This is the last week to catch Sculpture in Context at the National Botanic Gardens of Ireland. The exhibition runs through this Friday, the 10th of October and includes the work of over 90 artists.
Note: The RTE program will only be available for viewing within Ireland and will only be up for 21 days from the original transmission date.
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about the content, please follow the link to the organisation hosting the event.
Ramona Farrelly shares her knowledge about photographing felt for exhibition open calls.
Ramona Farrelly demonstrating how to photograph 3D work.
Three of Feltmakers Ireland’s members shared their expertise for our December Sunday Session. Guild member Ramona Farrelly showed us how to photograph and share our felted textiles using an iPhone so that we can apply to online Open Calls such as our annual group exhibition. Ramona’s instructions can also be applied to Android phone cameras.
Photographing Your Work – Simple Solutions
What youโll need:
A well-lit area of soft natural daylight. Natural daylight is best as it gives the most accurate colour representation. However, do not place your work in direct sunlight, as this can cause shadows and glare in the image. It can also cause issues with your phone/cameraโs exposure meter.
A blank wall or large piece of light-coloured paper or material that your work will fit on in the well-lit area. Make sure the background is plain and light-coloured so it doesnโt distract from the work.
A phone camera is perfect for this job as the images do not need to be too large for online viewing. However, phone images can also print very nicely.
How to Photograph:
โ Hang your piece on a clean, plain wall, near bright window light or lie it on a piece of white paper or material on the ground in front of a window or door.
โ Open your phone camera and prepare to take the shot.
โ Make sure your camera is on original/natural, with no filters set, and make sure that live shooting and flash are turned off.
โ Make sure you hold your phone/camera square to the artwork. The piece can look distorted if you don’t, as in the last two images below. See below for an example of perspective distortion.
โ Stand a little back from your piece, as the closer you are, the more distortion can be visible.
Showing examples of image distortion. You want the ‘canvas’ to look rectangular versus trapezoid-shaped.
Use the Grid:
Most phones also have a grid function, which can be used to help align the image. Go into your camera Settings to activate this function on your phone.
It will allow you to place the grid over the image area, helping to align the work correctly.
The Grid:
An example of the grid.
Enough Light:
Look at the screen on your phone to see if you need more light. If the image needs lightening or darkening, this can be done on the phone screen by tapping it and dragging the cursor up or down. The image on the screen will be lightened or darkened depending on which way you pull it. The result will be visible on the screen so you can be sure youโre getting the desired exposure.
Most phone models have this ability. If yours doesnโt, this can be done afterwards when editing.
An example of how to lighten or darken a photograph.
Make sure you have enough light, as your phone camera will adjust and slow the shutter down to compensate for low light, and because of this, the images can turn out blurry due to camera shake.
Other Pointers:
โ Generally, do not use flash.
โ Fill the frame with as much of your artwork as possible without altering the perspective.
โ Generally, taking a close-up of part of your work to show detail is also good. This is done in the same way, but if youโd like to use a different angle for this to show texture, etc, thatโs fine.
โ Camera phones allow you to take close-up images without having to change anything, but be aware that the closer you are, the more you need to ensure the image is in focus.
โ Getting a good shot shouldnโt take too long or too much effort.
Finally, Editing–
Your phone camera has an editing suite built in, which will allow you to do the following –
โ You can brighten or darken your image.
โ Alter the colour balance if needed. (However, if you started with good lighting, this shouldnโt be a requirement).
โ It will also allow you to crop the image if needed, and a whole plethora of other adjustments.
Snapseed Photo Editing App:
Another handy app is Snapseed, which is a great little editing suite with such good value, as it is free with no added costs at all. Here, you can edit as with your phoneโs editing tools, plus the app has additional features. One excellent tool if your artwork is slightly distorted is the ‘Perspective Tool’ within Snapseed, which allows you to adjust and correct the shape of your piece within the image. Here is a link to the app for Apple users – https://apps.apple.com/us/app/snapseed/id439438619
When you have finished editing, the image will need to be renamed. This can be done on the phone by saving your image to the Files folder on your iPhone.
Go into your image library, ‘Photos’ on your iPhone.
1) Select the image you wish to move to the folder on your phone.
2) Click on the ‘Share button’ (which is the first icon on the bottom left-hand side at the moment; it could change position with subsequent phone upgrades, but on an iPhone, it currently looks like a blue box/square with an arrow coming out the top). See the Image above.
