Online Workshops for 2021

Dear members,

We hope you are all doing well, staying safe and finding some time for crafting. As I mentioned in an earlier blog, there is one actual benefit from the pandemic, and that is that more felting workshops than ever are offered online. This means that you can learn from artists across the world and establish contact with other makers from many different countries. The best courses are quite pricey and fill up quite fast, but if you compare with the time and cost involved in doing in-person workshops they start to seem a bit more accessible. Also, remember, all renewing members will be placed into a draw for a bursary award to the value of €200 for an online international tutor workshop this year.

In this blog I want to present a list of artists whose courses I have done, or would like to do, in case any of you are looking for workshops to do in the coming year. Learning about new techniques and being encouraged to keep making has helped me retain a modicum of sanity in the last year and I am planning to keep it up in the new year as well. If any of you know of other courses and artists not mentioned here that you would like to recommend, please send us a line.

Fiona Duthie: Fiona Is well known for excellent online workshops. They one I took last year definitely improved the quality of my finished felt. She is also very generous with help and advice and added a number of extra tutorials to the course in response what students were interested in. Fiona is opening registration for her spring courses on January 4th.

Online Workshops – Fiona Duthie

Pam de Groot: Pam’s workshops focus on 3D felting, and allows you to explore how felt can go from 2D to 3D and the effects and structure you get by varying the thickness of wool in a felted piece. Pam has not posted dates for courses in 2021 but sign up to her newsletter if you are interested and be first in line when registration opens.

Pam de Groot – online workshops | courses

Eva Camacho-Sanchez: Eva is a Spanish artist living in the US. Her online classes are mostly 2D, incorporating, mark making, stitching and Joomchi. Joomchi is an old Korean technique where water and agitation fusing mulberry papers together to create a strong and interesting surface that can be used on its own or with felting and stitching. Eva has not yet put up dates for 2021, but join her newsletter if you are interested in her courses.

Online Classes — eva camacho

The Online felting Studio with Ruth Lane and Teri Berry have courses that are quite a bit cheaper, but much shorter that the ones I mentioned below. Ruth lane teaches 2D embellishments and mixed media approaches to felting and Teri berry ‘s courses include an interesting looking concertina hat. These would be good if you wish to dip a toe into online learning.

Online Classes | feltingandfiberstudio

Mandy Nash: Based in Wales, Mandy did a few live zoom classes last year. I attended two of them (remotely) and learnt how to make two types of fabulously colourful felted fish. These are now available as a video down load. They are quite long as they include the recording of whole day workshops. They are very reasonably priced, but require a specific wool (bergschaus) for best results. This is a very interesting wool as different colours of a separate layers of wool migrate through the layers and give both vivid and subtle colour gradations when felted.

Workshops – Mandy Nash

Patti Barker: Patti has a number of shorter tutorials and workshops. They are very reasonable and for the “Demystifying felt resist “ course she did Last year she even sent you all the materials needed. She does not have any dates up yet, buit her courses can be found here:

workshops | patti barker | Instructor

Molly Williams: Molly’s workshop teaches how to felt human figures in 3D around a metal armature. I am signed up to begin one of her courses in January, so will keep you posted.  She has opened registration for courses beginning in March.

Online Workshops | MOLLY WILLIAMS TextileMatters

International Feltmakers CiFT: the International Feltmakers offers a course that gives a certificate in Feltmaking, CiFT.  You receive course information online and send samples for feedback to a course coordinator. There is also a facebook group were students can interact abd support each other. I have not done this one, but would be curious to sign up some time in the new year. If you have experience of this course, please send some feedfback or information to Committee

CiFT – Introduction – International Feltmakers Association

International feltmakers also list a number of upcoming workshops on their Events page, including feltmakers Ireland’s upcoming workshop with Gabi MacGrath.

Events Archive – International Feltmakers Association

Hoping for a brighter 2021 with lots of making opportunities!

Stay making! Stay in Touch and thanks for reading

Annika.

