In October, artist and Feltmakers Ireland guild member Annika Berglund was interviewed by Grace Hanna for theIrish Farmers’ Journal. The interview covers Annika’s involvement in the book ‘Exploring Irish Wool for Feltmaking’ and the guild’s experiences sampling 40 different breeds of Irish sheep wool.
Also included is Minister Pippa Hackett, who eloquently spoke about the paradoxical situation of Aran sweaters and Irish wool.
Member Annika Berglund shared her felting journey at Feltmakers Ireland’s most recent Sunday Session on the 8th of October.
Online Education
As mentioned previously, Annika started her felting journey with an in-person class at the 2019 Knitting and Stitching show. However, most of her textile learning experiences have been via online study. To read about her recent experience with the Hungarian Felting Retreat, visit this previous blogpost. This is a recap of her online education. Jump to the list ofonline classes.
How Information is Accessed
Annika explained how online classes are ‘delivered’, with many of the best ones being held on the Ruzuku platform, where new topics or projects are introduced weekly or bi-weekly. Depending upon the instructor, these classes can contain short videos, photographs, and step-by-step written instructions. This method helps to break down information into bite-sized pieces. Other tutors share their teaching via recordings of longer Zoom sessions. Typically, these classes are private links on YouTube. The drawback of this method is that students may need to fast-forward through a video to search for needed steps within the instructions.
Depending upon the teacher, classes can be for a few hours or for several weeks.
In some of the courses, students can upload photographs of their felted assignments. Seeing the work, the teacher and the other students in the class can offer feedback. Other students’ comments were an aspect that Annika appreciated through the isolation of 2020. Annika says, “When you did a course, {it} saved my sanity”.
Additionally, being a part of the worldwide felting community was a benefit of some of the courses. Lastly, courses offer one the opportunity to play!
Pam de Groot
The first online class that Annika took was taught by Pam de Groot, an Australian feltmaker.
Pam offers two online courses. Annika greatly enjoyed ‘Surface, Form and Space’. It focuses on different types of differential shrinkage with each assignment. Pam’s other class, ‘Textures and Dimensions’, is more project-based, with multiple techniques in each project. Students create three three-dimensional sculptures: The Splash, The Spiral, and the Twistie. Annika’s Spiral project is the large white ‘seashell’ in the photograph below. While the teal-coloured, star-fish shape is from Pam’s other class.
A medley of felted objects from Annika’s two Pam de Groot classes.
In May, at the AGM, guild member Ramona Farrelly won a bursary to attend a workshop of her choice. She chose Pam’s first class. You can read about Ramona’s experience on our blog.
Fiona Duthie
The next bunch of classes that Annika took were taught by the Canadian feltmaker Fiona Duthie. Fiona’s classes are so popular that they fill up. Hence, Annika could only get a spot in the ‘Over the Edge’ class. However, this eight-week class proved to be quite useful. As Annika says, it “was actually a really good one to do, because {there are} a lot of techniques in the one course and because of all these different ways to edge work, will teach you a lot of different felting techniques that you can use in the middle as well.”
The next class that Annika took with Fiona Duthie was her ‘Raised Surfaces’ class. She found this class highly rewarding. She explained, “Once you start to attach things to the surface, you get much more lively stuff. And once you can do this, … then you can make a hat, or you can make a wall piece. So consider the techniques on their own, and then figure out how they fit with what you want to make…”
Another class that Annika took with Fiona was the ‘Fibre + Paper’ course. This class required gentle feltmaking, with students trying to coax wool through various types of fine papers, including mulberry. However, one of the benefits of working with paper is that it allows crisp mark-making. It also makes the felt stiffer so you can do more sculptural shaping. {In the past, Fiona has offered a related course where students learned how to create paper lampshades.}
Annika also took Fiona’s ‘Surface Design Online Class’, which focussed on texture on flat surfaces. Note how Annika’s careful recordkeeping on her samples.
