On Sunday, the 11th of February, 22 students gathered around artist and Feltmakers Ireland guild member Annika Berglund to learn about Fine Feltmaking.
Annika demonstrates how to make clean edges on flat felt.
What is Fine Felt?
With this type of wet felting, the aim is to create dense, smooth felt. It is not a fast process; we didn’t toss or throw but took it slow. Annika said we might never seek this patience-requiring method again, but we would know and have the option to use it in our future felting.
Throughout the workshop, the students used only two colours: black and white. This simple limitation allowed us to experience how colours combine through the feltmaking process.
Everyone gathered around to watch the steps of the process.
Morning
In the morning, we worked two-dimensionally. We learned how to carefully lay out Merino wool roving to a specific size and then gently transform the fluff into felt. Annika explained the hows and whys of why we might want to shrink our samples more or less.
Annika shows how to adjust the corners.
Afternoon
In the afternoon session, the students concentrated on creating a three-dimensional vessel – a sphere. We used a flat resist to create this hollow form. Similar to our morning education, this felting process needed a delicate touch.
Annika shares how to remove the resist.
Students concentrate on their work.
Feedback
Many of the students were fairly new to wet felting and appreciated learning the mysteries of the process. Several enthusiastically reported they would continue felting at home with Annika’s suggestions on how to create new samples with different shrinkage rates.
Students’ Work
Top row: Margaret Ryan, Loli Cox.
Second row: Valerie O’Ceallaigh, Sandra Reynolds.
Third row: Caitriona Nolan, Suzette French.
Fourth row: Samantha Fagan.
Fifth row: Ruth Dawson, Claire Wallace.
Sixth row: Ramona Farrelly.
Appreciation Time
Many thanks to the volunteers who assisted the students. Lorna Cady, Deirdre Crofts, Marian Fagan, Juliane Gorman, Fiona Leech, and Clodagh McDonagh.
Special thanks to Clodagh McDonagh and Adrienne Dempsey, who refreshed everyone’s water containers with the needed water temperatures – at times lukewarm and other times hot!
Clodagh with the kettles of boiling water.
Additional appreciation to Elizabeth Redding and Valerie Nowak Oceallaigh, who helped with the morning registration process and the selling of our book, ‘Exploring Irish Wool for Feltmaking’.
Elizabeth at the entry table.
As always, special thanks to Fiona Leech for taking care of the tea, coffee, and sweet treats!
Lastly, a huge thanks to Annika Berglund for taking on this workshop for the Guild. She has a marvellous way of getting the students’ attention and also making us laugh!
Editor’s note: as more students email photos, we will add them to this blog post.
This upcoming Sunday Session Workshop, ‘Fine Felt in Wet Felting‘, is fully booked.
However, all members are welcome to come and enjoy the felting atmosphere!
Where: CIE Sports Hall
Date: 11th of February
Time: 10:30 AM – 4 PM
As it is a full day, please bring your lunch. (The CIE Sports Hall is in a residential neighbourhood, without nearby cafes).
While the heating will be turned on, please bring a jumper or cardigan as sometimes the Hall is chilly.
Other Details
If you can, please bring a home-baked treat to share.
For those not registered for the workshop or helping as volunteers, there is a member contribution of 5 euros.
This session will ~not~ be Zoomed or recorded.
Membership Renewals
Feltmakers Ireland has an annual membership fee of 25 euros. Your membership is valid for a calendar year – from January to December of each year.
At the Sunday Session, we will have printed membership forms available for 2024. {If you renew in person, can you also please fill out our online survey of members’ interests?}
Tamzen Lundy is hosting a wet feltmaking workshop on Sunday, February 18th, in Dublin. This workshop is suitable for beginners, intermediate-level felt makers, and those interested in making 3D felt or felting around a resist.
Together, we will make a sunglasses case… in the hope that we will soon see some springtime sun!
In this three-hour session, we will lay fibre around a resist, making a pocket sunglasses case. We will also look at different closure methods so the participants will learn extra tips and tricks to advance their projects.
All materials, plus tea/coffee and cake, are provided
There are limited spaces (4- meaning there is good attention and opportunity to ask for help).
With 25 years of experience in the textile and fashion industry, Tamzen brings a wealth of industry knowledge. Buy yourself an experience and enjoy a cosy craft-making session in the inspiring studio – Brookwood Pottery Shop and Studio in Marino, Dublin.