Update of news

Here is brief summary of what happened at our GANS meeting on 7th December- by Breda Fay.

Any queries please let me know by email and I’ll try to find answers:

Rosemary Steen CEO – gave an overview of DCCI 5Oth anniversary plans (see proposed deadline attached )and a brief report on the Irish Business Design Challenge.

Susan Holland, Exhibition & Programme Curator gave an overview of upcoming exhibitions that will be of interest to the GANS

External Exhibition Fund 2021 – Deadline extended to 11 January 2021 – www.ndcg.ie/news/article/external-exhibitions-fund-2021.

MADE IN IRELAND – Open Call Exhibition – www.ndcg.ie/news/article/made-in-ireland-open-call 

50 Works | 50 Makers | 50 Years – Exhibition – Nomination forms will be available soon 

Liz Nolan, Project Manager gave an overview of the ‘Keep well campaign’ 

DCCI has received funding through ‘Healthy Ireland’ for the delivery of projects under the ‘switching off and being creative’ theme. DCCI is now seeking submissions from GANS members to provide a series of community and online activities.

https://www.cognitoforms.com/DesignCraftsCouncilOfIreland1/KEEPWELL  Closing Date 13th January – Projects must be completed by end of  March 

 The Headford Lace video of the ‘The Space Between’ exhibition curated by Fiona Harrington was shown

Link to video: https://vimeo.com/469722770

 Finally, I hope the new ‘Keep Well’ campaign and the other opportunities above will be of interest to the GANS members. 

Might see you Sunday for Fibre Sales in the Park- Sunday 20th 11am- 2pm ( masks must be worn, no access to inside studio, exact money required).

Dont forget membership and Gabi McGrath course in January – forms online

Wishing you all a happy and healthy Christmas and all the very best in 2021.

Breda

Three pebble necklace- a workshop with Baribon.

THREE-PEBBLE NECKLACE WORKSHOP – by Breda Fay


I’ve made many items at felting workshops. I loved the experience (and the chit chat) but rarely would I wear the product or even hang it on my walls. Most of them are in the far corner of cupboard. 

However the finished article from the course on Saturday is already being worn and quite proudly. So I would certainly suggest keeping an eye out for workshops from this source- Anikó Boros from Baribon. If I could do it, it would pose no difficulty for experienced felters. 

About 10 days before start  we received list of requirements and more importantly, a manual of the course so that we could be ready to start on time. With different time zones from Aus to CA. USA,  I  think the flexibility this gave was appreciated. Translater with really good English talked us through all the steps (Anikó was the tutor)… with regular breaks for questions and ‘catch-up’ time. Although it was so well paced everyone was pretty much together.

I think Tamzen’s video on making cords helped me- so some prior knowledge of making a cord would certainly help a beginner.

 We made all the individual components separately and just before lunch assembled them into one piece;We cut the windows quite early in the process and emphasis was on ‘a small hole’.

Lunch was for half an hour, this allowed participants to chat with each other and share felting stories;Work continued after break with the felting.

We rubbed with netting and hands/fingers going very gradually from gentle to stronger. It was really very late in process when we wrapped in towel for strongest rubbing. This may have been that there was a need to keep repositioning the stones while ‘their coat was still loose’.

So what did I learn:You can felt in a small space, no need for a 6 foot table ….after an hour , I cut my bubble wrap and netting into suitable size, making the procedure even easier;I used 16m fibre purchased from Feltmakers Ireland  …. hand dyed so lovely ombre of hues …. will be better appreciated  when dry;Need to read instruction very carefully as I missed the need for 2 small pebbles for end of cords… lucky I could run out for a dig in the garden;Used only hottish water initially, later  soap for the felting process (this seems to depend on tutor as I’ve been to classes which were like froth-fests);Such gentle rubbing initially … with a finger … but think this might also have been dictated by size of projectCutting off ‘fluff” at end with a small scizzors …. some of my admiration for you great smooth felters has disapated….fluffless felt is easier than I thought …. but in fairness think the quality of my fibre lent to a pretty fluff-free product;The five hours flew and I had a finished item at the end. Zoom was the platform used, with three cameras (I could only find 2,  one of them the close up which was brilliant;Tutor/translater very easy to listen to and humorous!

