Learning: Transfer Printing onto Felt and Other Fabrics with Lindsey Tyson

By Adrienne Dempsey

Winner of Feltmarker’s Ireland’s Educational Bursary of 2024, Adrienne Dempsey, attended Lindsey Tyson’s online course, ‘Transfer Printing onto Felt and Other Fabrics’.

I would like to thank Feltmakers Ireland and guild member Doris Reinisch for the generous bursary prize of €250 award for 2024. Doris’s name was originally pulled from the draw at our annual AGM. However, due to her having previously won the bursary prize, Doris kindly permitted us to randomly select another name from the draw and give the prize to another member. {You can read about what Doris studied HERE on the blog.}

To my surprise and joy, I was informed I had won the bursary prize. I chose an online course, ‘Transfer Printing onto Felt and Other Fabrics’, with Lindsey Tyson. The bursary prize money contributed towards this course.

I first saw Lindsey’s printed felt products on Instagram and her website, Lindsey Tyson Art. Lindsey had a successful career in textiles, has been printing on felt for many years, and has developed her own techniques. I am amazed at her printed felt products and how she mastered such clear, precise and detailed images – especially onto felt. The course is not a felting course; it consists of How to Transfer Prints onto Felt and other Fabrics. Lindsey has produced a comprehensive pre-recorded course to share her expertise. Lindsey’s video tutorials provide hours of demonstration, which is backed up by documentation that can be printed out, which I found really useful.

I pondered for some time before signing up for this course, as I knew this printing method would involve a certain amount of equipment and software. I decided not to rush out and buy a laser printer or a heat press. I used local resources around me, as I had access to a laser printer that I could use. I had been a member of a print studio, and I arranged to use their textile heat press to get me started.

The course covers in great detail how to design and manipulate images. It includes tutorials on using free software as well as paid software like Photoshop. I had an old version of Photoshop on my desktop that I could use, and I had great fun at the start trying to remember how to use this software, as it’s been a few years since I used it. I found Lindsey’s Photoshop tutorials a great guide, and I hope to get more proficient using Photoshop.

I’ve enjoyed all the course content very much, especially the fabric design elements. I was delighted to find a way of combining my line drawings, paintings, and photographs. I learned how to design my own imagery and patterns so that I could transfer my designs onto felt. I also learnt about fabrics suitable for printing.

This course taught me the importance of choosing the right type of paper to transfer onto felt when using a laser or inkjet printer. I used Lindsey’s paper recommendations and purchased paper from her website.

I experimented a lot. I had several prints with which I was not pleased with the print quality. I discovered that the quality of your print can be down to not using the right temperature, pressure, and trimming on the heat press.  

I felted large squares of felt in white 19-micron Merino wool, and I also bought prefelt Merino wool in preparation to print. To practice printing onto felt, I used free image resources recommended in the course, my photography, line drawings, and paintings.

The First One

For my first attempt at printing, I used free images printed on 19-micron Merino wool.

First Attempt: Free images printed on 19-micron Merino - a Seagull, a deer, and an owl.

Floral Experiment

Next, I worked with a flower photograph that I edited in Photoshop, ready to print and transfer onto extra-fine prefelt. I wanted to see how clear I could get this image from a photograph printed onto paper and then transferred onto felt. I hoped this image would pick up the shadows and colours that I liked about the original picture. It was interesting to see the printed results when transferred onto felt.

Repeat Patterns

Experimenting with a repeat pattern, tree images were transferred onto a 19-micron Merino.

Three-Dimensional Work

I really enjoyed making the below nature-printed pebbles and brooches using core wool and 19-micron Merino wool. I am pleased with the finished printed results.

Line drawing flower printed onto a felt pebble.

A robin painting printed on three felted pebbles, with a free robin with a holly branch image transferred onto a felted brooch.

Conclusion

I highly recommend this course if you want to learn to print onto felt and other fabrics. The beauty of the pre-recorded online course is that you can access it indefinitely, always revisit parts if you are unsure, and can take it at your own pace.

Ongoing course support is great. There is a private Facebook group where you can share your ideas, questions and any problems you may have, and Lindsey is always on hand to answer your questions and ensure you have all the information you need to succeed via email and Facebook.

Lindsey Tyson is having a Moving-On course sale on ‘Transfer Printing onto Felt and Other Fabrics’. She is moving away from feltmaking and printing to focus solely on her painting practice. NOTE: Registration for the class closes on the 30th of April. But once you purchase this course, you will have unlimited access.

To register for Lindsey Tyson’s ‘Transfer Printing onto Felt Course’ visit this page on her website – https://www.lindseytyson.art/transferprint-1

Or if you have questions, contact her directly – transferprint@lindseytyson.com

Instagram: @lindseytysonart

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibition: More Artists’ Inspiration to ‘Opposites Attract’

This year, Feltmakers Ireland’s annual art exhibition at the Phoenix Park Visitors’ Centre is curated around the theme of ‘Opposites Attract’. Within the gallery, wall placards explain each piece’s inspiration. For those who cannot make it to the show, here are the inspiration and photographs of some more of our members’ artwork.

