Interview with Catherine Kaufman

12-Lee-Parkinson---Live-Magazines-Photography---Catherine---Sculpture-14Catherine Kaufman, sometimes affectionately known as the “Woolly Queen”. Feltmakers Ireland requested an interview ahead of seeing her work in this years Knit & Stitch at the RDS, Dublin.

Following on from her win at the Ribble Valley Craft Open Exhibition 2019, Catherine Kaufman was asked to exhibit her work at Olympia in London, and she is set to showcase her sculptures in Dublin as part of the Knit & Stitch show 7th-11th November this year.

Catherine grew up in a household full of art –her father was an antiques dealer and as a small child, she recalls her mother drawing beautiful elaborate pictures.

“Our home was filled with beautiful art and furniture – this greatly influenced me. My mother drew dancing ladies with crinolines for me which I loved.”

As a young girl Catherine always had a love of nature, imagining a world of fairy tales in the forests, countryside and riverbanks as she played near her childhood home.

“I remember that I always gravitated to the nature table at school, it was a magnet for me. I was always making and putting things together. I loved sand, playing with water and my favourite was fuzzy felt.

36-Lee-Parkinson---Live-Magazines-Photography---Catherine---Sculpture-38This was the start of things to come.

“I loved the smells of nature and the birdsong and noises. While among nature my imagination would be full of fairies and pixies and characters from stories I had read. It was all there, a rich tapestry just waiting to emerge.”

Attending a Catholic school in Altrincham, outside Manchester. Catherine left school at 16 but it wasn’t until she was living as a housewife in Rossendale, that she began to re-engage with her love of art.

“I began painting, I joined a local watercolour class, while bringing up my three children and I was asked to apply for a place at Blackburn University to study for a BA in Fine Art. At first, I thought it was crazy as I had no academic experience and I was a housewife with children! I wasn’t sure they had the right person to be honest!

“I made every possible excuse not to goas I was scared, but they kept pursuing meso eventually I decided to try it.”

Catherine went on to gain a first-class Fine Art degree in 2012 and is now one of the UK’s leading needle felt fibre artists.

39-Lee-Parkinson---Live-Magazines-Photography---Catherine---Sculpture-41

“Working as a felt fibre sculptor happened by chance. One morning I saw a lady who was demonstrating spinning and felting. I had never considered this medium before.

I asked her if she thought I could make sculptural figures with wool. She went onto teach me all the craft skills I needed to start creating my work.

That lady was Judith Beckett of the Wonder of Woollies and she became my guru and mentor. “Wool is now my love and being a fibre artist is my life.” says Catherine.

Catherine gleans inspiration from many things to create her beautiful life-size sculptures, as she explains: “It all starts with a thread of an idea. Where to start comes in many forms, I may find a figure whirling around in my subconscious – I often don’t really know who will surface so it’s very exciting!

“Then I get to work practically and physically, and the figure literally comes pouring out. It’s something that once I start, I don’t stop until its finished, so I never quite know how long it’s going to take or how I’m going to create it. It all happens naturally and organically during the creative process.”

Catherine admits that her creations are a reflection of her emotions. It is a way of working that suits my personality. I work for long periods with my pieces, so I can attach myself and immerse myself

completely into it. I find this very healing and comforting. The making process is so physical – it is very therapeutic and cathartic.”

Having chosen wool as her medium for her art, Catherine says it was important to her to select a material that is environmentally friendly and organic.

“In a world of synthetics there is no substitute for wool. Wool has a celestial symbolism that represents purity and truth.”

She sees her work as a ceaseless daily discipline: “It stems from my love of the making process, the physical repetitive act of making and assembling. I explore my own sense of self and that of the female narrative within the yarns.”

Her award-winning work showcased at the Spring Knitting and Stitching Show in London, was highly praised and she was delighted to be able exhibit there:  I was chosen to be an exhibiting textile artist there and was lucky to have a large stand where I displayed my collection of sculptural needle felt. The show was wonderful, and I have had a great response to my work, and I met some wonderful people.

I hope to raise awareness of the value of traditional crafts. This at the heart of what I do and if I can inspire young people to keep these ancient skills alive, then I have succeeded.”

You can see Catherine’s work at this year’s Knit & Stitch show in the RDS 7th-11th November… support your fellow felters- and get along!

Catherine Kaufman