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Heritage day event

https://www.heritageweek.ie/whats-on/event/felted-bunting

heritage day 2

It would be lovely to see our members on the day! Familiar faces and fancy felters, to help guide new beginners in the art & craft of  this past time from past times- that is felt making.

Thank you again for all your contributions already to our wonderful bunting! If you haven’t already submitted a piece of your work- a triangle of bunting then this is your chance! Come along, drink tea, eat buns and show your skills.  This is an extra long felting session- replacing our normal Sunday session…

We will be using this bunting for decorating our stand at the knit & stitch- your piece is vital. Your skills are welcomed and we would love to see our valued members pass on their skills to new comers.

The Final 3 featured Artists showing at “Something Red” in Finland

This is the final in a series of posts featuring the Artists whose work was selected for the “Something Red” exhibition in Finland. This week we look at the work of Niki Collier, Marika Miklosi Manning & Nessa McCormack.

Luckily as most of us have not been able to see the exhibits in person, we look forward to the Irish exhibits returning and featuring as part of the Shorelines Arts Festival 8th-22nd Sept in Portumna

Artist – Niki Collier 

My Egg. Do Not Sit III

An interpretation of the human ovary in fibre, mounted on a transparent structure. Discussing women’s freedom and the perception of ownership. 

Sale price. €875.00

Materials – merino wool, silk fibres, Nuno felted knit mohair, vintage silk from the artist’s grandmother, Russian silk from her mother, Blueface Leicester fibres, fibre from a dog who had miscarried, and fbres from a sheep who won the national championship at Gosford.

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Marika Miklosi Manning

Artist – Marika Miklosi Manning

Red Between the Lines

We can easily miss or are blind to  trouble or pain,  sometimes we are in denial about  the “red” between the lines.

 Sale price. €125.00

Materials – Kap merino wool, tussah silk fibres, merino wool

Notes – this is intended to be displayed standing with the long cord casually laid on the table, encircling the vessel.

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Nessa Mc Cormack

Artist – Nessa McCormack

Untitled.

I have always loved groups of things, little colonies of harmony repeating themselves. It’s a reassuring feeling, the process of repeating, making and slowly building layers. I am very drawn to rolls of delicate paper and fabric with the selvedge exposed. I think these elements have influenced me in making this piece.

Red is not a colour I usually work with. In the process of making this piece I learned how much I liked the intensity of saturated warm colours. It was nice to be surprised in this way.

Sale price. €325.00

Materials – fine merino fibre, pieced and stitched.

Once again our sincere thanks to DCCoI for the part funding received that enabled Feltmakers ireland to take part in these exhibitions.

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Heritage Week events

agriculture-animal-animal-photography-459215Hi All,

We are delighted to be hosting a Heritage Week event on Sunday August 18th from 11-3pm.

18th August, 11am – 3pm

  • Feltmakers Ireland
  • The Studio, Knockmaroon Gate, Phoenix Park
  • Dublin – Dublin City

We are planning a tea party and will be making Bunting!

Bunting is widely used for festive occasions. Felt makers Ireland invite you to channel your creativity and make triangular bunting to create a festive look around the Studio for Heritage week.

Our members submitted bunting triangles at this year’s AGM to show their talents and skills in the versatile craft of felt-making. We plan to use this celebratory decoration in up-coming events such as the Knit & Stitch show held at the RDS in November. Our bunting may even tour around to decorate our upcoming Exhibition in Galway or our international tutor workshop in Dublin this autumn.

Bunting was first made in the 17th century, usually from fine worsted wool and used to decorate ships. Felt makers Ireland has adapted this craft of past times and invites participants to create colourful triangles with wool fibre, soapy water and your own “elbow energy”. You might even be encouraged to take up felt making as a pastime!

Everyone is welcome to this free event. Learn the skill of felt making- make a triangle of bunting to take away- or leave with us and it will be added to our bunting for decorating the studio.

HERITAGE DAY

OTHER EVENTS FOR HERITAGE WEEK CAN BE SEEN HERE

https://www.heritageweek.ie/whats-on/event/felted-bunting

3 Artists showing at “Something Red” in Finland.

3 more Artists for you today, Fiona Leech, Nicola Brown & Tracey King. All exhibiting currently in Finland, then onward to Portumna 8th-22nd Sept as part of the Shorelines Arts Festival.

Chance-something red
Fiona Leech

Artist – Fiona Leech

Chance

My piece was inspired (though “inspire” is perhaps the wrong word) by the recent appalling cervical smear scandal that has shaken Irish society. Women are dying needlessly in this country and women are feeling quite vulnerable relying on the health system.

