteen years with handmade felt. This piece is based on a previous much smaller one, so resizing it was a nice challenge. I love steampunk style, so I have teamed up the hot air balloon with the penny-farthing bicycle, to deliver flowers to the moon on slow power

Fly Me To The Moon by Claire Merry