2 Exhibitions: Olga de Amaral & Chiharu Shiota Shows – Paris

Travelling to Paris this winter? Two art exhibitions may be of interest.

Olga de Amaral Exhibition

Olga de Amaral poster for exhibition

The Fondation Cartier pour l’art Contemporain hosts the first significant European retrospective of Olga de Amaral, a pivotal artist in the Colombian art scene and Fibre Art movement. The exhibition features nearly 80 works from the 1960s to the present, including many pieces never before exhibited outside Colombia. In addition to the artist’s celebrated gold leaf creations, the showcase highlights her early textile experiments and monumental works.

The exhibition runs until the 16th of March, 2025.

On the Foundation’s Instagram, there are several interviews about de Amaral’s work with the curator, Marie Perennès – https://www.instagram.com/fondationcartier/

For more information, visit the Foundation’s website – https://www.fondationcartier.com/en/exhibitions/olga-de-amaral

Chiharu Shiota Exhibition

Chiaru Shiota poster for exhibition

Chiharu Shiota is internationally celebrated for her monumental installations crafted from intricate networks of interwoven wool threads. These expansive creations often incorporate everyday objects, immersing viewers in a majestic, dreamlike journey.

Jointly organized with the Grand Palais and Tokyo’s Mori Art Museum, this exhibition is the most extensive presentation of Shiota’s work ever held in France. Spanning over 1,200 square meters, it provides an immersive sensory experience. The exhibition offers a comprehensive exploration of Shiota’s artistic journey, which has evolved over two decades. It features seven large-scale installations, including sculptures, photographs, drawings, performance videos, and archival materials related to her staging projects.

The show runs until the 19th of March, 2025.

For more information, visit the Grand Palace website – https://www.grandpalais.fr/fr/evenement/chiharu-shiota

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Open Call: RHA Annual Exhibition Accepting Submissions

The Royal Hibernian Academy of Arts (RHA) Annual Exhibition is accepting submissions for next year’s 195th RHA Annual Exhibition. It is Ireland’s largest and longest-running open submission exhibition, and it will be open to the public from Monday, the 26th of May, to Sunday, the 3rd of August, with free admission at all times.

Open to all artists working in painting, drawing, print, sculpture, photography and architecture – the RHA Annual attracts a large public and critical audience.

Editor’s Note: there is a recap of last year’s exhibition of the few pieces which included textile materials – https://feltmakersireland.com/2024/07/30/exhibition-final-week-of-the-rha-annual-show/

Entry deadline: 23rd February, 2025.

For more information, visit the RHA website – https://rhagallery.ie/rha-annual/

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibition: Marjolein Dallinga – Group Textile Art Show – NYC

L’space Gallery, located in New York City, has a group exhibition, ‘Fibration: poking back‘, which shows the art of sixteen artists with fresh and compelling approaches to fibre and textile art. Artist and feltmaker Marjolein Dallinga has work in the show.

Here is a list of all of the artists with artwork in the exhibition: Holly Ballard Martz | Mona Bozorgi | Martin Casuso | Marjolein Dallinga | Marina Font | Lauren Gregory | Marik Lechner | Tasha Lewis | Kayla Mattes | Nico Mazza | Rosemary Meza-DesPlas | Elisa Ortega Montilla | Jennifer Pettus | Katarina Riesing | Erin M. Riley | Alicia Ross

The show runs until the 26th of October.

To learn more about the show and see photographs, visit the gallery’s website – https://www.lspacegallery.com/fibration-poking-back-2024.html

There is a video from the show on the gallery’s Instagram – https://www.instagram.com/p/DABnZBZPoht/

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Of Interest: The Work of Artist Janice Arnold

While browsing the Internet, we found an interesting article in Smithsonian Magazine about artist Janice Arnold‘s large-scale felted installations.

Inspired by her travels and research of Central Asian nomadic societies, Arnold’s large-scale installations showcase the material of felt. Her projects often involve community collaboration, emphasising the material’s role in fostering social bonds and ecological balance.

Arnold recently installed her two-story immersive installation with a video component, ‘Woolen Clouds,’ in the central lobby of the School of Human Ecology at the University of Wisconsin in Madison.

