LIMINAL- a space between, Exhibition

‘Into the Matrix’ Exhibition: 2 pm Monday 31st August to 4pm Sunday September 13th.

Open every other day from 10-1 and 2-5pm. 7 people can visit at any one time

Liminal is a County Wicklow based group of four artists motivated by their shared experience of establishing a sense of place in their adopted county. They have come together to find strength in working collaboratively and explore contemporary ways of working with fibre arts and mixed media.

Fabienne Herbert, Christine Theobald, Anne Walsh, and Nessa McCormack met through their involvement in Feltmakers Ireland and have previously exhibited with FI. This is their first group show. Each artist has responded to the theme individually, producing wall and 3D pieces in their chosen art medium.

Instagram: Liminalart      Facebook: Liminal   Email: liminalvisual@gmail.com

Anne Walsh – Bio and Artist statement

Anne worked as a dress designer for 18 years before following her passion to understand the myriad and innovative ways that humankind have developed to exist in their worlds. This led to her completing a degree in Anthropology, later focussing on the Anthropology of Art in her Masters in New Zealand. It was there that she first learnt to felt, an artform that had enthralled her many years earlier during frequent visits to Co Clare. On returning to Ireland she continued to explore feltmaking, attending master classes with Feltmakers Ireland, constantly seeking out the possibilities that feltmaking provided.

“Throughout my life I have been drawn to the alternatives and possibilities of other worlds, to other ways of being. The exhibition theme, Into the Matrix, defined in one dictionary as ‘a mass of fine-grained rock in which gems, crystals or fossils are embedded’, led me on a journey to explore the otherness of the little known, the underworlds of limestone ecosystems. My personal quest was to interpret this environment through the patterns I saw, believing that even within the unknown, we recognise something, it resonates within us, speaking a language that we know in our souls, and it offers us a window to imagine and understand diverse ways of living, seeing, and being in our world.”

Email: Awesomefelt@gmail.com     Phone: 086 8177326

Christine Theobald – Bio and Artist Statement

Originally from Switzerland, Christine studied Visual Arts and Art History in Geneva. Since arriving in Ireland, many moons ago, she has worked in the field of Special Education and Autism with a particular interest in facilitating arts and creative activities. After completing a degree in Early Childhood Education, she questioned the role that creativity plays in human development. With this vision, she found herself felting her way into the visual and design world.

“Wherever my eyes wander and play, I follow. Marvelling at patterns, I like to explore the underlying framework of all things. I am fascinated by the transformation of airy fibre into shapes, revealing geometric markings, with light and shadows playing their part. Smooth felted edges create harmonious lines and blends of colour emerge softly, adding to the understanding of the piece.

Free falling ‘Into the Matrix’ of my own creative experience, I made a series of pieces that tempted fresh boundaries. Upon self-reflection, my aim was to link natural patterns and ways to follow the fibre of my intuition, directing myself towards a space of effortless creativity that I remember having as a child.”

Email: outfeltdesign@gmail.com              Instagram outfelt.design

Nessa McCormack: Bio and Artists Statement

Nessa is an Irish artist living and working in County Wicklow. Having worked in the IT industry for many years, she returned to college as a mature student in 2015 and studied Visual Art at the National College of Art and Design, Ireland. Over the past 10 years she studied and worked with screen printed and sculptural fibre art which inform the layers and textures in her paintings.

“Vibrant abstract paintings that celebrate colour and simplicity in composition, combined with a deep connection to intricate patterns, form the basis of my work.

My paintings begin with colour investigations, usually derived from sketchbook studies and evolve intuitively through play, and a considered response to emerging layers of hand printed marks, spontaneous drawing and textured paint surfaces. I strive to keep an energy and freshness going throughout the process by working in a series of paintings, taking risks, moving quickly from one to the next interpreting and responding to what each one is telling me.

I have discovered a sense of place and a deep connection with beauty in the intricate details observed in my environment: in particular, communities of abundant thriving life forms in nature, their connectivity and constant renewal.