I had wanted to celebrate womenhood, as “red” evokes feelings of strength,warmth,friendship,and love; but as I was working a strong sense of anger grew which I couldn’t shake. I listen to the radio a lot while I work!

The process of felt making is physical, great for anger management, while producing a softness, in contrast with the hard surfaces of a dice. It makes you want to touch….to reach out to care and nurture…..  

 Sale price. €350.00

Materials – merino wool, cotton embroidery thread, industrial felt stuffing.

Artist – Nicola Brown

Where Passions Unite

This wall hanging marries my passions for wet felting, silviculture, eco printing and working with natural materials. I feel that it encapsulates my current textile practice, simple, natural, crafted.

Sale price. €425.00

Materials – merino, silk, tencel, and firestar.

Keep me close to your heart

A special gift for a friend, new mother or baby, to wrap them up, keep them warm and in the case of a child provide a soft safe surface to play on. It’s a token of love from me to them and a reminder for them to keep me close to their heart.

Sale price. €425.00

Materials – merino, silk, vintage Japanese kimono silk. Machine washable, bound with eucalyptus dyed vintage Japanese kimono silk.

Tracey King
Tracey King

Artist – Tracy King

A Little Taste of Ireland

I am interested in the old ways, the simple way people appeared to live. Inspired by my surroundings in the west of Ireland, combining the raw organic textures of wool, I create images that I would like to live in. This particular work tries to capture a living emotion of a place.

The work is made of wool from Jacob and Texel sheep. The different image elements were pre-felted before assembling the image. A small amount of wool was dyed with cochineal for the woman’s shawl, which was one of the most typical garments for Irish women in the 19th century.

Sale price. €1968.00

 Materials – Jacob and Texel sheep wool

 

With Thanks to DCCoI for part funding the exibition.

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Feltmakers Ireland – Report from Finland

FILTTI GROUP AND MAUREENBy Maureen Cromer, edited by Tamzen Lundy

In autumn 2018, Feltmakers Ireland were invited by Filtti, the association of Feltmakers of Finland, to take part in a joint exhibition of work, to be shown in  Jamsa, Finland during the month of July, 2019. The chosen title for the show was to be “Something Red”. While taking felt to Finland seemed a bit like taking coals to Newcastle, we were up for the challenge.

www.filtti.fi/association.

We put out a call to our members, seeking submissions for a juried selection of works to be sent to Jamsa. We are grateful to Leiko Uchiyama and Colleen Prendiville for agreeing to act as our two independent judges. After a double anonymous judging we had a selection of 26 pieces from 18 artists. These covered just about every imaginable aspect of felted art. There were framed pieces, sculptural works, wall hangings, wearables, even a book. We sent photographs of a selection of the work to our colleague Sirpa Mäntylä for their advance publicity. The chosen pieces were then all carefully wrapped and shipped to Sirpa in Jamsa in plenty of time for their team to prepare the display.

Filtti kindly suggested that some of us might like to travel over for the opening of the show on Sunday 30th June, and some of us did! A group of 6 travelled over, including our chairperson Vicky Blomfield and Maureen Cromer, the curator of the Irish works. We arrived the day before the opening, just as they were finishing the hanging, and were able to make any adjustments to the display that we felt were needed.

FELTMAKERS IRELAND IN FINLAND

Filtti certainly had prepared a full itinerary for the 3 days that we were with them. After arriving and having a light meal, we were joined by the journalist from the local newspaper who wanted to know all about our pieces and our artists. She walked around the entire exhibition, asking questions and taking photographs. There is a great amount of local interest in this annual exhibition.

Here is an extract from a local newspaper;

Article by Anne Lius-Liimatainen, Keskisuomalainen Tuesday 2.7.2019

Red and strong

The Massacre of Ballymurphy has been felted and is shown in the shelter of Kivipankki walls

 The Massacre of Ballymurphy 1971 has affected the Irish felt makers’ self-esteem and has now been the source of inspiration for artist Tamzen Lundy in her felt work for the felt exhibition of Finnish Felt association Filtti in Jämsä.

something red- Ballymurphy precedent. Tamzen Lundy
something red- Ballymurphy precedent. Tamzen Lundy

11 civilians were killed by British soldiers in Ballymurphy. The incident had a strong influence which escalated in the bloody Sunday a year later. Eleven dead civilians with their bullet holes have been felted symbolically in Lundy’s felt work. The work has been placed downstairs at the Kivipankki gallery in a cantered place.