During the lunch break we had a tour of the studio and know that more workshops will follow with other techniques;There will be a follow up call in a week or so in case any questions;

Two of the participants had a major difficulty with their fibre not felting at all…. both had white and from same supplier-so it is advisable to know that the fibre you have bought is suitable;Everyone else delighted.

I’d give my first online course a full 5stars…

find out more about the tutors work here-https://baribon.hu/

Made in Ireland Exhibition. OPEN CALL

Breda Fay here…. just a reminder to all you talented felters that MADE IN IRELAND exhibition
The National Design & Craft Gallery (NDCG) have issued a nationwide open call for submissions of high-quality contemporary and traditional Irish craft for a new MADE IN IRELAND exhibition.
With standard of work many of you produce it would be a great way not only to get public recognition for your skills but also to put FELTMAKING into a more public space….
Please visit www.dcci.ie for more info.

Reviews of Felt Courses by Annika Berglund

It seems this pandemic is just rolling on, with no real end in sight. It can be hard to stay positive at the moment, especially with the days getting darker and less scope for being outdoors. There are many ways to try to cope and to keep looking for the positive, and I wanted to share something that has been very helpful for me in all this. I live alone with my 12-year-old daughter and felt I needed something to help me stay connected and hopeful in the face of a long time with limited direct social interactions.

Feltmakers Ireland and sister organisations across the world have had to cancel workshops and meet-ups across the world due to the pandemic, the knitting and stitching show in Dublin being an example in point. All these cancellations have been hard on artists and teachers as a significant revenue stream has been cut off for them. A small spark of light in these troubled times is that the number of craft courses offered online has increased a lot, allowing access to knowledge and inspiration from a wide range of artists across the world.

I am a great fan of courses and workshops and love soaking up knowledge and inspiration from whatever artist or teacher available. I was in the fortunate position to have the time and the means to sign up to a number of online courses since the early summer, and I am certain that it has contributed in large part to keeping me relative sane through this very trying year. I know I would not have been able to attend such a range of courses if I had had to travel to each of them to participate. I also made a lot of new acquaintances and contacts by interacting digitally with the other students which has helped me stay positive and feel connected.

I have been asked to introduce you to some of these courses and give some ideas of courses coming up and where to find additional information if you are interested in taking a look for yourselves. These courses do cost money, but I personally have found them well worth the investment. With Christmas coming up you might be able to hint that they would be welcome in your Christmas stocking. If you still find that you cannot justify this expense, I hope to send out some more links to free online tutorials in the near future.

If you are interested in any courses similar to the ones I mention below, the best way to get enrolled is to go to the web page of the artist whose course you find interesting and sign up for their newsletter, or to follow them. They will then tell you when they have courses coming up and how to enrol. Fiona Duthie, (https://www.fionaduthie.com/workshops/online-felting-workshops/) for example is very popular. Her courses book up very fast and I already have a reminder in my calendar for the 4th of January when she will open registration for her 2021 courses. I just managed to get a spot on one of her courses in 2020 and hope to do more in 2021.

The first course I did took place during the summer, a course focussed on 3D felting, by the Australian artist Pam de Groot. (http://pamdegroot.com/online-courses.html )

This course helped improve the quality of my finished felt no end, and showed me many examples of how to take a 2D piece of felt and work it till it became a very different 3D object, based on shrinkage and different qualities obtained from different levels of thickness of the laid down wool. It also put me in contact with people from many different locations in the world who all shared an interest in felt and we created a small community that felt very encouraging and friendly.

 Surfac... logoSurface Form and Space Mid 2020 Pam de Groot

Here are some of the samples I made during this course

After this course there was no stopping me.