3) You will see the options for sharing come up next. Some will be app icons, as Messages, Mail, WhatsApp, etc., but there is a long list of options below that. Scroll down to ‘Save to Files’. You will be brought to the ‘Files Folder’. Within this Files Folder, you can create other Folders to locate your artwork files. You can also click on the file name and change it here at this time, before saving or save it and rename it afterwards. It’s also possible to tag the image with a particular colour from this bottom bar as another way of finding the image at a later date.
4) Once the image is saved in the Files Folder, go to the folder and long-click on the image to rename it if you haven’t already done so during saving. A menu will drop down, and ‘Rename’ will be about halfway down that menu. Click on it, and it will allow you to rename the image.
5) Click on this and enter the file name as in the examples as follows: (your name)_(your work title)_001.
Here are two examples of how you can format the name – RFarrelly_Eclectic_001 RamonaFarrelly_BlueHues_001
You can also enter the date if required.
6) Once thatโs done, you can resave it to your photo library or leave it in files for sending.
7) Click on the ‘Share your Image’ and click on ‘Save to Files’. Then go to your Files folder and hold down on the image you have just saved with your finger. A list of options will pop up, and about halfway down, you will see the rename option.
Click on this and enter the file name as in the examples that follow: (your name)_(your work title)_001
RFarrelly_Eclectic_001
RamonaFarrelly_BlueHues_001
You can also enter the date if required. Once thatโs done, you can resave to your photo library or leave them in files for sending.
Itโs time to send your images to Feltmakers Ireland by email, or if you have many photos, you can use a free version of WeTransfer. It will ask for an email to send a code to, which needs to be inserted before allowing the images to be sent. Here is a link to WeTransfer – https://wetransfer.com/
For emailing, click the ‘Share icon’ again, select ‘Mail’, and a new email message will pop up with your image.
Enter the details you require; put your name and file details in the subject line, making it easy for the recipient to find it among the many emails. {Editor’s note: yes, please do this!}
When youโre ready, press ‘Send‘.
You will be given an option to size your image. The possibilities are Actual Size, Large, Medium, and Small. You can choose the size as required.
Usually, the Actual Size is the best, as it allows for both online and printing at a later date.
Conclusion:
Photographing felted artwork can be simple and effective with proper lighting, alignment, and minimal editing. Using tools like phone cameras and their software or the Snapseed app, artists can better showcase their work professionally for online exhibition applications.
Thank you, Ramona, for sharing this necessary information with the Guild. These tips offer valuable guidance and will be referred to frequently by members looking to showcase their felted artwork effectively.
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Feltmakers Ireland’s art exhibition at the Phoenix Park Visitors’ Centre is curated around the ‘Opposites Attract’ theme this year. In the gallery, you can read about each piece’s inspiration. For those who cannot make it to the show, here are the inspiration and photographs of some more of our members’ artwork.
The Series
The complete series of posts on our Members’ Inspiration can be found here:
The inspiration for the vessel ‘Roulette’ comes from the overthrow of nature with its diversity.
Light, Movement, Smells and Sounds play a major role in the development and implementation of my ideas!
There is so much to see and explore; you just have to look out for it. Enjoy discovering my vessels!
Breda Fay
Breda Fay – ‘Attraction isn’t always black and white’
I liked the balance of black and white. The magnetism was added after playing a game with my grandson. Does it attract/repel?
Lory Cotti Cottini
Lory Cotti Cottini – ‘Shades of Light Dark’
Separation/Union, Fragments/Whole form, in between Emotions and Shades, create my artistic works.
Neasa Ryan
Neasa Ryan -‘Moondance’
For โMoondanceโ, dark alien-like figures/faces sprung to mind, however as the piece evolved, with the addition of curved stems slightly revealing the dark colour underneath, I felt it provided a slightly softer feel to the piece, and it reminded me of gaunt alien type flowers or emaciated alien forms. Either way, with the cloudy white background, the Van Morrison song โMoondanceโ sprung to mind, and I felt it was an apt name for the piece. In such an inhospitable environment, devoid of life as we know it, what could be more opposite (yet attractive) than flowers on the moon or flowers /alien forms dancing harmoniously on the moonscape for that matter?
Ramona Farrelly
Ramona Farrelly – ‘Ebb and flow’
‘Ebb and flow’ is a childhood memory of climbing in and around the rock pools at various beaches I spent my summers with my cousins on the east coast shores of Dublin and Wicklow. The creatures living on these rocks and in these pools fascinated me. Half in water, half out, the water changes their environment and how they look. The limpets clinging tightly to the rocks, as well as the sea urchins, took up lots of my childhood curiosity.