When we read what this piece describes, it raised the hairs in my neck. This work truly raised surprisingly strong feelings among artists, says Vicky Blomfield.

The 21st felt exhibition opened on Monday at Kivipankki. The exhibition has a strong international taste. The exhibition is open for public, is free of entrance fee and ends August 4th and carries a name “Something red”.

The exhibition has 18 Irish and 26 Finnish felt works. The red thread of the exhibition is colour red. There are many various materials and forms in the exhibition, from felt shoes to wall hangings and sculptures.

Supported by the Irish Design and Craft Council, Feltmakers Ireland organized a jury and finally 26 felt works were chosen from 18 felt artists. The weight of feeling in the exhibition is strong.

Maureen Cromer of Feltmakers Ireland association tells that they brought works of 18 felt artists to Finland. Some of the works reflect a strong political message.

The heartache of the Irish. E.g. in my works is deal with mental health and healing, Cromer tells.

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Day 2:

The next day was the long anticipated opening of Something Red. There were quite a few members attending, which when you consider the size of the country was impressive! It was lovely to meet like-minded people and discuss the differences and similarities in our culture and practice, and in the materials we use and the artists we are familiar with. The exhibition was opened by Päivi Himanen, the Cultural Director for the area, and gifts were exchanged between the two guilds. Then Vicky and Maureen spoke about the joy and excitement of bringing Irish felt to Finland, and our gratitude to DCCI for part funding the undertaking.

Our last day:

Before returning home, there wasn’t a dull moment. We began with an interview with yet another journalist. There was great interest in the back stories to many of the Irish entries, which concerned topics such as pollution, mental and physical health care, and the Northern conflict. It seems the colour red raised a lot of strong emotions in the Irish.

We then went on a round trip of several farms, visiting local herds and producers. There was absolutely wonderful quality of fibre available, and we purchased a good bit to satisfy our members’ curiosity. We were taken to several felt factories as well. It was great to see the efficient output from relatively small cottage industries. With felt being such an intrinsic part of Finnish culture, its production was evident everywhere. Sirpa arranged for us to meet a moose and learn a bit about the raising of moose and reindeer. Their pelts were in shops all over the country, and reindeer meat is part of the cuisine. By the time we got back to our apartment, after several sightseeing detours and a stop for dinner, we were more than ready for bed.

The exhibition will continue in Jamsa, Finland, until the 4th of August.

The Irish work will then return here to be on display in Portumna Castle as part of the Shorelines Festival from Sept 8-22. We are so proud of our members who have fully supported our guild in this undertaking. And we are very grateful to DCCI for part funding our participation, allowing us to develop a strong cultural partnership with Filtti. I’m sure we will be working together in the future.

www.shorelinesartsfestival.com

MAUREEN IN FINLAND

translation of jämsän seutu article

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Launch of Heritage Week 2019

HERITAGE DAYAs your GANS representative Breda Fay attended the launch of Heritage Week 2019. (https://www.heritageweek.ie/) The launch was held at 14 Henrietta Street on Thursday 18th July.

A tour of the house for those who arrived early preceded the launch and I would certainly recommend this insight into life in these grand Georgian houses of the 18th Century to the squalor of the tenements they became in the 20th century. Full marks go to the guide who brought the house to life for us by way of a tour!

Wine and canapés were served while Virginia Teehan, CEO of Heritage Council congratulated the heritage officers on their 20th Anniversary. After many years of official indifference, she was glad that Heritage 2030 would recognize the value of both natural and built heritage and the wealth of culture preserved by guilds and organizations throughout the country.

heritage week launch

She praised the information and suggestions in the 2000 submissions that were received.

We at Feltmakers Ireland have made a submission highlighting the value of craft as a vital part of our national heritage.

Heritage Week is the flagship of Heritage Ireland and last year 95% of participants commented that they had “something new”.

Roger Warburton of the Ballymun Regeneration Project spoke about how they “rescued” a Boiler House of the now demolished Ballymun towers. It is now a focus for the preservation of heritage of the area as well the development of recycling through education.

Finally Minister Josepha Madigan talked about the theme of this year’s Heritage Week PAST TIMES PASTIMES. She particularly focused on playgrounds of the past – where fields and streets, ruins and streams provided a canvas for imagination. She paid tribute to the many voluntary 2019 organizers who would again give children from 9 months to 90 years the freedom to play and be involved in preservation and conservation in our built and natural environments.

This year Heritage week begins on August 17th.