The Series

The complete series of posts on our Members’ Inspiration can be found here:

  1. Includes: Sandra Reynolds, Sandra Coote, Patricia Conroy, Hélène Dooley, Maria Mc Garry, and Audry Murray.
  2. Includes: Astrid Tomrop-Hofmann, Breda Fay, Lory Cotti Cottini, Neasa Ryan, Ramona Farrelly, and Ursula Heiting-Wiese.
  3. Includes: Heather Byrne, Tamzen Lundy, Bernie Hennessy, Adrienne Dempsey, and Joanne Turner.
  4. Includes: Claire Merry, Caitríona Nolan, Margaret Ryan Collins, Caoimhe Tuthill, and Fiona Leech.
  5. Includes: Jane Fox, Elizabeth Redding, Joanne Foley, Sandra Chase, and Loli Cox.
  6. Includes: Valerie Nowak-O’Ceallaigh, Helena Mc Guinness, Eithne O’Dea, Eva Salamon, and Juliane Gorman.
  7. Includes: Irina Lampadova, Karena Ryan, Annika Berglund, Marie Dunne, Elaine Peden, and Marika Miklosi Manning.

Heather Byrne

Heather Byrne – ‘Don’t get your tentacles in a tangle’

Two jellyfish gracefully dance amidst contrasting currents, embodying the timeless adage of ‘Opposites Attract’. Their ethereal forms, pulsating with contrasting vibrant hues, symbolise the harmony found in embracing differences. Through their delicate movements, the felting invites viewers to contemplate the beauty that emerges when opposing forces unite in a mesmerising display of elegance and synchronicity.

Tamzen Lundy

Tamzen Lundy – ‘Where the land meets the sea’

This piece was inspired by Tamzen’s “spiritual” home of Co. Donegal and a recent trip to a windswept cliff top, Horn Head, Dunfanaghy.

People often refer to Donegal as the county where “The land meets the sea”. The vistas are immense, and the sky is vast. However, there are also wonderful tiny landscapes in every rockpool, to be found, examined and explored. This piece is inspired by such a landscape.

By using colours from opposite sides of the colour wheel and fibres from both animal and insect, the artist has interpreted the land and sea and how these opposites attract.”

Bernie Hennessy

Bernie Hennessy – ‘Tabulata’

Coral’s skeletal structure is transparent; it gets its vibrant colour from an algae inhabitant called zooxanthellae, with which it exists in a symbiotic relationship. In my work ‘Tabulata’, I use merino fleece to express the vulnerability of the algae and porcelain to represent the structure of the coral. In doing so, I hope to convey how two opposing elements of nature, the delicate, colourful algae and the strong, transparent coral, neither of which can live independently, can be attracted to each other to form a symbiotic relationship, which results in such a wonder of nature.

Adrienne Dempsey

Adrienne Dempsey -‘Just the Two of Us’

My piece illustrates the concept of opposites attract within relationships and the lyrics of a classic love song, “Just the Two of Us” by Grover Washington Jr. with Bill Withers.

The opening lines of the song set the scene for the rest of the lyrics. “I see the crystal raindrops fall, and the beauty of it all is when the sun comes shining through.” These lyrics set up the idea that everything in life has its ups and downs, but the beauty of it all is when the sun shines through.

The meaning behind the song is ultimately about love and the importance of relationships. How differences can create a magnetic attraction between two people.

Joanne Turner

Joanne Turner – “A time to throw stones away and a time to gather stones together” Ecclesiastes 3:5

When I thought about the theme ‘Opposites Attract’, I was drawn to the antithetical parallelism of proverbs in the Bible. My piece illustrates the dynamic energy of opposites: earth & sky; blue & yellow; throwing away & gathering together. Could it be that the key to a happy life is as simple as knowing when to jettison our ‘stones’ and when to hold them close?

We hope that you enjoyed learning about what inspires these artists. This series on the exhibition will continue over the coming week. ‘Opposites Attract’ is at the Phoenix Park Visitors Centre until the 26th of May.

The gallery is open from 10 AM until 4 PM daily.

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibition: One More Day – Feltmakers Ireland’s Exhibition Opens

Today is Friday, so there is only one more day until the Feltmakers Ireland group exhibition opens at the Phoenix Park Visitors’ Centre.

Here is a bevvy of felted artworks from the following members: Adrienne Dempsey, Elaine Peden, Marie Dunne, Annika Berglund, Joanne Turner, Marika Miklosi Manning, Tamzen Lundy, and Heather Byrne.

Tomorrow is the BIG Day – our opening, is at 3 PM at the Phoenix Park Visitors’ Centre. Due to construction for the upcoming Bloom, please allow more time to travel to the gallery.

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibition: Opening This Afternoon – ‘Bountiful’

Today, on the 30th of September, art enthusiasts and admirers of the exquisite craft of felting will gather at the Phoenix Park Visitors Centre in Dublin, Ireland. Feltmakers Ireland’s highly anticipated juried exhibition is set to open its doors to the public at 3 PM.

The exhibition showcases a stunning array of felted artworks that push the boundaries of this ancient textile art form.

As a sneak peek into what promises to be an awe-inspiring show, we bring you exclusive glimpses from four diverse pieces that will be featured in this remarkable exhibition.

Photo 1 – Breda Fay’s wall piece, ‘Torthuil’.

Photo 2 – Valerie OCeallaigh’s ‘Bountiful Love’.

Photo 3 – Adrienne Dempsey’s ‘Where the Wild Things Grow’.

Our exhibition will be opened by Pippa Hackett, Sheep Farmer and Irish Minister for Land Use and Biodiversity. She has kindly written the foreword to our ‘wool project book’, ‘Exploring Irish Wool for Feltmaking’. Copies of the book will be available during the opening and throughout the exhibition.

Lastly, many thanks to the Design and Craft Council of Ireland for helping to fund our 20th-anniversary Floral Tapestry Project.

Close-up detail of our collective felted flower project, a Floral Tapestry, in celebration of Feltmakers Ireland’s 20th-anniversary.