I signed up for a course with an American artist called Patti Barker: Demystifying felt resists. (https://www.pattibarker.com/workshops)

This was a shorter course, and Patti sent us all the materials needed for the course. All other courses send you a list of materials that you had to get yourselves. Patti shared some skills on how to get tighter, smoother felt by finishing by rolling the felt in on itself, without the bubble wrap. I made two little vessels, one as usual and one rolling it in on itself, and I must admit the second vessel looked better (the one on the left)

These are the samples I made in this course:

Another course I participated in was a two day live zoom course with UK artist Mandy Nash, making two different kinds of fish using a wool called bergschaus:

After that I joined a course led by Ruth Lane, called Nuno Felting with Paper Fabric Lamination. It added in mixed media techniques into felting which I found very interesting. I am still working on finishing samples from this course, but here is one that I am working on. I plan to add some beads and stitching. (https://permutationsinfiber.wordpress.com/about/ )

I have two other courses going on at the moment.

I managed to get a spot on one of Fiona Duthie’s 2020 courses: Felting over the Edge.

As the title implies it looks at how to do more with the edges of felt pieces. I still have 3 weeks to go to create a finished piece, but these are some of the samples I have made so far:

Recently I also started another course by Pam de Groot:

Texture and Dimension October 2020

The first part of the course teaches how to make a splash bowl. Easier said than done. These are my two first attempts:

In the 4 upcoming weeks we will be learning how to make spiral shell shapes.

I also have two more courses coming up end of this year, starting the new year, by two exciting artists:

Eva Camacho-Sanchez

Official Beyond Felting: Wool + Paper + Silk

https://evacamacho.com/online-classes

And a figurative 3D course by Molly Williams called Contemporary Dancer

These courses do require a reasonable internet connection. Also, you will have to invest in materials for nearly all of them. Some of them are very specific in type of wool needed. Not all students in all the classes I have participated in have had the specified wool. Sometimes that worked fine, sometimes it made it harder to get the expected results. As I wanted to take so many different courses I had some problems with needing lots of different wools in a selection of colours. It would both be very costly and take up too much room in my house. This became obvious after the first course and I decided to only get white wool of the specified type and figure out how to dye it myself.  Some trial and error ensued, but I think I am getting the hang of it. That may be the subject of more blog entries in the new year.

Feel free to contact Feltmakers Ireland – Annika Berglund-if you have any questions about this blog entry or if there are subjects you would like us to look at or information you want to share.

Stay making! Stay in Touch and thanks for reading

Annika.

A video Interview with Sharon Wells

To all our lovely feltmakers out there here is a short film we made for you- members have already received an email and link to this video- now we wish to share it furtehr with our wider community through the blog post… we hope that you are inspired!

As we still can’t get together and the country is once again in level 5 lock down the committee have been busy trying to find new ways to inspire and promote the craft of felt making.

New 2020 committee member Deirdre Crofts undertook the latest task- filming a video with Sharon wells- textile Artist.

The committee wishes to thank Deirdre for her hard work ( made even harder by social distancing).  
We wish to thank Sharon for her participation again under difficult circumstances. We hope that you agree that this is a wonderful in depth look at how a felt maker artist works and their methods.

Sharon Wells is a fiber and textile artist working with wool and silk fibers born and bred in Co. Wicklow but her heart is in the Kerry hills.  Sharon will explain how she skirts, washes and dyes raw fleece and will show us her beautiful work.  You will find a link to her website below.

https://www.youtube.com/watch?v=gex4ELxwB5I&feature=youtu.be&ab_channel=FeltmakersIreland
Enjoy and remember to subscribe to the Feltmakers ireland youtube channel too!

https://www.sharonwellsart.com/

GANS meeting update

Hi felting followers…

Breda Fay here – the money minder – an easy job in the present climate as we have no expenses.

I attended monthly meet of GANS this lunchtime. Usually I just send a link to GANS but decided today to be more personal and share some news that might be of interest to you. Some of it has time constraints so if you’re interested link to relevant sites quickly.