Feltmakers Ireland will hold an event on the Sunday 18th 11am-3pm at Knockmarroon gate studio. We hope to see many of our valued members there. We also hope we will meet new people and help them to enjoy perhaps their first steps in felt making. We will continue our bunting project- to help decorate the studio and in preparation for the knit and stitch show.  We will also be having an extended tea party.

All members are invited to come along on the day- make felt, be experimental, playful (make your own pieces- whatever you like, and if stuck for ideas, help make playful, fun bunting).

heritage day 2

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3 Irish Artists exhibit in Finland

3 more Artists for you today, Elaine Peden, Mauren Cromer & Tamzen Lundy. All exhibiting currently in Finland, then onward to Portumna 8th-22nd Sept as part of the Shorelines Arts Festival.

 

Artist – Elaine Peden

Red in a world of black and white 

The tiny coccus beetle found in Mexico huddles on the sunny side of a prickly cactus leaf, transforming into Red. Introducing white and red elements on a black background, this is  my interpretation of white noise , fake news. Red gives  clarity to the art of thinking clearly .

Sale price. €100.00

Materials used – dyed and I dyed Kap merino wool fibres with 3D elements and layering

Land of the Dawn lit Mountain 

Notes – A wall hanging.

An evening walk in the Dublin mountains watching the movement of light through the evergreens , the magnificent Red glow of the sunset marking the close of another day 

Sale price. €250.00

Maureen Cromer at Finnish exhibition
Maureen Cromer at Finnish exhibition

Artist – Maureen Cromer

Mending the Soul

The soul here stands for the “self” – who we are. We are constantly learning, growing, blooming But, of course, sometimes we need to heal from injuries, to mend, physically. But more importantly, to mend both mentally and spiritually.

The white body of the work represents this soul, while the red threads show the mending underway. The needles have been left attached, because self care is an ongoing process.

Sale price. €325.00

Materials – Native Perendale and Southdown fibres, Wensleydale locks, Irish linen, cotton mesh, silk fibre, silk hankies, rayon, silk and polyester threads for free motion machine embroidery, cotton and vintage red silk threads for hand embroidery, sashiko needles.

Artist – Tamzen Lundy

The Red Thread of Fate – Ballymurphy Precedent

Inspired by the ancient Chinese belief that those destined to meet, regardless of time, place, or circumstance, are bound by an invisible red thread which may tangle but never break.

I took this idea of connection and applied it to a little known story from Northern Ireland, where I grew up. A story of brutal bloodshed. The shootings happened in Ballymurphy, a Catholic housing estate in Belfast, in 1971. These shootings, carried out by British soldiers on civilians, killed 11 people over 3 days. The relatives continue to fight for the truth. The same parachute regiment were involved in the Bloody Sunday events in Londonderry, 5 months later.

I have used red Irish linen as the red thread, knotted according to the number of bullet wounds per person. The thread is broken to indicate the different days of the massacre, however there is the illusion of connection to represent those individuals bound by their fate. The colour red representing bloodshed. The flax of the linen is an Irish grown product – on home soil.

Sale price. €150.00

Materials – merino wool, silk chiffon, Irish linen threads

Migraine Days

Inspired by my own experience of living with migraine disease.

Migraine is more than just a headache. There is a saying ” it rarely kills you, but living with it is murder”.

The piece of art is meant to illustrate in some way the feeling I have inside my head on migraine days. Throbbing, piercing and pulsating.

Using a combination of techniques – stitch and beadwork on wet felt. Red silk with wool nepps represent the throbbing area, embellished with glass beads that pierce the site.

Sale price. €75.00

Materials – merino wool fibre and wool nepps, red silk and glass beads.

This exhibition was part funded by DCCoI

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Interview with Elaine Peden

IMG_0022 (1)Elaine has been a member of Feltmakers ireland for 10 years now. She also exhibits her work with the Element 15 group. Elaine was kind enough to hold a Sunday session on her beading work earlier in the year at the Knockmaroon gate studio. She continues to be active with FI in a voluntary capacity- helping out at workshops etc.

We decided to ask Elaine a few questions about how she became involved in Felt and textiles.

Tell us a little about you as a person?

I work Three days a week as a nurse in TU Dublin the rest of my time is divided up with family friends and my work as a fibre Artist.

Using a needle and thread and stitching with beads comes naturally to me as I embroidered as a child; my mother made our cloths as small children, my grandmother knitted, sewed and in her 80’s started to paint.