More information about this piece, here – https://captimes.com/news/education/trees-and-clouds-woven-of-wool-at-new-uw-madison-art-installation/article_ce434076-4e98-11ef-b589-5fa556bfb7c8.html

To read the Smithsonian Magazine article, visit their website – https://www.smithsonianmag.com/smithsonian-institution/deep-cultural-significance-art-felt-180982334/

The article also mentions Arnold’s community felting project, ‘Monster Felt‘, created from 2012 to 2016 in Teiton, Washington. This website shows the scale of the project, which is the largest piece of community felt made in North America. It includes marvellous step-by-step photographs of the project and a great video of her journey as an artist. https://www.tietonarts.org/monster-felt

Lastly, Arnold’s website is also interesting – https://jafelt.com/

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibition: When Forms Come Alive – London UK

While this exhibition does not include felt, it looks exciting. ‘When Forms Come Alive’ is a group exhibition showcasing biomorphic-inspired sculpture by over 21 artists spanning the past six decades.

The exhibition runs through the 6th of May.

If you cannot make it to London, UK, a review in the Guardian includes several photographs of the work and links to some artists. – https://www.theguardian.com/artanddesign/2024/feb/11/when-forms-come-alive-hayward-gallery-london-southbank-review-beyond-form-lines-of-abstraction-1950-70-turner-contemporary-margate

If you ‘do’ Instagram, the Hayward Gallery has quite a bit of information on individual artists – https://www.instagram.com/hayward.gallery/

For more information and tickets, visit the Southbank Centre’s website – https://www.southbankcentre.co.uk/whats-on/art-exhibitions/when-forms-come-alive


Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Of Interest: Judit Pocs Feltmaking Video – The Gate

‘The Gate’ is an elegant, informative, and inspiring film by Judit and Roland Tóth-Pócs.

In early 2021, during the pandemic, the International Felt Association (IFA) commissioned the film as part of its ReConnect program series. The film covers three topics related to Judit Pocs’ feltmaking: spatiality, material use, and recycling. It also follows Judit as she creates a large wall panel entitled ‘Gate’.

To watch this artful video, visit YouTube – https://www.youtube.com/watch?v=m8vfOKJBDSA

An earlier video on her work, ‘On Gentle Threads’, presents the phases of feltmaking, from sheep shearing to wool processing to various felting techniques. It also can be seen on YouTube – https://www.youtube.com/watch?v=-EQqOnlPq9E

Both films have beautiful music, too!


Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Event: Slow Art Day – April 13th

Over one hundred museums and galleries worldwide will participate in Slow Art Day 2024.

  1. Sign up at a local museum or art gallery.
  2. Show up at your venue on Saturday, April 13, 2024, pay the admission fee (if there is one), and then look slowly—5-10 minutes—at each piece of pre-assigned art.
    Some museums select five art pieces, others concentrate on one or two, and others offer more options.
  3. Discuss your experience.

When: Saturday, the 13th of April, 2024.

The Royal Hibernian Academy of Arts in Dublin is the only venue located in Ireland. For more information and to book a spot at their noon-time event, visit the RHA’s website – https://rhagallery.ie/events/learning/slow-art-day-2024/

For more information about this event, visit the main website – https://www.slowartday.com/

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.

Exhibition: Spring Salon at Liljevalch’s – Stockholm, Sweden

Feltmakers Ireland member Annika Berglund recently visited an exhibition in Stockholm, Sweden. Here are her impressions of the show.

By Annika Berglund

Vår Salong at Liljevalchs  (Spring Salon at Liljevalch’s)

Liljevalchs is a large art gallery in Stockholm, Sweden. They have a spring salon every year, which is an open exhibition showing a wide variety of new Swedish artwork. The Spring Salon is a jury-judged exhibition. The first Spring Salon opened in 1921.

I visited the exhibition this year and was delighted to see a large number of textile entries. Work in textile media seems to have been fully accepted as fine art in Sweden, something that warmed my feltmaking heart.

There was no felt included, but many interesting pieces in woven, embroidered and mixed media.

You can find a complete list of the artists involved (all 163 of them) and an image of one work of each artist at this link: Spring Salon 2024 – Liljevalchs

It was very busy the day I visited as Mondays have free entry.

The line outside the Spring Salon.

These were some of the pieces I found interesting:

Front by Sofia Lagerquist & Anna Lindgren

Front by Sofia Lagerquist & Anna Lindgren

My absolute favourite. From a little distance, these three pieces look like boulders covered in moss and lichen that you could see in any Swedish forest, but when you get close, you see the surface is created by intricate embroidery.

SLOWART – The Knit Dive  by Lina Can

SLOWART The Knit Dive  by Lina Can

What looks like an underwater scene or coral reef in white and beige yarn and twine.

Kroppen Minns   (The body remembers) by Æsa Saga Ardal

Kroppen Minns   (The body remembers) by Æsa Saga Ardal

Cotton wool stuffed into stockings makes a really effective piece of work.