  1. The POSTAGE SCHEME is going very well – €4.95 (inc VAT) for labels from An Post. The first consignment is almost gone so get your orders in quickly – A second consignment planned for before Christmas- this is a scheme for Guilds that can apply for postage rates from anpost.
  2. The Irish Business Design Challenge has been receiving lots of applications (final date 28th October). Many of the 250+ applications are still in draft form so you still have time. It’s aimed at micro, small and medium businesses with a prize fund of €50,000. Check out the website as it might be of interest to many of our members: https://www.dcci.ie/irish-business-design-challenge
  3. Business to Arts Fund is another scheme that might interest some of you. Will bring up an application of behalf of Feltmakers Ireland at next committee meeting. But some members might like to make their own submission for funding. Closing date is November 4th at 5pm and the project must take place between February and December 2021. Consult website for more details: https://www.businesstoarts.ie/artsfund/bank-of-ireland/
  4. Phase 1 of “MADE LOCAL” has been a great success – with very positive reports from artists and makers. Phase 2 is to be launched in early November – the theme “Gifting for Christmas” will be in time for the Christmas market. Brian Magee (DCCI) urges all makers to register. The form is available on DCCI site or you can contact Brian at brian@dcci.ie. This campaign offers great support to makers with a wide range of publicity on radio, Nationwide on TV, social media, etc: https://www.dcci.ie/made-local
  5. For the first time ever (or in a very long time) DCCI are putting out an open call to makers who create pieces of exceptional merit. I went to make coffee while this was being talked about – so will be in touch with Mary Whelan for relevant information!
  6. Many of the Guilds and Societies are in the same boat as ourselves. There was particular concern about the absence of the RDS Christmas Fair. BUT there might be some good news, covid conscious of course –
  7. Dublin Live have a market planned for the Smithfield area:  https://www.dublinlive.ie/whats-on/family-kids-news/christmas-mistletown-smithfield-markets-dublin-19030974
  8. Galway Christmas Markets 8pm November 13th
  9. Belfast Christmas Market Nov 16th
  10. Glow Cork Nov 29th
  11. Waterford Winterval Nov 23rd
  12. Wicklow Christmas Market Nov 23rd
  13. GOOGLE for others or changes
  14. MADE LOCAL hope that its forum will provide an online platform for craft work.

Thats it for now folks- stay safe and well.

Sunday session- a bowl inside a bowl experiment

Virtual Sunday Session – Fiona Duthie, Vessel within a Vessel

By Annika Berglund

Unfortunately, we can not meet in person yet due to Covid but we still want to keep up the contact with members and keep the learning opportunities coming. Feeling connected and having opportunities to develop the craft seems more important now than ever.

The virtual Sunday sessions so far have been done by members. https://www.youtube.com/channel/UCePnyqQf59riMfGJMtO8zwA/

We thought we would look outside our group for new learning and we found an excellent tutorial by renowned teacher and artist Fiona Duthie. Fiona Duthie gives online workshops on a regular basis that have a great reputation. Unfortunately, her workshops are all fully booked for 2020. We will keep an eye open for when registration opens for 2021. Luckily for us, she also has a free online tutorial that we want to suggest to you for this month. It is a great introduction to her teaching style and you end up with a lovely little vessel and an interesting technique in felt making.

I had a go at following the tutorial and it was easy enough to understand.

First, I made a template that looks like two circles connected by a “bridge”. Then you have to think a little “inside out” and put the decoration down first on one of the circles as this one will be turned inside out eventually However, you put the decoration on last for the second circle. You rub and roll these together, throw them down a little and then you cut openings in the second circle and pull the template out through these. Finally, you push the first circle through the bridge, into the second circle. This turns the first circle inside out so the decoration becomes visible through the holes in the second circle. Magic!