My Gran started painting in her 80’s she was self-taught. She painted every day and watching her paint, her ‘oneness‘ immersed in her world of brush and paint, absorbed and content ,  influenced  my work as an artist. She went on to exhibit into her 90’s.

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How and when did you start Felting… what is your experience, tell us a little about your journey?

Fifteen years ago while holidaying in the Jersey shore with my family I happened upon Manasquan bead gallery, l signed up for a series of classes with exceptional Bead artists, after emptying my wallet and stuffing my suitcase with glorious vintage and Japanese glass beads in various sizes and shapes I started my journey designing and beading neck pieces, choosing colours and designing patterns in my sleep.

As l don’t have a studio l mainly work from home , for larger projects l have used my dear friend Coleen’s studio and FMI studio .

I mostly work with strong felt making 3D sculptures.

My pieces take between 5- 6 hrs to make.  I have exhibited and sold my work at various craft fairs and taken private commissions.

My work is mainly process led l try not to control the process, I let it lead me. While l sometimes sketch and draw plans l mainly work intuitively.

10 yrs ago l spotted a friend packing her car with strange objects, bubble wrap, noodles, towels, intrigued about this l joined her on a trip to Lucan parish hall.

There l saw Maureen Cromer making a white cobweb scarf, the process immediately grabbed me. I was hooked. l filled my bag with fibre.

I became slightly obsessed with learning many felt making techniques. I started using fine merino wool from DHG. My 1st w/shop was with Lyda Rump, an amazing textile Artist making a complex felt bag with multiple resists using Icelandic wool which is one of the fastest and easiest fibres to felt.

I fell in love with strong felt, using multiple resists mounding and shaping the fibres after the fulling stage.

As my creative circle of friends grew my need to experiment with other mediums followed.

Fibre artist, Colleen Prendiville introduced me to stitch various mediums and processes. I joined Element 15 Fibre Arts group.

“Element 15” was originally Naas felt and fibre. The group explored and expanded over the years. We have exhibited in many venues including Carlow arts festival, the Blue Egg gallery, and last year a site specific exhibition at Castletown house.

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Tell us about your process from conception to creation and what is your motivation?

My career as a nurse plays a role in my work. After doing a post grad in NUIM (‘Art in a health care setting’). I have worked with Alzheimer’s patients in  Brook lodge nursing home and other community projects. I have facilitated felt workshops in a health care setting and my work is about concentrating on the process rather than finished product, this enables creativity to blossom for participants.

I would like to expand on the therapeutic aspect of play, connection to self and others both in my personal work and working in groups.

FMI has organized incredible overseas tutors over the years , sharing ideas with exceptionally talented felting friends and colleagues sharing  methods, ‘mishaps’ and working through play in the studio, has been a very rich and creative experience which continues to shape my work.

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What currently inspires you? What are you working on now?

I am currently researching poetry and text in preparation for Element 15’s next exhibition in Inniscara Gallery in Rathcoole. I will put  this work on hold for a few weeks as l am travelling to Finland in Jamsa to see my piece which was selected as part of the joint exhibition between “Filtti” and Feltmakers Ireland, for our international exhibition … exciting times ahead.

On behalf of Feltmakers Ireland, thank you Elaine for sharing your inspirational story of your life and work, we look forward to seeing your new artworks in your next exhibition.

cof

 

3 Irish Artists: Something Red

As the “Something Red” exhibition continues to run in Jamsa, Finland and we get ever closer to the Shoreline Arts Festival in Co. Galway in September… This weeks 3 featured artists are Astrid Tomrop-Hofmann, Pippa Sweeney & Asta Gauronskyte.

Artist – Astrid Tomrop-Hofmann

The Glow worms Nest

The materials , shapes, structures and colors of my native surroundings provide inspiration for my creations . 

Working with different raw-wool types (unwashed and uncarded fleece loosened by hand ) fascinates me.

This piece embodies warmth , softness and protection .  The upright rods radiate decisiveness and togetherness , all the while surrounded by organic matter.

I like the challenge of working with different materials. It is so fascinating. Under the hands of the designer or maker the fibres enter into communication and transform into a new structure and design.

 Sale price. €600.00

 Materials – Finnwool, Mongolish – Karakul used as the base. Wool locks from white Romney, white Mohair, Blueface Leicester brown and white. Silk bark, and hand dyed linen- cotton yarn and silk fibres.

The Mermaid visiting at Fenora Beach

The inspiration for this piece are different materials and techniques , which have been employed in felt production for thousands of years. 

 I envisioned merging the textures of the Pongee – Silk with fine Merino wool to create a fish-skin effect . This is further embellished  by adding Silk Fibre and a Kap-wool fin .