A Free Fiona Class
If students want to experience a Fiona Duthie class before first purchasing one, there is always her free online tutorial for a ‘Vessel with a Vessel’. This tutorial inspired the guild’s ‘Basic & Beyond’ class, which Annika taught at the beginning of 2023.
Mandy Nash
In this class with Mandy Nash, students learned how to make two felted fish during a live seven-hour Zoom workshop, which is now available as a recorded class. Mandy is UK-based and currently the president of the International Feltmakers Association. In 2022, she taught an in-person felted bag workshop to the Guild.
Eva Camacho
Annika particularly enjoyed learning from tutor Eva Camacho, a US-based feltmaker who is originally from Spain. Annika shared pieces from two of Eva’s classes. In one class, students used the Korean technique of ‘Joomchi’ to make projects out of mulberry bark. Annika explained, “Basically, Korean peasants couldn’t afford fabric, so they took mulberry paper and layered it.” The results were used for clothing and purses. The process is similar to feltmaking! She also took another class with Eva where students focussed on embroidering Joomchi.
Kristy Kun
Kristy Kun is a US-based feltmaker who includes the supplies in the cost of her courses. As Kristy mails the supplies, Annika advises to keep this in mind when enrolling as there can be delays due to international mail. In these classes, Annika learned how to combine thick prefelt with thin cheesecloth fabric. She further explained the types of cheesecloth: it comes in a range of 90 to 10, with 90 being the densest. The loosest weave that she can find in Ireland is grade 50. She added that you can use cheesecloth for Nuno felting; it doesn’t need to be expensive silk fabric.
HERE is an article about the different grades of cheesecloth.
Molly Williams
Annika learned about sculpting a woollen figure around a metal armature in UK-based Molly Williams‘ class. Annika shared how the metal goes through the base, which she made from ceramics.
The Felting and Fiber Studio
The Felting and FIber Studio is an international collective of felt and fibre artists with an active blog (which frequently includes needle felting). They also have a selection of online classes.
In ‘Nuno Felting with Paper Fabric Lamination’, Annika learned how to use an acrylic medium to ‘print’ onto fabric. She was especially interested in the textures the acrylic medium created.
Gladys Paulus
Dutch-Indonesian and based in the UK, Gladys Paulus only teaches in person a few times a year, and these classes fill up quickly. Annika is on the waiting list for a class that is next year. In the meantime, she took two classes with Gladys. Her first class was ‘The Lotus’, and the second was ‘Horns’ – where students made a straight and a curved one.
Annika highly recommends Gladys, “Well, she teaches you good felting. Where you can see the difference when you haven’t quite felted it enough, and when you felted it enough, that it takes shapes.”
Some of the above teachers sell their finished products, supplies, and online workshops via their websites. Other tutors may need to be contacted directly for further information. Some of the teachers who teach online have recorded classes that are available year-round, while others have ones with specific availability. Several of the tutors teach additional classes which are not included below. Visit the links to be inspired and learn!
Links are grouped and in the approximate order of when mentioned during Annika’s presentation.
Classes that Annika took in person as part of Felting Camp
If you have experienced other online felting-related courses that you have enjoyed, let us know. We will collect this information for a future post. – feltmakersIE@gmail.com
Annika Berglund showing us the details of her felted necklace.
On Sunday, the 8th of October, Feltmakers Ireland member Annika Berglund shared her experiences with her recent in-person classes at the seven-day Hungarian Felt Camp, with five tutors AND her many experiences with studying felting via online courses.
Initially, Annika created her artwork out of totally different materials. She worked in ceramics, bronze, and glass. Seeking a more sustainable and less energy-hungry media, she tried textiles Dublin Knitting and Stitching Show in 2019. This was where she took her first feltmaking workshop. After discovering felt, she then proceeded to take many online classes. Her trip to Hungary was an opportunity to return to learning in person.
