Join tutor and artist Ashleigh Ellis for a free course preview on Wet Cyanotype Printing on Paper.
Whether you’re a complete beginner or a seasoned creative, this is your chance to meet Ashleigh, see her process, and find out how you can explore the magic of botanicals, sunlight, and natural colour.
When: This Wednesday, the 13th, at 6.30 PM for a live preview talk via Zoom.
Note: The course starts on Thursday, the 28th of August, via the Appleoak Fibreworks online education platform.
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This webinar, ‘Working with Galleries,’ is part of Visual Artists Ireland’s Connected Horizons programme. It explores how artists across the island of Ireland can engage with established galleries and institutions. Hear from: • The MAC (Belfast) @themacbelfast • The Glucksman (Cork) @theglucksman • Gasworks (London) @gasworkslondon Each organisation will present their work, outline available opportunities, and share advice on how artists can connect with them. The session will end with a live Q&A. Connected Horizons aims to: • Strengthen cross-border and East-West connections • Facilitate collaboration between artists and organisations • Support professional development and long-term networks • Increase regional visibility for artists
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
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Sally Pointer’s “Introduction to Prehistoric Textiles” online course is now available on the Plants & Colour website.
This course provides a comprehensive introduction to prehistoric textile techniques, focusing on evidence from Northern Europe. Participants will learn about the evolution of textile tools and technologies through four pre-recorded video lessons, each approximately one hour long. A live Q&A session on the 21st of October, 5-6 PM will follow the course to address questions.
Lesson One: The Palaeolithic – ‘The String Age’
Lesson Two: The Mesolithic – Tree bast technologies
Lesson Three: The Neolithic – Linen
Lesson Four: The Bronze Age – Introduction of wool and changes in textile practices.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
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The inaugural European Craft Alliance (ECA) Summer School will offer a relaxed, self-paced online programme exploring the intersection of entrepreneurship, sustainability, and creativity in the craft sector.
Curated content clusters, featuring highlights from the ECA and its members, will be published over four themed weeks. Each week will also include ‘Beach Reading Mosaic,’ a curated collection of thought-provoking essays on European crafts.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
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Registration is open for the Felting and Fiber Studio‘s ‘Felted Hanging Spiral Course‘, taught by Feltmakers Ireland member Hélène Dooley. Adding movement to an art piece takes it to a new dimension. The shape becomes fluid, even mesmerising.
Have you been interested in learning more about sculptural felt? This is a great way to learn about laying out fibre for increased elasticity, using a book resist with multiple ‘leaves’, and Hélène’s ideas on how to further develop these concepts into future projects.
This is a four-week course, and it is delivered through the following media:
A series of short videos which take students step-by-step through the process. Each video forms a single unit in the process. The result is that students can easily pick up where they left off and do not need to devote huge chunks of time to making their spirals in one or two sessions.
A set of PDF files which tie into the videos.
Daily access to the classroom chatroom for the duration of the course.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
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Winner of Feltmarker’s Ireland’s Educational Bursary of 2024, Adrienne Dempsey, attended Lindsey Tyson’s online course, ‘Transfer Printing onto Felt and Other Fabrics’.
I would like to thank Feltmakers Ireland and guild member Doris Reinisch for the generous bursary prize of €250 award for 2024. Doris’s name was originally pulled from the draw at our annual AGM. However, due to her having previously won the bursary prize, Doris kindly permitted us to randomly select another name from the draw and give the prize to another member. {You can read about what Doris studied HERE on the blog.}
To my surprise and joy, I was informed I had won the bursary prize. I chose an online course, ‘Transfer Printing onto Felt and Other Fabrics’, with Lindsey Tyson. The bursary prize money contributed towards this course.
I first saw Lindsey’s printed felt products on Instagram and her website, Lindsey Tyson Art. Lindsey had a successful career in textiles, has been printing on felt for many years, and has developed her own techniques. I am amazed at her printed felt products and how she mastered such clear, precise and detailed images – especially onto felt. The course is not a felting course; it consists of How to Transfer Prints onto Felt and other Fabrics. Lindsey has produced a comprehensive pre-recorded course to share her expertise. Lindsey’s video tutorials provide hours of demonstration, which is backed up by documentation that can be printed out, which I found really useful.
I pondered for some time before signing up for this course, as I knew this printing method would involve a certain amount of equipment and software. I decided not to rush out and buy a laser printer or a heat press. I used local resources around me, as I had access to a laser printer that I could use. I had been a member of a print studio, and I arranged to use their textile heat press to get me started.
The course covers in great detail how to design and manipulate images. It includes tutorials on using free software as well as paid software like Photoshop. I had an old version of Photoshop on my desktop that I could use, and I had great fun at the start trying to remember how to use this software, as it’s been a few years since I used it. I found Lindsey’s Photoshop tutorials a great guide, and I hope to get more proficient using Photoshop.