Here are some photos from my attempt at following the tutorial and the final result. Hope you get a chance to try it out.https://www.fionaduthie.com/vessel_within_a_vessel/

Annika Berglund, committee member experiments- following the free online tutorial by Master Feltmaker Fiona Duthie.
Annika Berglund, committee member experiments- following the free online tutorial by Master Feltmaker Fiona Duthie.
Annika Berglund, committee member experiments- following the free online tutorial by Master Feltmaker Fiona Duthie.
Annika Berglund, committee member experiments- following the free online tutorial by Master Feltmaker Fiona Duthie.

LIMINAL- a space between, Exhibition

‘Into the Matrix’ Exhibition: 2 pm Monday 31st August to 4pm Sunday September 13th.

Open every other day from 10-1 and 2-5pm. 7 people can visit at any one time

Liminal is a County Wicklow based group of four artists motivated by their shared experience of establishing a sense of place in their adopted county. They have come together to find strength in working collaboratively and explore contemporary ways of working with fibre arts and mixed media.

Fabienne Herbert, Christine Theobald, Anne Walsh, and Nessa McCormack met through their involvement in Feltmakers Ireland and have previously exhibited with FI. This is their first group show. Each artist has responded to the theme individually, producing wall and 3D pieces in their chosen art medium.

Instagram: Liminalart      Facebook: Liminal   Email: liminalvisual@gmail.com

Anne Walsh – Bio and Artist statement

Anne worked as a dress designer for 18 years before following her passion to understand the myriad and innovative ways that humankind have developed to exist in their worlds. This led to her completing a degree in Anthropology, later focussing on the Anthropology of Art in her Masters in New Zealand. It was there that she first learnt to felt, an artform that had enthralled her many years earlier during frequent visits to Co Clare. On returning to Ireland she continued to explore feltmaking, attending master classes with Feltmakers Ireland, constantly seeking out the possibilities that feltmaking provided.

“Throughout my life I have been drawn to the alternatives and possibilities of other worlds, to other ways of being. The exhibition theme, Into the Matrix, defined in one dictionary as ‘a mass of fine-grained rock in which gems, crystals or fossils are embedded’, led me on a journey to explore the otherness of the little known, the underworlds of limestone ecosystems. My personal quest was to interpret this environment through the patterns I saw, believing that even within the unknown, we recognise something, it resonates within us, speaking a language that we know in our souls, and it offers us a window to imagine and understand diverse ways of living, seeing, and being in our world.”

Email: Awesomefelt@gmail.com     Phone: 086 8177326

Christine Theobald – Bio and Artist Statement

Originally from Switzerland, Christine studied Visual Arts and Art History in Geneva. Since arriving in Ireland, many moons ago, she has worked in the field of Special Education and Autism with a particular interest in facilitating arts and creative activities. After completing a degree in Early Childhood Education, she questioned the role that creativity plays in human development. With this vision, she found herself felting her way into the visual and design world.

“Wherever my eyes wander and play, I follow. Marvelling at patterns, I like to explore the underlying framework of all things. I am fascinated by the transformation of airy fibre into shapes, revealing geometric markings, with light and shadows playing their part. Smooth felted edges create harmonious lines and blends of colour emerge softly, adding to the understanding of the piece.

Free falling ‘Into the Matrix’ of my own creative experience, I made a series of pieces that tempted fresh boundaries. Upon self-reflection, my aim was to link natural patterns and ways to follow the fibre of my intuition, directing myself towards a space of effortless creativity that I remember having as a child.”

Email: outfeltdesign@gmail.com              Instagram outfelt.design

Nessa McCormack: Bio and Artists Statement

Nessa is an Irish artist living and working in County Wicklow. Having worked in the IT industry for many years, she returned to college as a mature student in 2015 and studied Visual Art at the National College of Art and Design, Ireland. Over the past 10 years she studied and worked with screen printed and sculptural fibre art which inform the layers and textures in her paintings.

“Vibrant abstract paintings that celebrate colour and simplicity in composition, combined with a deep connection to intricate patterns, form the basis of my work.

My paintings begin with colour investigations, usually derived from sketchbook studies and evolve intuitively through play, and a considered response to emerging layers of hand printed marks, spontaneous drawing and textured paint surfaces. I strive to keep an energy and freshness going throughout the process by working in a series of paintings, taking risks, moving quickly from one to the next interpreting and responding to what each one is telling me.