The cost is €75, 3.5 hours of tuition, materials, tea and coffee provided.
If you have any trouble booking, contact tamzenlundydesigns@gmail.com
(When clicking the link- select the date FEB 18th – which will then show availability as 12 noon– select and purchase online- many thanks).
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
‘Fine Felt in Wet Felting’ – Technical Workshop with Annika Berglund
THE CLASS IS NOW FULL – Contact Annika to be added to the waiting list.
When and Where
11th of February 10:30-16:00 in The CIE Social Centre.
The Fine Felt Technical Workshop
This year, we are doing an additional workshop focused on techniques aimed at beginner and intermediate wet felters. The course aims to look at “Fine Felt”, traditionally desired in the craft of felting.
The class has two sections: a square 2D sample and a small vessel.
The Schedule
In the morning, beginner wet feltmakers will learn how to lay out wool using a 10-inch template and how to felt, full, and shrink. We will look at the graduation of colour and shrinkage rates.
A team of helpers will be available to anybody needing support.
During the morning session, more experienced feltmakers can focus on creating a very light, even layout using 10 grams of wool for a 10-inch square. We will look at how to get the densest, finest felt possible while working on creating a perfect square sample with a shrinkage of 30%, 40%, 50% or possibly 60%, depending on our speed of felting.
This may not be how we would do felting on an everyday basis. But, this session spent truly concentrating on careful felting should improve our overall felting work.
We will break for lunch. Please bring something to eat as we will only have 30 minutes.
In the afternoon, we will apply our learnings from the morning to make the finest little vessel possible. We will use a different layout (spokes and wheel), laying out 10 grams of black and white wool around a 20 cm circular resist. The goal will be to create a very thin, fine vessel, that is well-felted and sturdy.
Supplies
We will supply wool and materials for the workshop.
We will have spares, but if you have the following items, please bring them with you:
One or two towels
A bowl
A water sprinkling brauser or similar (optional as we will have spares)
Small sharp scissors
Ruler with inches and cm
We will start at 10:30 on the dot as we have much to cover. Please try to be there a few minutes early to get settled in.
Cost
Feltmakers Ireland is keen to promote Fine Felting, and for this reason, we are offering this workshop at the low price of 25 euro for members and 35 euro for non-members.
Email annika AT annikaberglund.com to reserve your spot. (Remove change AT to @ and remove the spaces).
Payment Options
We have three options for payment for the Fine Felt Workshop:
• Electronic Transfer Lodgements (ETF) – bank tranfers • Republic of Ireland cheques • PayPal ~ we are charged a small percentage with this option* (Currently, we have technical issues installing PayPal on our website. See below for instructions.)
Bank Transfer
When making an ETF bank payment, please include your NAME and that the payment is for The Fine Felt Workshop in the reference or description field.
IBAN: IE53 BOFI 9012 3963 6087 93 BIC: BOFIIE2D BANK OF IRELAND, NAAS BRANCH.
Cheque
Cheques can be made payable to Feltmakers Ireland. If paying by cheque, please mail to: Membership Secretary, Feltmakers Ireland, 113 Seafield Road East, Clontarf, Dublin, D03 XW30
PayPal
We prefer bank transfers or cheques as no fees are involved, but we will also accept PayPal. *PayPal takes a per cent per transaction, so we receive less. If possible, please round up by adding 1.25 = €26.25. Non-members, please add 1.80 = €36.80 when paying with PayPal.
To pay via PayPal, use the following email: committeefeltmakersireland@gmail.com Make sure to include your NAME and that it is for The Fine Felt Workshop.
Artist and tutor Moy Mackay will teach ‘Trees in Felt & Stitch’.
Learn the processes and techniques for creating your own felted artwork through a four-week online course.
The lessons are pre-recorded and will guide you through additional techniques to increase your technical ability while developing your own artistic style. In addition to the learning resources and videos, there are in-person, weekly webinars with Moy.
When: 6th February – 4th March 2024
She also runs other online classes throughout the year and has published several books on needle-felted art.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Artist and educator Gladys Paulus has an upcoming class this January – INSPIRED BY NATURE: HORNS.