Indigenous global cultures have embraced this deep wisdom in the natural world and offer inspiration through symbols and vivid colours found in their textiles. My current body of work is an exploration and celebration of the beauty evident in their daily rituals.”

Email: nessamccormack@gmail.com    Instagram: nessamccormackart    

Facebook: Nessa McCormack     Website: www.nessamccormack.com  Phone: 086 6022511

Fabienne Herbert – Bio and Artist’s Statement

Fabienne grew up in western France. The daughter of a dressmaker, she was drawn early on to the process of creation. After working in software localization for many years, she studied, graduated and worked as an Interior Architect. This experience reinforced her belief in the value of simple forms and that materials awake our senses, evoking memories. She also studied Visual Art Practice in NCAD, where she won a prize in Embroidery. Her art is inspired by observations of her surroundings, an experience or a moment in time. Using printmaking and thread work, her work evolved towards abstraction, influenced by cubism and the Bauhaus movement. Fabienne has now taken a more experimental approach to her work by making and using natural and plant-based materials.

“How I perceive my surroundings, and what engages my senses, drive what I do. I seek to capture a shape, an outline, an element and build upon this. By expressing myself, I can find a balance between a sense of order and the unexpected. My process can start with a mark, a colour, a material or a series of experiments. I use printmaking and thread work to construct simple forms in wall art and sculptural pieces. I make my own colours using plants which I turn into a natural print paste, dye or ink. Having a direct link with the raw material is fundamental to my creative process.

Into the Matrix evokes the idea of repeated forms and actions, as seen all around us. For this exhibition I explore the relationship between repetition, pattern and space and how it impacts us. Based on my observations of the San Francisco city scape, this body of work looks at how materiality and repetition define our environment. I interact and move through the city where space, form and place meet.

All my pieces in this exhibition include natural dyes, pigments or inks made either from my garden plants, local flora foraged in Wicklow and during my journeys in France, or from food and plant waste.”

Email: fabienne@mellowgoatstudio.com   Instagram: mellowgoatstudio

Website: www.mellowgoatstudio.com       Phone: 087 6482996

‘Into the Matrix’ Exhibition: 2 pm Monday 31st August to 4pm Sunday September 13th.

Open every other day from 10-1 and 2-5pm. 7 people can visit at any one time- PLEASE GO ALONG, SUPPORT LOCAL ARTISTS AND BE INSPIRED.

Meet the Maker- Tamzen Lundy

I joined the Feltmakers Ireland committee back in 2018. I took over the role of Chair back at the start of this year, ah, and what a year it has been.

A Global Pandemic wasn’t on my prediction list for 2020 and it certainly was not on the FMI “aims and objectives”! Who would have thought it? How our lives could be changed, futures altered and humans “Endangered”.

The title for our 2020 exhibition had already been decided at the end of 2019. After a few brainstorming sessions and with the Climate action protests at the forefront of our mind, we all agreed it was an appropriate topic. Ambiguous enough to give scope to creativity but clear enough to hopefully link the incoming submissions.

I am terribly proud that as a group we managed to put on an exhibition at all this year. Our proposal was for a gallery space at the Knit &Stitch in the RDS, this was cancelled… we had a plan B in place, a lovely space in the visitor centre at the Phoenix Park- 3 weeks before we were due to open this space changed too!

We flexed a little and changed course, in the end the judges- Gabi Mc Grath and Jane Fox were extremely impressed with the standard and marked and ranked the pieces. This we communicated to the applicants.

As a committee however, we decided we would try to show everyone’s work. With the year that’s in it, our aim is to keep the community motivated, to promote the work of local artists and to support… and so it was- all applicants work was shown albeit in a smaller location in the Phoenix park and we hope that you have enjoyed the on-line “meet the maker” interviews and photographs too…

Here’s mine. Tamzen x

Coral Bleaching by Tamzen Lundy

The Exhibition title- Endangered?- how does your piece respond to the title? your inspiration and methods etc

My piece is titled “Coral Bleaching” it highlights the topic of habitat loss, specifically in the Great Barrier Reef, the phenomenon of coral bleaching linked to elevated sea temperatures.

