News: Bursary Awarded to Hilary Delaney – Botanical Printing with Gabrielle Bishop at Mulranny Arts

At our 2025 Annual General Meeting (AGM), guild member Hilary Delaney‘s name was pulled from the hat for the annual bursary to study a textile course of her choice.

As part of the award, bursary recipients share their experiences with the guild via our blog. In the past, those who have shared articles about their educational experiences include: Adrienne Dempsey in 2024, Ramona Farrelly in 2023, and Doris Reinisch in 2021. Editor’s Note: There wasn’t a bursary award in 2022.

Below, Hilary shares her wonderful experience with the three-Day botanical printing workshop, ‘Nature’s Palette’ with Gabrielle Bishop at Mulranny Arts in County Mayo.

Poster for 'Nature's Palette' Contact/Eco Print Workshop with Gabrielle Bishop, May 1st, 2nd & 3rd 2026, featuring images of eco-printed fabric and various plant materials.
Poster advertising the workshop

By Hilary Delaney

I chose the botanical printing course because I was captivated by the colours, textures, and creation of possibilities that leaves and seaweed can bring to cloth and paper. Plants contain their own pigments and structures, and the process of transferring their colours and shapes using mordants and natural dyes really interests me.

Various green leaves arranged on a piece of paper for printing purposes.

As a horticulturist and hobby felter, I find this feels like a natural extension of my practice. Both felting and botanical printing rely on water, pressure, and time to transform raw material. I’m excited by the opportunities to combine them: printing onto silks and fine wools before nuno felting, embedding seaweed silhouettes into vessel forms, or using the subtle leaf shapes on bowls.

The course has opened up new ways for me to capture a sense of place and season in my work — not just through form, but through the actual pigments and patterns of the landscape.

Artistic print created using seaweed collected from local beaches, featuring abstract designs and natural textures.

Tutor Gabrielle Bishop’s ability to facilitate learning was excellent; she created a space where curiosity was encouraged. Her deep knowledge of plants, process, and colour was always present; she gave room for each student to find their own dialogue with the materials.

What stood out most was how she encouraged us to slow down and really see — the vein of a leaf, the way seaweed releases pigment, the shift in tone from steam to cloth. Her guidance was practical, with stories about foraging and folklore, which added interest to the learning process. 

A close-up of printed paper displaying various leaf patterns in natural earthy tones.

This weekend has given me the confidence to carry these techniques into my felting, with a sense of play, exploring different textures and colours.

Future projects I hope to explore based on what I learned in this course. This will include seaweed prints on silk and botanical printing at various times of the year, paired with Nunofelting.

Thank you to Feltmakers Ireland for the bursary.

Close-up of printed fabrics showing botanical patterns in earthy tones.

Hilary studied at Mulranny Arts, The Old Convent, Mallaranny, Co. Mayo, F28 F8N8

For information on Botanical Printing and other creative arts classes on offer, visit the Mulranny Arts website – https://www.mulrannyarts.com/classesworkshops

Their Instagram: @mulrannyarts @gabriellemarybishop

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Feltmakers Ireland Sunday Session 11/12/2022 with Carmen Draghici at CIE Social Club Inchicore

A big thanks, especially to Clare Brophy, who had a special treat in store for us for at this December’s Sunday Session, with Romanian felt artist Carmen Draghici, and her lovely daughter Corinna. You can find samples of her work online at FELT JOY. She has an Etsy shop. She was only able to bring 2 beautiful pieces with her, due to Ryanair’s weight restrictions.

Carmen’s Facebook Page: https://www.facebook.com/search/top/?q=Carmen%20Draghici%20Felt%20Joy

Clare had discovered Carmen’s fabulous felt work online, purchased a piece,  and was bowled over by the quality and design of the jacket that she had bought. She invited Carmen to come to Ireland from Constanza, southern Romania, to lead a Sunday Session with us.

Carmen, luckily, was very happy to come to Ireland to meet all of us. Although Hungary has a very rich Feltmaking tradition, its neighbour Romania does not, as yet anyway,  and she was delighted to be in the company of other feltmakers.  She envied us our regular opportunities to felt together, and is going to investigate if she can bring us to Romania next year!

Carmen had planned a project with us, wet-felting a small Christmas Cushion, using some special lace brought with her from Romania. However, as 4 of the group were new feltmakers, it proved too  ambitious for the 2 hours. She suggested  finishing it at home or turning it into a table runner instead. There was much to learn from Carmen, an engineer by profession, from laying viscose fibre down cleanly to achieve  sharp shapes, to using different unfamiliar fibre layouts, like herringbone, and diagonal, depending on what you were making, and using, for the most part just one layer of fine merino tops. It was also new to some people to to have an upside-down layout, and use a resist.

Personally speaking, I would love to have her back again to learn more of her tips and knowledge as she seemed to be a mine of information as well as having a great personality and we did not have enough time with her. She herself was frustrated by the  short time involved and the differing levels of experience within this group, and wanted especially to give the new people good standards of finish.

I arrived at the Sunday Session with my friend Nara Fritch, from Seattle, US, but now long time resident in Ireland, living near me in Skerries. Nara keeps Alpacas and was totally entranced by an invited guest of Committee member, Annike Berglund, leader of the Feltmakers Ireland Wool Project Her Guest, Grant Bartholomew had requested to be an observer at the Sunday Session.  Grant is an Alpaca farmer, from South Africa and living in Ireland for 3 years. He arrived with his family. After our session with Carmen, he briefly explained the different types of Alpaca fibre he had brought with him.  

by Clodagh McDonagh

The committee has decided to  devote another Sunday session later to the picking and washing of a raw fleece and  give everybody a chance to felt a small sample using one of a variety of Irish local wools.

Upcoming International Workshop with Dagmar Binder

2-haar

The Make a Wrap Skirt workshop with Dagmar Binder will be an event not to be missed. As places will be limited please keep an eye on our website for application forms.

For more information on Dagmar Binder and her work. Visit her website.

More information on the workshop is coming soon. Please check back in the coming days.