Scroll down to the bottom to see the links to the Hungarian tutors and the online felting classes.
Hungarian Felting Camp
The guild members enjoyed seeing each of the pieces that Annika created during the retreat. She would hold them up, and then we passed them around the room.
She cautioned that it was a full-on program, with most projects taking more time than allotted. Most of the projects could have been done over two days! Fortunately, Annika could complete her projects by continuing in the evenings. The one exception to this was the pillow project taught by Bea Németh.
There were three groups of students, with around ten students per group. Two of the groups were English speakers, and one of them had German speakers. Annika’s group was impacted by Covid-19, with more participants becoming ill daily. Interestingly, two students were only mildly affected by the virus. They managed to follow along, working outdoors and receiving their instructions via WhatsApp. The wonders of technology!
The cost of the seven-day workshop was around 1,375 euros, which included tuition, room, board, and transport from Budapest. The class was held in the village of Nagybörzsöny.
Necklace Project – Anikó Boros
Annika’s favourite class was creating a felted fuschia necklace with Anikó Boros (BaribonHU). She really appreciated the new feltmaking perspective and eye for detail that this teacher brought to the class.
{See above for a photo of Annika sharing this project.}
Pillow Project – Bea Németh
Annika sharing the pillow that she made in Bea Németh’s class.
Interestingly, the students worked together on a giant rug, each person decorating her own square, which they then felted and fulled collectively. After the wool became properly felted, the large piece was cut up, and each part returned to its’ designer. Then, they learned how to use an ingenious cord-making machine and, finally, how to assemble and sew their cushions.
Felted Bag with Prefelts – Gabriella Kovács
Annika sharing her felted bag.
Taught by Gabriella Kovács, this class was billed as being for ‘lazy felters’. In this class, the students use manufactured prefelts. There was no laying of wool roving. Interestingly, the students learned how to create a bag so that the lining was integral to the layout.
Doorway Guardian – Márti Csille
Annika sharing her Doorway Guardian
In this class, the students learned how to make a modern version of the traditional tumars, which is an amulet-like embroidered felt to keep evil away and is hung in the entrance area of the yurt. Annika explored new colour combinations in this piece.
Nunofelted Scarf – Nadia Szabó
Annika sharing her nunofelted scarf
With this class, Annika strove to create exceptionally clean lines to her geometric pattern with her wool layout. The silk was dyed afterwards.
Some of the teachers sell their finished products and online workshops via their websites. Other tutors may need to be contacted directly for further information. Some of the teachers who teach online have recorded classes that are available year-round, while others have ones with specific availability. Several of the tutors teach additional classes which are not included below. Visit the links to be inspired and learn!
Links are in the approximate order of when mentioned during Annika’s presentation.
If you have experienced other online felting-related courses that you have enjoyed, let us know. We will collect this information for a future post. – feltmakersIE@gmail.com
This Sunday, the 8th of October, from 10:30-12:30, Feltmakers Ireland member Annika Berglund will share her experiences at the Hungarian Felting retreat and other online felting classes that she has taken.
By Annika Berglund
The Joy of Learning
When I was asked to do a Sunday session about my recent Felting Retreat adventure, I was a little worried that it might not be enough for the two hours available. I had a little think and decided to do a talk about online felting courses in general and the Hungarian retreat in more detail.
I used to work in ceramics, glass, and bronze but was looking to change to some form of textiles in late 2019 and early 2020, mainly to find less energy-hungry means of expression. I started with a number of short workshops at the 2019 Dublin Knit and Stitch, of which the felting one was probably my favourite. Luckily, the 2020 Basic and Beyond happened soon after, which further whetted my appetite.
Online Education
Then came Covid, and I discovered a wealth of Felting courses available online. These courses give access to some of the best teachers in the world, and open the door to a wealth of new techniques and ideas, no matter your experience and level of felting. Having this window onto a bigger world of the craft and global community of felting has meant a lot to me, especially during the lockdown, but also since then, and I am hoping to share some of my best experiences and answer any questions in relation to online learning.