Liv Strömquist

Liv Strömquist

Embroidery featuring social media images on a bedspread.

Stuart Mayes

Stuart Mayes

Neckties arranged in pleasing colour schemes.

The Spring Salon at Liljevalch’s runs until the 21st of April, 2024.

Editor’s Note: Thank you, Annika, for sharing your experience visiting this exhibition. If you are a member of Feltmakers Ireland and have seen an inspiring show, we would love to share this with our readers. Please contact feltmakersie@gmail.com

Recap: Elaine Peden’s Creative Journey

Elaine Peden demonstrating at Bloom 2023 in Phonix Park


Today’s post was written by longtime member and former Guild chair Breda Fay.

What a brilliant start to 2024 with the January Sunday Session – a warm welcome from the committee to an eclectic group – FI members from more than 20 years ago, newbies (one who only arrived in Eire in the last week), and the rest of us.

Elaine Peden treated us to a journey through her creative life. Elaine, who is a nurse, a profession where rules and regulations, timetables and schedules are so important, began her story with how she found the craft of jewellery making. She relished the idea of turning myriads of little beads into a necklace or brooch. She was soon involved in craft fairs, where her work was well received. The confidence gained from this was all important, as Elaine described the confidence needed to become truly creative. “Letting yourself go”, being prepared to enjoy a process rather than having an end product in mind is so liberating.

Wearable Art

It was on a walk through the Phoenix Park that Elaine discovered feltmaking – at the little studio at the Knockmaroon Gate where Sunday Sessions used to be held. Her inquisitive nature caused her to explore where a group of women carrying boxes and bags might be going on a Sunday morning! She was welcomed with open arms. Elaine warmed immediately to this new form of creating and to the makers who willingly shared their skills. Again, it was about transformations that occurred during the process – how wool fibres became a fabric that draped gracefully or held a strong structure depending on the process. It was the 3D structures that particularly interested Elaine, and she honed her craft through attendance at a wide range of Master Classes. While feltmaking required lots of hard physical work, Elaine felt it suited her better than the close, confined work of jewellery making.

More Art

Elaine always had an interest in “found things”, in using things again, in recycling. This interest was accommodated when she joined Element15 in Kildare, a group of individual artists who were developing their own practices, each distinct but also connected. Element 15 artists’ roots were in textiles but evolved to include different materials and processes. Their connection with nature particularly appealed to Elaine, and with great enthusiasm, she looked at making structures that would survive (or might be transformed) in the outdoors. Her description of Mr. Crow and Mr. Deer’s placement in the valley of Jimi Blake’s garden outside Blessington was inspiring.

Mr. Crow – sculpture by Elaine Peden.

Elaine had a range of samples of her work, including Mr. Crow in his gentleman’s jacket and hat. We were able to touch and photograph for future inspiration. Her witty delivery of the topic, including her mention of some of the “disasters”* of her work, was so entertaining that we could still be there listening and giggling.

Three Dimensional Art

Over the years, Elaine has taken many workshops. One of the courses focused on bootmaking. Below is a photo of Breda’s boots, which Elaine humorously referred to in her presentation. Elaine made hers in an uncooperative orange-coloured wool. Her boots are the only piece that she has ever tossed!

The Boots!

Well done, Elaine! And FI committee for a lively Sunday Session. Also, thanks to new guild member Eva Salamon for allowing us to use some of her photographs.

To view a video of Elaine’s presentation, visit our YouTube Channel – https://www.youtube.com/watch?v=pznGCQHsYMQ

Advance apologies for the poor sound quality and camera work of the recording.

Of Interest: Textile Talks Videos

SAQA, or Studio Art Quilt, is an international organisation dedicated to promoting the art quilt and the artists who create them. In addition to curating exhibitions devoted to art quilts, they have a fascinating series of artists’ talks on their YouTube Channel @SAQAArtQuilt. These videos cover many different textile practices.

Textile Talks features weekly presentations and panel discussions from the International Quilt Museum, Quilt Alliance, Studio Art Quilt Associates, and Surface Design Association.

There are over 170 Textile Talks that can be watched here, and they are not only about art quilts – https://www.youtube.com/playlist?list=PLXsBpWjk3xVCTzucHkrU3ly5NlLa7mW3f

Disclaimer for Feltmakers Ireland Blog

Feltmakers Ireland aims to share information about awards, education, events, exhibitions, and opportunities that you will find interesting. Our sharing is neither paid for by nor an endorsement of these individuals or organisations.

Contact Us: If you have any concerns about content, please email us at feltmakersie@gmail.com.

Questions: For questions about content, please follow the link to the organisation involved in hosting the event.