It is a textural piece using wet felt techniques including cords, attachments and shibori as well as hand embroidery and bead work.

I love colour and texture, so I’ve used bright fluo combinations. I interspersed these highly coloured sections with neutral undyed “ bleached” out wool, where hopefully the textures speak for themselves.

Last year I undertook the #100day project and many of the small pieces I created reminded me of coral or sea creatures. I spent some time collecting plastic waste and ghost fishing nets and incorporated small pieces of these into my work. I suppose that this “Coral Bleaching” piece is a continuation of that work.

Crafting through the current crisis, with the pandemic have you found time to craft, has it inspired you or have you found it more difficult- discuss

In my family this really has been a crisis year. I was acutely aware of the Global situation as it unfolded. I watched Covid 19 news closely as it emerged in China back in January. Back in 2003 I was working in Hong Kong when Sar’s emerged. I remember the nervousness of having my temperature checked at the airport en route home from a business trip.

With my own fashion design work, I travelled to Germany in February this year to consult with a large retailer ( and took a face mask with me “just in case”, but it stayed wrapped and sealed in my pocket).

By the end of that month, our relatives in Milan, Italy were in lockdown.

My Indian boss, whose family live in Madrid- had already started home-schooling.

On 12th March I picked up my 3 Children from school. My partner and I still didn’t realise then that by the end of the month both my freelance business of 15years would have ended ( I hope suspended, but I simply don’t know) I would have become full time- “home- school” teacher on PUP!

As large European retailers simply cancelled orders for knitwear, product that was already designed, manufactured, and shipped, the knock-on effect to the manufacturers and all their auxiliary partners (including me) was extreme. Capital dried up, goods stopped at ports and contracts abandoned, claims of “Force majeure” as European retailers shuttered their doors and passed the problem to the Asian manufacturers, ( and freelancers like me) who soaked up the losses.

I turned my focus to staying healthy, keeping mind and body together, working on my own creative projects and my family.

Luckily for my birthday my folks sent down a great big package of fibre, so materials weren’t a problem and crafting as always played a huge part in my life.

Art and Craft is not something I do in my spare time; it is the thing I do. The Earth without Art… Eh.

I’ve used this time to make 2 videos for DCCI and to start to video my work for future on-line felting tutorials. I am also organising a local #madeinmaynooth market for artists and crafters to simply set up a socially distanced stand and hold a “art and craft walk” on a designated day in the month.

I’m doing this as well as setting up an etsy store, supporting my kids as they transition back to school and volunteering with the FMI committee.

100 days of felt Tamzen Lundy

Felt- how you discovered it, what it means to you

It was at a Knit & Stitch show a good few years ago now that I first saw a demonstration. I studied Fashion and textiles at university and design knitwear ( very commercial, colour and trends) but felt was not something I had done before. I loved the versatility, 2d and 3d. It was almost like magic, fibre to cloth, with no needles!

Felting means I can be creative at my kitchen table. I can be present in the house, I can chat to the kids, but I can also work creatively for me.

I have an output for my creative madness that is both flexible and forgiving, qualities I respect and strive for in life.

​FELTING ONLINE WORKSHOPS
INSTAGRAM/TAMZENLUNDYDESIGNS

FACEBOOK: TAMZEN LUNDY DESIGNS

I’d like to take this opportunity as the “Endangered” exhibition closes to thank our hosts the OPW, Phoenix Park visitor centre, The DCCI, The feltmakers Ireland voluntary committee for their hard work, our two esteemed Judges- Gabi Mc Grath and Jane Fox and all the applicants for their wonderful work.

We hope that through these tough times you have been inspired to keep crafting, keep creative and keep safe.