Ursula Heiting-Wiese
Ursula Heiting-Wiese – ‘Salt and Pepper Scarf’
The combination of soft silk and (considerably) rough wool that transforms into something completely new with Nuno felting is the perfect interpretation of the theme for me. To emphasise the opposites further, I chose black and white and open and closed parts with a ‘holey’ scarf.
We hope that you enjoyed learning about what inspires these artists. This series on the exhibition will continue over the coming weeks. ‘Opposites Attract’ is at the Phoenix Park Visitors Centre until the 26th of May.
The gallery is open from 10 AM until 4 PM daily.
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
On Saturday, the 4th of May, Feltmakers Ireland opened their group art exhibition, ‘Opposites Attract,’ at the Phonix Park Visitors’ Centre. Friends, family, and other supporters kindly came to cheer us on!
A Few Photos from the Gallery
Above photos by Fiona Leech
Tom Watts from the Design and Crafts Council of Ireland (the DCCI) inaugurated our opening by speaking about the importance of wool as a sustainable material and how craft and design are interwoven. He added that he was impressed with the qualities, techniques, and ideas of the exhibited pieces.
Tom Watts spoke at the opening.
Interestingly, he wore a pair of vintage Nike Air Footscape Woven Trainers that contained felt!
Members Alongside Their Work
Our trusty photographer was busy chatting with other members, so she only managed to snap some of our members alongside their work.
The Phoenix Park Visitors’ Centre Gallery was open seven days a week, from 10 AM to 4 PM. Each day, a member volunteered her time to share the wonder of feltmaking and chat with the visitors. Over a thousand people visited our show!
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
Are you getting excited? Only TWO more days until Saturday – the day Feltmakers Ireland’s group exhibition, ‘Opposites Attract’ opens!
Here are sneak peeks of the following members’ artwork: Ramona Farrelly, Margaret Ryan Collins, Lory Cotti Cottini, Fiona Leech, Karena Ryan, Claire Merry, Caoimhe Tuthill, and Catrรญona Nolan.
Ramona Farrelly
Margaret Ryan Collins
Lory Cotti Cottini
Fiona Leech
Karena Ryan
Claire Merry
Caoimhe Tuthill
Caitriona Nolan
More images to share tomorrow!
Disclaimer for Feltmakers Ireland Blog
Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.
Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.
Questions: For questions about content, please follow the link to the organisation involved in hosting the event.
To my great surprise and joy, I received a call a while back, to be told I had won a bursary voucher from Feltmakers Ireland to put towards any course Iโd like to do in felting. (Editor’s note: Ramona won the Membership Renewal Draw, which took place at our AGM in May).
I chose Pam de Grootโs surface treatment course, โSurface, Form and Spaceโ. This online course is great for learning various techniques for adding parts and creating form and texture in felt.
The course consists of 7 modules/weeks with activities from undulations, lumps and bumps, buttons and claws, as well as pimples, warts, connections and brains, all of which can be used to create new and interesting forms in your felt. I very much enjoyed the first two modules, particularly as I created four little characters that my daughter and her partner fell in love with and claimed as their own. (See image below).
One of the pieces created by Ramona Farrelly in Pam de Groot’s ‘Surface, Form and Space’ online course.
Pam is ever present with helpful and encouraging comments. Her instructions are clear and concise. The beauty of the online course is that the parts can always be revisited if youโre unsure.
Students ask questions and receive feedback from the tutor for the duration of the course. During the last two weeks, the students create a felted project combining the learned techniques.
The Ruzuku platform also allows student interaction via posting images and commenting. This is very useful to everyone on the course. Reading each otherโs comments and gaining more knowledge this way adds to the tutor’s teaching. (More information about Pam’s classes can be found on her website).
A piece Ramona created around a hard object – a ceramic vessel that she made.
Applications are now open for Sculpture in Context. This is an excellent opportunity to get your work seen by a large audience. The deadline for application is soon — the 9th of April.
Some members of Feltmakers Ireland have exhibited in previous years. The images below are from Sculpture in Context 2022.
From the top left: Carmen Garcia, Ramona Farrelly
From bottom left: Astrid Tomrop-Hofmann, Fiona Leech, Annika Berglund, Juliane Gorman
(FI likes to keep you updated on upcoming opportunities. If you know of other upcoming events, please send them to us, and we will share them with the members.)
