Events: Feltmakers Ireland – Two Open Days for August Craft Month

This year, Feltmakers Ireland hosts two Open Days for August Craft Month / Heritage Week.

On the 18th of August from 11 AM to 3 PM at the CIE Hall/Inchicore Sports and Social Club
Library Square, Inchicore, Co. Dublin, D08 PA07

On the 25th of August from 11 AM to 3 PM at St James Hall, Dublin Road, Kilbeggan, Co Westmeath, N91 XA32

Time: Both events run from 11 AM to 3 PM.

This year, we will be teaching how to felt a small round vessel out of wool roving using soapy water and your hands!

Curious about sheep and Irish wool varieties? Explore the unique reactions of different Irish wool types that have been needle and wet felted. There will be an opportunity to browse and purchase our book, ‘Exploring Irish Wool for Feltmaking’, a rich resource on forty breeds of Irish-raised sheep.

There will be a display of felted artworks and wearables crafted by our talented members, showcasing the beauty and versatility of feltmaking.

Come to our two free events, part of our parent organisation, the Design and Crafts Council of Ireland‘s August Craft Month.

More Events to Experience Felt

Several of our members are hosting individual events for August Craft Month:

Karena Ryan has an open studio in Co Galway on the 5th of August – https://augustcraftmonth.org/acm-event/open-studio-and-sale-2/

Tamzen Lundy is offering a workshop in Co Kildare on how to ‘Felt a Funky Feline’https://augustcraftmonth.org/acm-event/wet-felting-a-funky-feline-full-day-felting/

She also has a children’s felting workshop on the 17th of August, Saturday afternoon, in Kildare Town’s – market square. https://www.tamzenlundydesigns.ie/service-page/kids-feltmaking-taster-workshop

Juliane Gorman has an open studio in Co Dublin on the 25th of August – https://augustcraftmonth.org/acm-event/visit-the-felting-forge-open-studio-of-juliane-gorman-felthappiness-hats/

Joanne Turner will teach a workshop on August 17th at Le Chéile Arts in Dunmanway, Co Cork. More information at this Instagram post – https://www.instagram.com/p/C9kHcndtPwZ/?igsh=bHJiZ3I3NHYxMGc2

Emily Thompson will teach several needlefelting workshops within Co Cork as part of August Craft Month. More information at this Instagram post – https://www.instagram.com/p/C9kMVpfMnt5/?img_index=1

As part of Meath Made Creates, Caoimhe Tuthill of Boann Irish Felt Designs is teaching how to make wet felted flowers on Saturday, the 17th of August, at 2:30 PM https://swiftculturalcentre.ie/event/meath-made-wet-felt-workshop-with-boann-irish-felt-designs

As part of Meath Made Creates, Lucia Errity will teach how to make a needle-felted landscape on Sunday, the 18th of August, at 10:00 AM.https://swiftculturalcentre.ie/event/meath-made-felting-the-landscape-with-lucia-errity

If you are a member of Feltmakers Ireland and you are having a felt-related event as part of August Craft Month, please contact us so we can include you in our August Craft Month posts – feltmakersIE@gmail.com

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Felting Journeys: Clare Brophy on Nuno Felting

Felting Journeys is a series of articles on how members have fallen in love with feltmaking. Our inaugural post is by Clare Brophy.

Silk and wool Nunofelted wrap by Clare Brophy

What is Nuno felting?

NUNO is a method of wet feltmaking. The name is derived from the Japanese word for ‘cloth’. It involves the bonding or blending of sheep’s wool into a sheer or woven fabric like silk gauze or silk chiffon. The resulting material is lightweight, strong, warm, and luxurious. 

It was invented by Polly Stirling, an Australian textile artist, 25 years ago when she sought to create wearable felt for warmer climates. {There is a fascinating video interview with Polly here – https://youtu.be/xYnBcCqtUzg?si=wYDtobdIA4fScjyC }

You can Nunofelt using other fabrics, too. Any open or loose weave, where the fibre can migrate through and intertwine, can become felt. Other fabrics give a different result to silk, plus the finest Merino wool. Nuno made using silk and Merino drapes beautifully and feels luxurious on the skin. I’ve used muslin, cheesecloth and several different kinds of cotton, but my first love is silk chiffon or the finest Margilan silk and Merino.

Some Examples of Nuno felting

How do you make NUNO?