I have discovered a sense of place and a deep connection with beauty in the intricate details observed in my environment: in particular, communities of abundant thriving life forms in nature, their connectivity and constant renewal.

Indigenous global cultures have embraced this deep wisdom in the natural world and offer inspiration through symbols and vivid colours found in their textiles. My current body of work is an exploration and celebration of the beauty evident in their daily rituals.”

Email: nessamccormack@gmail.com    Instagram: nessamccormackart    

Facebook: Nessa McCormack     Website: www.nessamccormack.com  Phone: 086 6022511

Fabienne Herbert – Bio and Artist’s Statement

Fabienne grew up in western France. The daughter of a dressmaker, she was drawn early on to the process of creation. After working in software localization for many years, she studied, graduated and worked as an Interior Architect. This experience reinforced her belief in the value of simple forms and that materials awake our senses, evoking memories. She also studied Visual Art Practice in NCAD, where she won a prize in Embroidery. Her art is inspired by observations of her surroundings, an experience or a moment in time. Using printmaking and thread work, her work evolved towards abstraction, influenced by cubism and the Bauhaus movement. Fabienne has now taken a more experimental approach to her work by making and using natural and plant-based materials.

“How I perceive my surroundings, and what engages my senses, drive what I do. I seek to capture a shape, an outline, an element and build upon this. By expressing myself, I can find a balance between a sense of order and the unexpected. My process can start with a mark, a colour, a material or a series of experiments. I use printmaking and thread work to construct simple forms in wall art and sculptural pieces. I make my own colours using plants which I turn into a natural print paste, dye or ink. Having a direct link with the raw material is fundamental to my creative process.

Into the Matrix evokes the idea of repeated forms and actions, as seen all around us. For this exhibition I explore the relationship between repetition, pattern and space and how it impacts us. Based on my observations of the San Francisco city scape, this body of work looks at how materiality and repetition define our environment. I interact and move through the city where space, form and place meet.

All my pieces in this exhibition include natural dyes, pigments or inks made either from my garden plants, local flora foraged in Wicklow and during my journeys in France, or from food and plant waste.”

Email: fabienne@mellowgoatstudio.com   Instagram: mellowgoatstudio

Website: www.mellowgoatstudio.com       Phone: 087 6482996

‘Into the Matrix’ Exhibition: 2 pm Monday 31st August to 4pm Sunday September 13th.

Open every other day from 10-1 and 2-5pm. 7 people can visit at any one time- PLEASE GO ALONG, SUPPORT LOCAL ARTISTS AND BE INSPIRED.

Meet the Maker- Tamzen Lundy

I joined the Feltmakers Ireland committee back in 2018. I took over the role of Chair back at the start of this year, ah, and what a year it has been.

A Global Pandemic wasn’t on my prediction list for 2020 and it certainly was not on the FMI “aims and objectives”! Who would have thought it? How our lives could be changed, futures altered and humans “Endangered”.

The title for our 2020 exhibition had already been decided at the end of 2019. After a few brainstorming sessions and with the Climate action protests at the forefront of our mind, we all agreed it was an appropriate topic. Ambiguous enough to give scope to creativity but clear enough to hopefully link the incoming submissions.

I am terribly proud that as a group we managed to put on an exhibition at all this year. Our proposal was for a gallery space at the Knit &Stitch in the RDS, this was cancelled… we had a plan B in place, a lovely space in the visitor centre at the Phoenix Park- 3 weeks before we were due to open this space changed too!

We flexed a little and changed course, in the end the judges- Gabi Mc Grath and Jane Fox were extremely impressed with the standard and marked and ranked the pieces. This we communicated to the applicants.