It’s an online workshop of drip-fed content release, including pre-recorded video tutorials, illustrated step-by-step instructions, PDF handouts, opportunities to submit questions/receive feedback, and a virtual classroom community.
COMMITMENT: 3 days between Friday, 19 January – Tuesday, 06 February 2024.
TYPE: Online, scheduled (Please note: All contents are pre-recorded. There are no “live” sessions).
CONTENTS RELEASED ON: Friday, 19 January 2024, Friday 26 January 2024, and Friday 02 February 2024.
REGISTRATION OPENS ON: Friday, 08 December 2023, 1pm (GMT)
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Felting Journeys is a series of articles on how members have fallen in love with feltmaking. Our inaugural post is by Clare Brophy.
Silk and wool Nunofelted wrap by Clare Brophy
What is Nuno felting?
NUNO is a method of wet feltmaking. The name is derived from the Japanese word for ‘cloth’. It involves the bonding or blending of sheep’s wool into a sheer or woven fabric like silk gauze or silk chiffon. The resulting material is lightweight, strong, warm, and luxurious.
It was invented by Polly Stirling, an Australian textile artist, 25 years ago when she sought to create wearable felt for warmer climates. {There is a fascinating video interview with Polly here – https://youtu.be/xYnBcCqtUzg?si=wYDtobdIA4fScjyC }
You can Nunofelt using other fabrics, too. Any open or loose weave, where the fibre can migrate through and intertwine, can become felt. Other fabrics give a different result to silk, plus the finest Merino wool. Nuno made using silk and Merino drapes beautifully and feels luxurious on the skin. I’ve used muslin, cheesecloth and several different kinds of cotton, but my first love is silk chiffon or the finest Margilan silk and Merino.
Some Examples of Nuno felting
Nunofelting onto cotton muslin.
How do you make NUNO?
To create Nunofelt, you make a sandwich by placing silk inside the Merino wool by laying down the wool first, then the silk, and then the wool on top. The rest of the process is the same as any wet felting process. You can also make an ‘open sandwich’ by adding wool to only one side. Some designers make the sandwich with Merino wool inside two layers of silk. I’ve never tried this myself, or not yet!
What about silk?
I discovered Nunofelting about eight or nine years ago. I was immediately hooked! I scoured charity shops searching for vintage silk. I became known among the nine charity shops on Camden Street and the one on Prussia Street as “The Silk Searcher”. My neighbour, Feltmakers Ireland’s Chairperson, Deirdre Carroll, kindly donated some of her silk scarves to upcycle into Nunofelted wearables. If I found a dress or a blouse, I’d cut it up into small sample sizes, dye them into many colours, and use the only wool roving I knew about then, from DHG in Italy – Merino roving.
Of course, I made mistakes:
1. Buying silk online, only to discover it wasn’t silk but some mixed synthetic mixture masquerading as silk which didn’t felt. I vowed never again to buy online but to hold the silk in my hand and have it tested. Be clear on which silk you need for the final purpose. I’ve used silk Organza and silk Habotai. Both felt well for fine wearables.
2. I tried using cheaper, rougher wool batts, as I bought wherever I could, often in kits, online. I was never entirely happy with the results; it depends on your purpose. Batts are okay with muslin for bags or slippers – just not worn next to the skin.
I am sure I became a nuisance at the silk counters in the TWI Fabric Shop in Dublin and on my other regular shopping sprees in the Julian Lopez Fabric Shops in Madrid and Murcia because I insisted on the Burn Test when I was buying silk Chiffon or Habotai. They always brought me to a safe sink with water, got a cigarette lighter and proved that the silk I was buying was indeed truly silk! (If it’s not silk, it has a flame; if it IS silk, it will leave a charred hole and no flame). Another less reliable test is the ‘blow test’: if you can feel cold air on your palm when you blow through the silk, then it is silk.
I should say, too, that very early on, I discovered Margilan silk Gauze and was brave enough to buy a 100-metre bolt directly from Afghanistan! I enjoyed dying it and matching it to the Merino wool. I was constantly learning about textures and finishes.
Margilan Gauze is a very light, soft silk fabric with a beautiful sheen, allowing for transparency and breathability. Meld it with the finest Merino, or a silk and Merino mix, from DHG in Italy; the results are fantastic! I like adding Tussah silk or viscose to add interest and texture.