To create Nunofelt, you make a sandwich by placing silk inside the Merino wool by laying down the wool first, then the silk, and then the wool on top. The rest of the process is the same as any wet felting process. You can also make an ‘open sandwich’ by adding wool to only one side. Some designers make the sandwich with Merino wool inside two layers of silk. I’ve never tried this myself, or not yet!

What about silk?

I discovered Nunofelting about eight or nine years ago. I was immediately hooked! I scoured charity shops searching for vintage silk. I became known among the nine charity shops on Camden Street and the one on Prussia Street as “The Silk Searcher”. My neighbour, Feltmakers Ireland’s Chairperson, Deirdre Carroll, kindly donated some of her silk scarves to upcycle into Nunofelted wearables. If I found a dress or a blouse, I’d cut it up into small sample sizes, dye them into many colours, and use the only wool roving I knew about then, from DHG in Italy – Merino roving.

Of course, I made mistakes: 

1. Buying silk online, only to discover it wasn’t silk but some mixed synthetic mixture masquerading as silk which didn’t felt. I vowed never again to buy online but to hold the silk in my hand and have it tested. Be clear on which silk you need for the final purpose. I’ve used silk Organza and silk Habotai. Both felt well for fine wearables.

2. I tried using cheaper, rougher wool batts, as I bought wherever I could, often in kits, online. I was never entirely happy with the results; it depends on your purpose. Batts are okay with muslin for bags or slippers – just not worn next to the skin.

I am sure I became a nuisance at the silk counters in the TWI Fabric Shop in Dublin and on my other regular shopping sprees in the Julian Lopez Fabric Shops in Madrid and Murcia because I insisted on the Burn Test when I was buying silk Chiffon or Habotai. They always brought me to a safe sink with water, got a cigarette lighter and proved that the silk I was buying was indeed truly silk! (If it’s not silk, it has a flame; if it IS silk, it will leave a charred hole and no flame). Another less reliable test is the ‘blow test’: if you can feel cold air on your palm when you blow through the silk, then it is silk.

I should say, too, that very early on, I discovered Margilan silk Gauze and was brave enough to buy a 100-metre bolt directly from Afghanistan! I enjoyed dying it and matching it to the Merino wool. I was constantly learning about textures and finishes.

Margilan Gauze is a very light, soft silk fabric with a beautiful sheen, allowing for transparency and breathability. Meld it with the finest Merino, or a silk and Merino mix, from DHG in Italy; the results are fantastic! I like adding Tussah silk or viscose to add interest and texture.

I should add another reassuring fact: I have washed all these silks and wools in relatively warm water and ironed them on a silk setting. I have used, in recent years, a sander to speed up the felting. Silk, fused with Merino, is a robust fabric that fares well in this process.

More Samples

My involvement:

Before I discovered feltmaking, I had been a painter/artist, having gone to the National College of Art & Design (NCAD) for a few years before and after I first retired in 2004. But after discovering Nunofelting, I did nothing for an entire year except study wet felting on YouTube, joining all sorts of online communities for wet felting, especially those of the Nuno style. I created endless samples. I am indebted to the many makers who upload tutorial videos and share them with learners like me through YouTube. I am also indebted to those who answered my questions.

Lena Archbold’s online courses became my ‘go-to’ place. After you buy her courses, she follows up by emailing her students many helpful tips. Additionally, there are countless courses available online for all standards of feltmaking. For example, Guild member Hélène Dooley (Feltzen) teaches online via the International Feltmakers Association.

When I made my first wrap, the only 100% silk chiffon I could find in this city of Dublin was in TWI, Mountjoy Sq. East. Dublin 1. And they only had a black colour, so I made a black Nunofelted wrap, with black Merino roving and tussah silk fibre. Later, a city dress designer, whom I employed to make a dress for me for a special wedding, saw it and asked me if I would trade it with her in return for her dressmaking skills! She adored it, and I was delighted with my dress!

Then, I made a second wrap, this time for myself, using the same back silk chiffon and a cool green wool fibre. I was wearing it around my shoulders while stopping for a coffee en route to a family wedding in south Wicklow one day. We popped into Avoca. Imagine my shock and surprise when a very glamorous lady stopped me. Hugely admiring my wrap, she asked where I bought it. I thanked her but avoided answering about buying it. She persisted, and finally, I whispered, ‘I made it myself!’ Well!! She then told me she was the buyer for Avoca and would buy them from me!!! Could I make, perhaps, 10 a month? For all their stores???