Felting in Hungary
The seven-day Felting Retreat I attended in September featured five excellent teachers, my absolute favourite being Anikó Boros (Baribon), teaching her fabulous finely felted fuschia necklace. {https://baribon.hu/ }
The other 4 courses were:
Making a large rug together and then cutting it up to make individual pillows with Bea Németh. { https://www.facebook.com/beanemez }
So, come along to the CIE Hall/Inchicore Sports and Social Club, for this Sunday Session of Feltmakers Ireland and learn about Annika’s experiences with feltmaking in Hungary and online.
Dublin Maker is a free-to-attend, community-run event, which will be held on Saturday, September 2nd, in Richmond Barracks, Inchicore, Dublin. Note: This year, it is in a new venue and will be mostly indoors. So, the weather is less of an issue!
Dublin Maker takes the form of a “show and tell” experience, where inventors/makers sourced through an open call have an opportunity to showcase their creations at individual booths in a carnival atmosphere.
Note: This coming weekend, the Red Line Luas has repair work scheduled, with no trams running from Heuston and Blackhorse. There will be a replacement bus service. The Blackhorse stop is a 15-minute walk at a leisurely pace.
Dublin Maker is a free-to-attend, community-run event, which will be held on Saturday, September 2nd, in Richmond Barracks, Inchicore, Dublin. Note: it is in a new venue this year.
Dublin Maker takes the form of a “show and tell” experience, where inventors/makers sourced through an open call have an opportunity to showcase their creations at individual booths in a carnival atmosphere.
Several members of Feltmakers Ireland have pieces in the Galway Wool Co-op‘s one-day exhibition, ‘A Meeting of Hands’. The show is part of the group’s Meithal.
Poster for ‘A Meeting of Hands’ Exhibition.
Some of the members purchased their washed Galway wool fleece from Donegal Yarns.
Annika Berglund
Annika Berglund’s ‘Connections’.
One member, Annika Berglund, made a felted wall panel which has protruding felt details using natural Galway Sheep Breed wool. This work, ‘Connections’, includes some black Merino for shading. It is a felted piece mounted over a wooden frame for hanging.
Another member, Juliane Gorman, made a felted top hat inspired by finishing James Joyce’s ‘Ulysses’ with her local library’s book group. In addition to Galway breed wool, her piece includes dark brown, Irish-raised Jacob wool.
Member Karena Ryan has several pieces on show, including ‘Bhean an Tire’ (Women of the Land). This piece features dried lavender, marigold and silks that have been wet felted into Galway raw wool with free-motion embroidery and Irish linen.
The other participants in the exhibition work in a variety of disciplines and include the following makers: Liadain Aiken, Shannon Byrnes, Malú Colorín, Katie Downes, Michelle Hickey, Ryan Daniel Koenig, Cathlin McKeon, Christine McNamara, Conor O’Brien, Niamh O’Connell, Adela Passas, Elina Plevako, and Olga Profutkina. Apologies if we have overlooked anyone.
Although ‘A Meeting of Hands’ exhibition is by invitation only, you can see a video of all 17 artists’ pieces on the Galway Wool Co-op’s Instagram page – https://www.instagram.com/p/Cu1BxijvikD/
‘Arbour Essences in Anthropocene Dublin – Four New Visions for our Urban Forests’, a group show running at the Olivier Cornet Gallery until 30 June 2023.
Artists: Annika Berglund, Hugh Cummins, Eoin Mac Lochlainn and Yanny Petters, with a small selection of works by Belvedere College’s art students.
The exhibition is sponsored by Coillte Nature and is also complemented by an outdoor ‘pocket’ urban forest installation in collaboration with Simon O’Donnell from the Urban Farm project at Belvedere College.