I should add another reassuring fact: I have washed all these silks and wools in relatively warm water and ironed them on a silk setting. I have used, in recent years, a sander to speed up the felting. Silk, fused with Merino, is a robust fabric that fares well in this process.
More Samples
Using fabrics as embellishments on top of wool.
My involvement:
Before I discovered feltmaking, I had been a painter/artist, having gone to the National College of Art & Design (NCAD) for a few years before and after I first retired in 2004. But after discovering Nunofelting, I did nothing for an entire year except study wet felting on YouTube, joining all sorts of online communities for wet felting, especially those of the Nuno style. I created endless samples. I am indebted to the many makers who upload tutorial videos and share them with learners like me through YouTube. I am also indebted to those who answered my questions.
Lena Archbold’s online courses became my ‘go-to’ place. After you buy her courses, she follows up by emailing her students many helpful tips. Additionally, there are countless courses available online for all standards of feltmaking. For example, Guild member Hélène Dooley (Feltzen) teaches online via the International Feltmakers Association.
When I made my first wrap, the only 100% silk chiffon I could find in this city of Dublin was in TWI, Mountjoy Sq. East. Dublin 1. And they only had a black colour, so I made a black Nunofelted wrap, with black Merino roving and tussah silk fibre. Later, a city dress designer, whom I employed to make a dress for me for a special wedding, saw it and asked me if I would trade it with her in return for her dressmaking skills! She adored it, and I was delighted with my dress!
Then, I made a second wrap, this time for myself, using the same back silk chiffon and a cool green wool fibre. I was wearing it around my shoulders while stopping for a coffee en route to a family wedding in south Wicklow one day. We popped into Avoca. Imagine my shock and surprise when a very glamorous lady stopped me. Hugely admiring my wrap, she asked where I bought it. I thanked her but avoided answering about buying it. She persisted, and finally, I whispered, ‘I made it myself!’ Well!! She then told me she was the buyer for Avoca and would buy them from me!!! Could I make, perhaps, 10 a month? For all their stores???
So, my business was born! After eight years and a particularly busy three years during COVID-19, I finally closed this year – retiring for the second time in my life. I have sold Nunofelted wraps, neck warmers and collars online all over the world during these years. I also sold them in a designer shop in the Powerscourt Townhouse Centre in Dublin.
Other Maker’s Examples
You will have seen exquisite examples of Nuno felting at Feltmakers Ireland’s recent ‘Bountiful’ exhibition, where designer Mel Bradley created two felted scarves using the technique.
One of Mel Bradley’s Nunofelted shawls.
Feltmakers Ireland
Several years ago, I was out in Phoenix Park one Sunday morning and happened to walk by the Studio near Knockmaroon Gate, which is now the Biodiversity Centre. Curious to see what was happening, I stopped and was invited in by Vicki. I soon joined Feltmakers Ireland and widened my knowledge of feltmaking: making hats, slippers, and neck warmers. And I learned about adding all sorts of embellishing fibres and yarns. I did all their workshops and Sunday Sessions. I am indebted to this wonderful group of people who warmly share their skills and knowledge with all new members, as I was then.
I have always been a lifelong learner, and although arthritis in my hands, and my advancing age, (78 next birthday), are stopping me now from feltmaking, I will always support Feltmakers Ireland in whatever way I can!
So, hang it there, new members! The sky is the limit with Feltmakers Ireland! I have experienced Showcase, Bloom, and Art exhibitions. Plus, I have also had the experience of working on the committee!
Nowadays, I see that Textile Art is, at last, getting more attention and publicity than before. Our next focus will be to persuade the Art world that Felt Art can rightfully take its place alongside all other art forms. Onwards and Upwards!
Me, wearing my own black and green wrap about eight years ago!
Due to circumstances beyond our control (involving a new manager and a double booking), we have to start our November Sunday Session half an hour earlier this weekend.
It will now start promptly at 10 AM and will have to end at 11:30 AM.
Please arrive a little early so we can promptly start our session with Deirdre Crofts at 10 AM. She is teaching us how to felt Elf Booties, which will make charming Christmas decorations.
Lastly, we will have our ‘coffee break’ without a break…. On the go, so to speak….😊
Thank you, and we sincerely apologise for this unexpected inconvenience.