I’ve enjoyed all the course content very much, especially the fabric design elements. I was delighted to find a way of combining my line drawings, paintings, and photographs. I learned how to design my own imagery and patterns so that I could transfer my designs onto felt. I also learnt about fabrics suitable for printing.
This course taught me the importance of choosing the right type of paper to transfer onto felt when using a laser or inkjet printer. I used Lindsey’s paper recommendations and purchased paper from her website.
I experimented a lot. I had several prints with which I was not pleased with the print quality. I discovered that the quality of your print can be down to not using the right temperature, pressure, and trimming on the heat press.
I felted large squares of felt in white 19-micron Merino wool, and I also bought prefelt Merino wool in preparation to print. To practice printing onto felt, I used free image resources recommended in the course, my photography, line drawings, and paintings.
The First One
For my first attempt at printing, I used free images printed on 19-micron Merino wool.
Floral Experiment
Next, I worked with a flower photograph that I edited in Photoshop, ready to print and transfer onto extra-fine prefelt. I wanted to see how clear I could get this image from a photograph printed onto paper and then transferred onto felt. I hoped this image would pick up the shadows and colours that I liked about the original picture. It was interesting to see the printed results when transferred onto felt.
Repeat Patterns
Experimenting with a repeat pattern, tree images were transferred onto a 19-micron Merino.
Three-Dimensional Work
I really enjoyed making the below nature-printed pebbles and brooches using core wool and 19-micron Merino wool. I am pleased with the finished printed results.
Line drawing flower printed onto a felt pebble.
A robin painting printed on three felted pebbles, with a free robin with a holly branch image transferred onto a felted brooch.
Conclusion
I highly recommend this course if you want to learn to print onto felt and other fabrics. The beauty of the pre-recorded online course is that you can access it indefinitely, always revisit parts if you are unsure, and can take it at your own pace.
Ongoing course support is great. There is a private Facebook group where you can share your ideas, questions and any problems you may have, and Lindsey is always on hand to answer your questions and ensure you have all the information you need to succeed via email and Facebook.
Lindsey Tyson is having a Moving-On course sale on ‘Transfer Printing onto Felt and Other Fabrics’. She is moving away from feltmaking and printing to focus solely on her painting practice. NOTE: Registration for the class closes on the 30th of April. But once you purchase this course, you will have unlimited access.
Feltmakers Ireland would like to thank Adrienne Dempsey for her lovely report and congratulate her on these brilliant course results.
We will hold a raffle for another Educational Bursary at our AGM in May. If you have not done so already, please renew your membership for a chance to win!
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Pictured: Feltmatters co-Host Heather Potten as she interviews Vivienne Morpeth and Alun Kirby about their collaboration with Cyanotype and Nunofelting.
The International Feltmakers Association (IFA) has just released the first podcast of its third season: The Blueprint of Art: Cyanotype Meets Felt. In this episode, Heather Potten interviews her co-host, Vivienne Morpeth, and artist Alun Kirby about their collaboration with Cyanotype and Nunofelting.
As always, the FeltMatters podcast is fascinating, as they discuss the trial-and-error process, artistic exploration, and the interplay between established techniques and modern art forms.
Pictured: Poster for upcoming online course – ‘The Magid of Natural Dyes & Cyanotype Printing’ with Ashleigh Ellis.
Unrelated to the IFA’s podcast, there is a timely opportunity to study cyanotype printing on paper, fabric, and other substrates with Irish artist and instructor Ashleigh Ellis. The course, ‘The Magic of Natural Dyes & Cyanotype Printing,‘ combines Cyanotype with Natural Dyeing to create further colourways.
The Welcome Module opens on the 19th of March, and the Live Zoom is on the 26th of March, at 4 PM. There are five live Zoom sessions, all of which are recorded and sent to students.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Join the European Craft Alliance (ECA) for a series of individual events that explore the evolving landscape of the craft sector from the intersection of creativity, entrepreneurship, and social inclusion. One can book for all three or just one event.
‘Unveiling the Potential of the Craft Sector. A Study of Production and Business Opportunities’
‘Understanding the New Technological Context for Craftsmanship’
Wed, 2 Apr 2025, 11 AM CET
This presentation explores integrating digital design and fabrication technologies in the European craft sector. It will highlight the opportunities and challenges faced by craftspeople, including the barriers to adopting new technologies.
‘Crafting Social: How Creativity and Entrepreneurship Can Foster Social Inclusion’
Tue, 8 April 2025, 11 AM CET
This event explores how the creativity and entrepreneurship inherent in crafts contribute to social inclusion. It explores how various crafts economically empower people with disabilities, individuals from disadvantaged backgrounds, and other vulnerable groups while supporting mental health and well-being.
The European Crafts Alliance’s Instagram – @eca.crafts
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
The Textile Artist Org website has a free taster workshop for creating expressive, hand-stitched portraits using a quick, free-style method of embroidery. The workshop is online and taught by artist Susie Vickery. Lessons start next week, on Monday, the 13th and run through Friday, the 17th of January.
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