It is that time of year again! Dublin’s Botanic Gardens are hosting a giant sculpture exhibition both indoors and outdoors. This is the 37th year of this exhibition and it is well worth a visit. The gardens are magnificent at this time of year, and you will find all manners of sculptures nestled in among the plants and trees. This is a great way to get children interested in art as it allows a natural interaction with the gardens while looking out for sculptures. It is a fabulous day out when the weather is nice.
This year even more feltmakers are exhibiting so congrats to all and make sure to go visit!
As there are quite a number of feltmakers included there will be two blog posts covering the exhibiting artists. Artists will be listed in the order we have managed to contact them and get their information. If you have not been asked for details but are exhiting in Sculpture in Context, please contact us as there are so many artists involved that we may have missed someone. You will be included in the second part of this blog. This first blog covers the work of Fiona Leech, Tamzen Lundy, Annika Berglund, Ramona Farrelly and element15.
Toxic Tears by Fiona Leech
Bright red spots immediately conjure up recognition of poison and green, in contrast, is synonymous with nature. That is why I chose these colours for my felt hanging sculpture. The concept of this piece is to raise awareness that every rainfall is toxic. Itโs called acid rain due to high levels of pollutants in the atmosphere. These toxins are invisible, so I made the piece very visible and tactile for maximum impact.
I am a Dublin based felt and textile artist. I work mainly with wool fibre which is sustainable, bio degradable, renewable and recyclable.
Toxic tears Fiona Leech
We are all connected by Tamzen Lundy
We are all connected is a response to the global refugee crisis, it is symbolic of our Irish diaspora and our tradition of immigration and emigration. The movement of people because of war, economics, and hardship. The red thread that binds and connects these journeys. I have collected beach material from the wild Atlantic way, places of great natural beauty, which are also landing and exit points for long and dangerous journeys. Choosing small glass bottles as if they encase a fragile message to loved ones. One bottle remains empty, to be filled with future hopes.
โNo one puts their children in a boat, unless the water is safer than the landโ (by Warsan Shire, poet โHome.โ) A poem that inspired this work.
The materials used in my piece are fully sustainable. I have used repurposed glass bottles to contain sand ( from Irish beaches… also the component for making glass). The felt tops are 100% wool, from sheep, a fully sustainable, and biodegradable material and the fibre attaching each bottle is linen, plant based, water consumption friendly material.
In my arts practice I endeavour to use materials that are as sustainable as possible. I collect and reuse packaging and I choose wool as my primary medium.
We are all connected Tamzen Lundy
Everyday Moments by Annika Berglund
Covid changed the world. The everyday had to shrink to fit inside square walls. It consisted of the circles we walked inside these walls and the bubbles we embraced.
My work became focused on the immediate and the simple; the confining but protecting square, the circle of the nurturing bubble, the threatening image of the virus.
Felting became both practical during lockdown and symbolic;
wool fibres, through soap, water, rubbing and being knocked around, create connections that hold together to create a very strong fabric of interlocked fibres that cannot be pulled apart again. Cohesion through adversity if you will…”
Everyday Moments – Annika Berglund
Ariadneโs Gift by Ramona Farrelly
At present I am creating work that tries to incorporate the healing process of art.
The idea for this piece comes from a premise that the metaphysical wounds we suffer throughout life provide us with learning that helps us navigate and grow during our time on earth and allows life to become ever more meaningful.
The red vessels represent these wounds and they, put together, form the Chrysalis through which we intrinsically metamorphosise. In Greek mythology, Ariadneโs golden thread which, represents the soulโs knowledge, helped Theseus navigate through the labyrinth and so it is represented here as such.
Ariadne’s Gift – Ramona Farrelly
Kinship by element15
element15 is a collective; individual artists cultivating their practice in tandem with each other, distinct but connected. The sustaining nature of our creative bond is a mirror of a treeโs root system, providing anchorage and sustenance to flourish in a world beset with profound challenges. In many cultures, a red string or thread represents the labyrinth of connections tying together those whose lives intertwine. By working collaboratively on Kinship we use the symbol of the red thread as a visual connection from us to the natural world, from our sculpture into the earth. www.element15.ie
Kinship – element 15
The following are the names of the artists who collaborated on the piece:
In its 35th year, Sculpture in Context is held in the oasis of calm and peace that is the Botanical Gardens, Glasnevin, Dublin. Run by the OPW every year and according to them is the โlongest-running, largest and most important sculpture exhibition in the country, this pivotal event in the Irish arts calendar attracts a large public and critical audience and is the cultural highlight of the National Botanic Gardens calendarโ.