Artists’ Talk
Author and writer Paddy Woodworth co-curated this exhibition and will chair a panel talk with the four artists at 6:30pm on Wednesday, 7 June 2023, at Olivier Cornet Gallery, 3 Great Denmark Street, Dublin.
You are invited to attend this free event, but booking is advised as seats are limited. Please email info@oliviercornetgallery.com or phone/text 087 288 7261 to book your seat.
“It’s been exceptionally exciting, stimulating – and humbling — to assist, however indirectly, in the development of an exhibition by four artists as talented and as responsive to environmental issues as Annika Berglund, Hugh Cummins, Eoin Mac Lochlainn, and Yanny Petters, with a co-curator as generous, insightful and experienced as Olivier Cornet. And, after many months of periodic discussions around the theme of urban trees, it’s been a breath-taking pleasure to walk into Olivier’s gallery and see such beautiful, poignant and sensitive work on the walls. Annika’s magical evocation of the unseen wood-wide web that sustains trees from beneath our feet, Hugh’s delicate use of wood itself as a material for subtly allusive art, Eoin’s heartfelt, heart-breaking elegies for individual trees loved and lost, and Yanny’s innovative and exquisite celebration of trees in Dublin’s historical topography – all engage us intimately with the role of trees in making our cities more liveable, healthier, happier spaces. And they all hint at the catastrophe we are inviting by tearing the interconnected fabric of life to breaking point. It was an added delight to see the loving sketches of Katy apple trees by Belvedere College students, adding a dimension to the show that is both youthful, and rooted in the gallery’s location on the college’s property. And the installation of birch trees and ferns in the basement frontage showed visitors to the gallery how nature can bring vivid life to neglected city spaces. In our panel discussion with the artists, we will discuss their practices and techniques and reflect on the relationship between art and environment, and how this relationship can enhance environmental awareness, without losing artistic integrity. I look forward to it very much.”
Four new Visions for our Urban Forests: a group show with four artists at Olivier Cornet Gallery.
Artists: Annika Berglund, Hugh Cummins, Eoin Mac Lochlainn and Yanny Petters, with a small selection of works by Belvedere College’s art students. Note: Annika is a member of Feltmakers Ireland.
Annika Berglund, ‘Connections’
Official opening: Sunday, 14 May 2023, 2:30 PM.
Guest speaker: Pádraic Fogarty, ecologist and environmental scientist.
On the 11th of March, several members of Feltmakers Ireland went to the Newmarket Town Hall in Co Kildare to participate in Wool – The Legacy of St Brigid. The event was organised by Deirdre Lane of Shamrock Spring, with assistance from the AONTAS Adult Learners Festival.
The Irish Wool Book
Member, Annika Berglund, showed felted samples of Irish-grown wool, which will be featured in the upcoming book, Exploring Irish Wool for Feltmaking. The book covers the best Irish wool breeds for feltmaking. Includes sections on sourcing, preparing, and dyeing wool at home using simple ingredients.
Annika with the book’s felted samples and Fiona and Deirdre demonstrating feltmaking
Additionally, Annika was part of the afternoon speakers’ panel at Wool: Legacy of St Brigid.
Further members’ contributions came from Feltmakers Ireland members Fiona Leech and Deirdre Crofts, who demonstrated feltmaking, while Juliane Gorman demonstrated felting hats with Irish-grown wool.
Now on Video!
The Video
During the event in Newbridge, there was a professional crew filming the day’s happenings. A short excellent video of Wool: The Legacy of St Brigid can be seen at the EWE Foundation‘s European Wool Day, which was on the 9th of April. This year it happened in Serbia.
The entire day’s event of EWE can be watched HERE. Note: there are initial technical difficulties with the audio. However, our section from Newbridge, Wool: The Legacy of St Brigid, happens HERE and is EXCELLENT!
Many thanks to all who braved the rain to learn more about wool. Again, huge thanks to Deirdre Lane of Shamrock Spring for organising the event.
Feltmakers Ireland 