As a committee however, we decided we would try to show everyone’s work. With the year that’s in it, our aim is to keep the community motivated, to promote the work of local artists and to support… and so it was- all applicants work was shown albeit in a smaller location in the Phoenix park and we hope that you have enjoyed the on-line “meet the maker” interviews and photographs too…

Here’s mine. Tamzen x

Coral Bleaching by Tamzen Lundy

The Exhibition title- Endangered?- how does your piece respond to the title? your inspiration and methods etc

My piece is titled “Coral Bleaching” it highlights the topic of habitat loss, specifically in the Great Barrier Reef, the phenomenon of coral bleaching linked to elevated sea temperatures.

It is a textural piece using wet felt techniques including cords, attachments and shibori as well as hand embroidery and bead work.

I love colour and texture, so I’ve used bright fluo combinations. I interspersed these highly coloured sections with neutral undyed “ bleached” out wool, where hopefully the textures speak for themselves.

Last year I undertook the #100day project and many of the small pieces I created reminded me of coral or sea creatures. I spent some time collecting plastic waste and ghost fishing nets and incorporated small pieces of these into my work. I suppose that this “Coral Bleaching” piece is a continuation of that work.

Crafting through the current crisis, with the pandemic have you found time to craft, has it inspired you or have you found it more difficult- discuss

In my family this really has been a crisis year. I was acutely aware of the Global situation as it unfolded. I watched Covid 19 news closely as it emerged in China back in January. Back in 2003 I was working in Hong Kong when Sar’s emerged. I remember the nervousness of having my temperature checked at the airport en route home from a business trip.

With my own fashion design work, I travelled to Germany in February this year to consult with a large retailer ( and took a face mask with me “just in case”, but it stayed wrapped and sealed in my pocket).

By the end of that month, our relatives in Milan, Italy were in lockdown.

My Indian boss, whose family live in Madrid- had already started home-schooling.

On 12th March I picked up my 3 Children from school. My partner and I still didn’t realise then that by the end of the month both my freelance business of 15years would have ended ( I hope suspended, but I simply don’t know) I would have become full time- “home- school” teacher on PUP!

As large European retailers simply cancelled orders for knitwear, product that was already designed, manufactured, and shipped, the knock-on effect to the manufacturers and all their auxiliary partners (including me) was extreme. Capital dried up, goods stopped at ports and contracts abandoned, claims of “Force majeure” as European retailers shuttered their doors and passed the problem to the Asian manufacturers, ( and freelancers like me) who soaked up the losses.

I turned my focus to staying healthy, keeping mind and body together, working on my own creative projects and my family.

Luckily for my birthday my folks sent down a great big package of fibre, so materials weren’t a problem and crafting as always played a huge part in my life.

Art and Craft is not something I do in my spare time; it is the thing I do. The Earth without Art… Eh.

I’ve used this time to make 2 videos for DCCI and to start to video my work for future on-line felting tutorials. I am also organising a local #madeinmaynooth market for artists and crafters to simply set up a socially distanced stand and hold a “art and craft walk” on a designated day in the month.

I’m doing this as well as setting up an etsy store, supporting my kids as they transition back to school and volunteering with the FMI committee.

100 days of felt Tamzen Lundy

Felt- how you discovered it, what it means to you

It was at a Knit & Stitch show a good few years ago now that I first saw a demonstration. I studied Fashion and textiles at university and design knitwear ( very commercial, colour and trends) but felt was not something I had done before. I loved the versatility, 2d and 3d. It was almost like magic, fibre to cloth, with no needles!

Felting means I can be creative at my kitchen table. I can be present in the house, I can chat to the kids, but I can also work creatively for me.

I have an output for my creative madness that is both flexible and forgiving, qualities I respect and strive for in life.

​FELTING ONLINE WORKSHOPS
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I’d like to take this opportunity as the “Endangered” exhibition closes to thank our hosts the OPW, Phoenix Park visitor centre, The DCCI, The feltmakers Ireland voluntary committee for their hard work, our two esteemed Judges- Gabi Mc Grath and Jane Fox and all the applicants for their wonderful work.

We hope that through these tough times you have been inspired to keep crafting, keep creative and keep safe.