So, my business was born! After eight years and a particularly busy three years during COVID-19, I finally closed this year – retiring for the second time in my life. I have sold Nunofelted wraps, neck warmers and collars online all over the world during these years. I also sold them in a designer shop in the Powerscourt Townhouse Centre in Dublin. 

Other Maker’s Examples

You will have seen exquisite examples of Nuno felting at Feltmakers Ireland’s recent ‘Bountiful’ exhibition, where designer Mel Bradley created two felted scarves using the technique.

One of Mel Bradley’s Nunofelted shawls.

Feltmakers Ireland

Several years ago, I was out in Phoenix Park one Sunday morning and happened to walk by the Studio near Knockmaroon Gate, which is now the Biodiversity Centre. Curious to see what was happening, I stopped and was invited in by Vicki. I soon joined Feltmakers Ireland and widened my knowledge of feltmaking: making hats, slippers, and neck warmers. And I learned about adding all sorts of embellishing fibres and yarns. I did all their workshops and Sunday Sessions. I am indebted to this wonderful group of people who warmly share their skills and knowledge with all new members, as I was then. 

I have always been a lifelong learner, and although arthritis in my hands, and my advancing age, (78 next birthday), are stopping me now from feltmaking, I will always support Feltmakers Ireland in whatever way I can! 

So, hang it there, new members! The sky is the limit with Feltmakers Ireland! I have experienced Showcase, Bloom, and Art exhibitions. Plus, I have also had the experience of working on the committee!

Nowadays, I see that Textile Art is, at last, getting more attention and publicity than before. Our next focus will be to persuade the Art world that Felt Art can rightfully take its place alongside all other art forms. Onwards and Upwards!

Me, wearing my own black and green wrap about eight years ago!

 Signed: Clare Brophy 

November 2023

Find her on Facebook, HERE or Instagram, HERE.

Meet the Maker- Fiona Leech

Fiona joined the feltmakers Ireland committee earlier this year. Some of you may know her from her “Feltathome” handle on instagram or as a regular seller in Dublin markets- back in the day when that was a thing!

We asked Fiona to provide us with a little information about her piece “Touch”, submitted to the Endangered exhibition. Due to the change in space and location of the exhibition changing at such late notice we even had to display Fiona’s wonderful piece vertically! When really it should have been shown horizontally- it is 2m long!

Fiona was very obliging to let this happen. For those of you that did manage to visit the show in the Phoenix Park- here is how “touch” should really be viewed, and hopefully in the future we will get the chance to exhibit it again in a more spacious arena!

What inspired your piece submitted for “Endangered” and how was lockdown for you?

Before the lockdown,I was beginning to work on a totally different piece for this Endangered exhibition but quickly abandoned it as the impact of the rapid life changes soon diverted my focus.Glued to the news and watching with horror as our lives were suddenly ruled by daily numbers.On March 11th when the first life was lost to Covid 19, I stitched a small dark circle on a scrap of pre made felt. (I always saw the soul as a dark circle as a child!) I continued stitching one circle for every life lost and it soon became an evening ritual.The inability to touch,hug or even handshake had a huge impact on me and those around me.This piece evolved daily with no plan. I used dark and light scraps of previously made felt and ended up with 41 separate pieces of varying sizes (On April 20th the day that the state recorded its highest number of deaths of 77, I decided to stop) and felted a charcoal background to put it all together. The piece measured 2 meters in length, the required social distancing measurement so I added in that visual ( that we’re all so familiar with) in red stitching. Then added newspaper cutout words and red threads to connect the circles. This was to symbolise how that we are all connected somehow. We all know someone who’s been touched by this sadness.


I found that during the lockdown,I worked more than I ever have.Getting up at 6.30 every day to enjoy the quiet hours before everyone else got up.I was working on a large commission throughout the entire lockdown from design, sampling and 11 weeks of felting and stitching.It was a piece 2.3m x .5m and as I don’t have a designated studio, I needed the kitchen table, hence the early start.The bright mornings helped too!.The piece was very detailed and based on the clients love of maths, physics, Star Wars, astronomy, Doctor Who and cycling!.All handstitched.It’s finished now and hanging in it’s new home in London.Having a routine and a focus allowed me the few hours to forget all that was going on and out of my control.Working on the endangered piece was also very cathartic for me. I think it kept me grounded.I’m not sure if that’ll last as the kids go back to school.

HAND CRAFTED FELT ARTWORKwww.feltathome.ie