If you fancy a relaxing walk in this beautiful space with wonderful and inspiring art of over 140 artists around every corner, then this would be the place to visit and explore. The exhibition runs until the 15th of October so there is still time to see it in situ and it is free of charge to visit. A total of 164 pieces are being shown at the exhibition both outdoors and indoors. This year again there are several Feltmakers Ireland members taking part at. Annika Berglund, Fiona Leech and Ramona Farrelly all have pieces at the show. Most of the pieces are being shown outdoors but both Annika and Fiona have also have pieces in the gallery space. Fionaโs piece is a triptych made from sustainable merino wool fibre and is shaped into three different size pods. Her process involved wet felting the pods themselves and then needle felting the bright yellow spots and tendrils on once the pods had been shaped and dried. These additions to the pods are a nod to natureโs strength to find its way and take over. Fiona used colours and blends of wool to reflect the natural environment. Her beautiful piece can be seen at the gallery which can be booked here:
Annika has two separate pieces, a wall panel piece indoors at the gallery (fig.2) and another piece made of multiple-coloured butterflies hanging in one of the rhododendron trees along the outdoor sculpture route
Annikaโs second piece consists of a set of nine butterflies, three of which have already sold through the exhibition. The butterflies are wet felted over a metal armature and have been waterproofed for outdoor hanging with stiffener material. They are of varying colours and would brighten up anyoneโs outdoor space as can be seen from this picture.
Butterflies โ Felt over metal armature – Annika Berglund
Ramonaโs piece is also located outdoors. Her piece Akashic hangs in amongst the ferns and sculptures in the Mill Field area by the river. It is a small structure composed of 11 felted wool tablets which have been stiffened with waterproofing medium and painted with various coloured pigments. The whole piece was then strung together with rope constructed of tree bark.
felted wool stiffened and coloured – Ramona Farrelly
There is lots of interest for any visitor to this exhibition and it may require several visits to see all the work in detail, but even if only some of it is seen, it is a wonderful way to spend some time in the lap of nature whilst also experiencing the creative juices of the artists taking part.
Some of the other works that can be seen at the show include the following:
Hybrid โ Ceramic and Metal – Michelle MaherOf Woman Born โ Ceramic – Jen DonneryThere is Life in this Autumn Breeze โ Stone, Mirror โ Sunny WielerShape Shifting Dynamic โ Ceramic and Mirror โ Agata LipianinClose Whisper โ Irish Larch โ Sara Cunningham-BellDelinquescence I โ Acrylic Resin and Mixed Media โ Ayelet Lalor12 Harvest โ Weathering steel โ Kevin PierceThe Souls of the Trees, Ebony and Oak โ Ceramic on Wood Base โ Merce Canadell
When faced with the question endangered, my thoughts immediately turned to the sea and the life that exists within it. Itโs a place that can easily be forgotten, as life under the surface may not be immediately visible unless one seeks it out.
It was a by now famous image made by photographer Justin Hofman for National Geographic, in which a seahorse swam holding on to a discarded cotton bud, that highlighted to the world the issues of pollution in our oceans. This image has stuck in my mind ever since and it became the inspiration for this piece. I wanted to convey the beauty of the sea whilst still showing that there was an issue. I went through various ideas of trying to represent the pollution but in the end decided to keep the beauty visible and show that life in the sea is hanging precariously in the balance by using the cotton buds to hang and connect the pieces together.
I wet felted the pieces using the cracked mud technique and folded the upper sections under to represent ocean shelves. I then stitched in various forms of sea life from plants to fish to populate the piece. After consideration I left the edges of the three sections of the piece feathery so as to seem watery and with less of a defined edge.
I enjoyed the challenge in making the piece even though Iโm quite new to felting and have a lot to learn. The current crisis has allowed me more time to pursue some of my passions at home so in one way it has been a blessing. It has allowed me to slow down and consider more what I would like to do with my craft in all its various forms and Iโve enjoyed being able to take the time to do so. Iโve always loved working with wool and felting is another aspect of it that I am looking forward to exploring in greater detail over the coming years. Ramona Farrelly joined feltmakers Ireland only last year. Thank you for being brave enough to enter your work in the exhibition. On the day we hung the exhibit, committee member Maria McGivern photographed some pieces outside. This piece looked beautiful, swaying in the breeze.