The piece is finished with free motion hand embroidery . Overall the Mermaid is an expression of emotion and consequentiality.

The piece itself represents the motion ~ ebb and flow of the tides ,waves of the ocean .Felting generates concentration ,punctuality, excitement and surprises ! My work always tell a story of their own 

Sale price – €680.00

 Materials – pongee silk, 16-19 micron merino wool, Kap merino, hand dyed silk fibre, cotton – nylon fabric, silk chiffon, mohair locks, free motion machine embroidery.

The Beauty and the Beast
Pippa Sweeney

Artist – Pippa Sweeney

The Beauties and the Beast

The beauty of beach stones, their origins, journeys and destinations has been the inspiration for Pippa’s shibori felt work over the past few years.  In 2018 she held a solo exhibition in Ireland entitled ‘Between a Rock and a Soft Place” which explored the metaphor of stones as people, where human population can be represented by jostling stones of diverse origins, with all their differences, imperfections and beauty – each with their own story.

This piece ‘The Beauties and The Beast” in which a red knotted rope emerges from between stones represents the very real threat of plastics and rubbish on our beaches, a strangling, destructive danger emerging from between us all.

Sale price – €450.00

Materials – merino wool using the shibori method. 

Artist – Asta Gauronskyte

Scarlet & Black Boots

 My life has been about designing and making both clothing and accessories. While crafting these pieces they managed to weave themselves into the fabric of my self, making them a special creation. This was in part due to the ballad “Lady in Red” continually playing in my subconscious. The themes of love, passion and drawing attention show themselves in the design . A touch of black in the red  both calms down the power at the same time as hinting seduction. ”

Sale price. €350.00

If sold along with the matching Bag the set is €500.00

Materials –  24 mc Tirol wool , 21mc Merino wool , black silk chiffon fabric with sequins.

Metal shoe zip, natural leather heel box and innersole all sewn by hand.

High heel rubber pads firstly glued with special shoe glues and then sewn by hand.

 Notes – The boots are a UK size 6, EUsize 39.

Scarlet &Black Bag

My life has been about designing and making both clothing and accessories. While crafting these pieces they managed to weave themselves into the fabric of my self, making them a special creation. This was in part due to the ballad “Lady in Red” continually playing in my subconscious. The themes of love, passion and drawing attention show themselves in the design . A touch of black in the red  both calms down the power at the same time as hinting seduction. ”

 Sale price. €180.00

If sold along with the matching boots the cost for the set is €500.00

Materials – 24 mc Tirol wool , 21mc Merino wool , black silk chiffon fabric with sequins, Metal kisslock bag frame, lining made from 100% linen fabric.

With thanks to DCCoI for part funding this exhibition.

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3 Irish Artists: Something Red

For you today we feature the works of 3 Irish Artists whose pieces are featuring in the “Something Red” exhibition in Finland this summer

Today we look at the works of Claire Merry, Maria Mc Givern & Elizabeth Bonnar.

Aflame
Claire Merry

Artist – Claire Merry

Aflame

 I wished to portray the competing human emotions of the cool head masking the hot passion and turmoil in the heart…….. fire and ice.

Sale price €850.00

Materials – merino wool on silk chiffon, backed with synthetic felt for hanging.

Maria Mc Givern

 Artist – Maria McGivern

Woven Fibres of Ireland

Inspired by the changing colours of Ireland and our forty shades of green with a little touch of red. The red wool used is cut from Donegal tweed.

Her green fields a myriad of shades of green- Ireland.

The woven threads of Donegal tweed represent the wild hedgerows that are bursting with dark red wild fuchsia flowers when in bloom.

The floating mounting representative of our status as an island nation with the uneven tassels reaching out to unite us with our fellow Irish spread across the countries of the world.

Sale price – €125.00

Materials – merino wool overlaid with pale green silk strips. The red is wool strip cut-offs from Donegal tweed.

something red- berry
Elizabeth Bonnar

Artist – Elizabeth Bonnar

Berry

My inspiration for this piece came from the silk yarn threaded with tiny glass beads. The materials filled my mind with the wonder of colour – the colour red in all its different tints and shades. The  beads in the grid pattern peep out like berries in tiny gardens with walls of silk and wool.

Sale price  €175.00

Materials – red silk georgette felted with a grid of wool and silk, trapping silk yarn with glass beads.

This exhibition has been part funded by DCCoI, with thanks to them for their continued support in heritage arts and crafts.

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